Roger Ebert: Movie (page 5)

“Hitchcock said a movie should play the audience like a piano. Death Race played me like a drum. It is an assault on all senses, including common. Walking out, I had the impression I had just seen the video game and was still waiting for the movie.”

Roger Ebert

Review http://www.rogerebert.com/reviews/death-race-2008 of Death Race (22 August 2008)
Reviews, Half-star reviews

Death , Game , Sense , Waiting

“The movie cheerfully offends all civilized notions of taste, decorum, manners and hygiene… is the movie vulgar? Vulgarity is when we don't laugh. When we laugh, it's merely human nature.”

Roger Ebert

Review http://www.rogerebert.com/reviews/american-wedding-2003 of American Wedding (1 August 2003)
Reviews, Three star reviews

Nature

“It was W. C. Fields who hated to appear in the same scene with a child, a dog, or a plunging neckline - because nobody in the audience would be looking at him. Jennifer Aniston has the same problem in this movie even when she's in scenes all by herself.”

Roger Ebert

Review http://www.rogerebert.com/reviews/picture-perfect-1997 of Picture Perfect (1 August 1997)
Reviews, Two star reviews

Hate , Dogs , Problem , Appearance

“I remember when hard-core first became commonplace, and there were discussions about what it would be like if a serious director ever made a porn movie. The answer, judging by Anatomy of Hell, is that the audience would decide they did not require such a serious director after all.”

Roger Ebert

Review http://www.rogerebert.com/reviews/anatomy-of-hell-2004 of Anatomy of Hell (12 November 2004)
Reviews, One-star reviews

Hell

“The movie is being revived around the country for midnight cult showings. Midnight is not late enough.”

Roger Ebert

Review http://www.rogerebert.com/reviews/the-beyond-1998 of The Beyond (3 July 1998)
Reviews, Half-star reviews

Country

“Wild Things is lurid trash, with a plot so twisted they're still explaining it during the closing titles. It's like a three-way collision between a softcore sex film, a soap opera and a B-grade noir. I liked it. Movies such as this either entertain or offend audiences; there's no neutral ground. Either you're a connoisseur of melodramatic comic vulgarity, or you're not. You know who you are. I don't want to get any postcards telling me this movie is in bad taste. I'm warning you: It is in bad taste. Bad taste elevated to the level of demented sleaze.”

Roger Ebert

Review http://www.rogerebert.com/reviews/wild-things-1998 of Wild Things (20 March 1998)
Reviews, Three star reviews

Sex , Way

“Guyana-Cult of the Damned has crawled out from under a rock and into local theaters, and will do nicely as this week's example of the depths to which people will plunge in search of a dollar. The movie is a gruesome version of the Jonestown massacre of 1978, so badly written and directed it illustrates a simple rule of movie exhibition: If a film is nauseating and reprehensible enough in the first place, it doesn't matter how badly it's made - people will go anyway.”

Roger Ebert

Review http://www.rogerebert.com/reviews/guyana-cult-of-the-damned-1980 of Guyana-Cult of the Damned (29 January 1980)
Reviews, Zero star reviews

People , Search

“We'll probably be debating A Clockwork Orange for a long time — a long, weary and pointless time. The New York critical establishment has guaranteed that for us. They missed the boat on 2001, so maybe they were trying to catch up with Kubrick on this one. Or maybe the news weeklies just needed a good movie cover story for Christmas.”

Roger Ebert

Review http://www.rogerebert.com/reviews/a-clockwork-orange-1972 of A Clockwork Orange (11 February 1972)
Reviews, Two star reviews

Time , Christmas

“It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom; but the energy she brings to her role is less awesome than discouraging. If you have to work this hard at sexual freedom, maybe it isn't worth the effort.”

Roger Ebert

Review http://www.rogerebert.com/reviews/deep-throat-1973 of Deep Throat (6 March 1973)
Reviews, No star rating

Star , Effort , Freedom

“The movie, as everyone knows, is about a man who finds himself living the same day over and over and over again. He is the only person in his world who knows this is happening, and after going through periods of dismay and bitterness, revolt and despair, suicidal self-destruction and cynical recklessness, he begins to do something that is alien to his nature. He begins to learn.”

Roger Ebert

Review https://www.rogerebert.com/reviews/great-movie-groundhog-day-1993 of Groundhog Day
Reviews, Four star reviews

World , Nature , Suicide , Learning

“These aren't nerds. They're a bunch of interesting guys, and that's the problem with Revenge of the Nerds II. The movie doesn't have the nerve to be about real nerds. It hedges its bets. A nerd is not a nerd because he understands computers and wears a plastic pen protector in his shirt pocket. A nerd is a nerd because he brings a special lack of elegance to life. An absence of style. An inability to notice the feelings of other people. A nerd is a nerd from the inside out, which is something the nerds who made this movie will never understand.”

Roger Ebert

Review http://www.rogerebert.com/reviews/revenge-of-the-nerds-ii-nerds-in-paradise-1987 of Revenge of the Nerds II: Nerds in Paradise (13 July 1987)
Reviews, One-and-a-half star reviews

Life , People , Guy , Feeling

“Basic Instinct 2 is not good in any rational or defensible way, but not bad in irrational and indefensible ways. I savored the icy abstraction of the modern architecture, which made the people look like they came with the building. I grinned at that absurd phallic skyscraper that really does exist in London. I liked the recklessness of the sex-and-speed sequence that opens the movie (and, curiously, looks to have been shot in Chicago). I could appreciate the plot once I accepted that it was simply jerking my chain. You can wallow in it … Footnote No. 2: My 1-1/2-star rating is like a cold shower, designed to take my mind away from giving it four stars.”

Roger Ebert

Review http://www.rogerebert.com/reviews/basic-instinct-2-2006 of Basic Instinct 2 (31 March 2006)
Reviews, One-and-a-half star reviews

People , Sex , Jerk , Way

“Now that we know Quentin Tarantino can make a movie like Reservoir Dogs, it's time for him to move on and make a better one.”

Roger Ebert

Review http://www.rogerebert.com/reviews/reservoir-dogs-1992 of Reservoir Dogs (26 October 1992)
Reviews, Two-and-a-half star reviews

Dogs , Time

“No movie has ever been able to provide a catharsis for the Holocaust, and I suspect none will ever be able to provide one for 9/11.”

Roger Ebert

Review http://www.rogerebert.com/reviews/extremely-loud-and-incredibly-close-2012 of Extremely Loud and Incredibly Close (18 January 2012)
Reviews, Two-and-a-half star reviews

“Saving Silverman is so bad in so many different ways that perhaps you should see it, as an example of the lowest slopes of the bell-shaped curve. This is the kind of movie that gives even its defenders fits of desperation. Consider my friend James Berardinelli, the best of the Web-based critics. No doubt 10 days of oxygen deprivation at the Sundance Film Festival helped inspire his three-star review, in which he reports optimistically, "Saving Silverman" has its share of pratfalls and slapstick moments, but there's almost no flatulence." Here's a critical rule of thumb: You know you're in trouble when you're reduced to praising a movie for its absence of fart jokes, and have to add "almost"… as for Neil Diamond, Saving Silverman is his first appearance in a fiction film since The Jazz Singer, and one can only marvel that he waited 20 years to appear in a second film, and found one even worse than his first one.”

Roger Ebert

Review http://www.rogerebert.com/reviews/saving-silverman-2001 of Saving Silverman (9 February 2001)
Reviews, Half-star reviews

Way , Star , Appearance , Waiting

“The Spice Girls are easier to tell apart than the Teenage Mutant Ninja Turtles, but that is small consolation: What can you say about five women whose principal distinguishing characteristic is that they have different names? They occupy Spice World as if they were watching it: They're so detached they can't even successfully lip-synch their own songs. During a rehearsal scene, their director tells them, with such truth that we may be hearing a secret message from the screenwriter, "That was absolutely perfect — without being actually any good." Spice World is obviously intended as a ripoff of A Hard Day's Night which gave The Beatles to the movies… the huge difference, of course, is that the Beatles were talented — while, let's face it, the Spice Girls could be duplicated by any five women under the age of 30 standing in line at Dunkin' Donuts.”

Roger Ebert

Review http://www.rogerebert.com/reviews/spice-world-1998 of Spice World (23 January 1998)
Reviews, Half-star reviews

Women , Truth , Secret , Age

“It's strange: We leave the movie having enjoyed its conclusion so much that we almost forgot our earlier reservations. But they were there, and they were real.”

Roger Ebert

Review of http://www.rogerebert.com/reviews/the-goodbye-girl-1977 The Goodbye Girl (1 January 1977)
Reviews, Three star reviews

“Here is a Civil War movie that Trent Lott might enjoy. Less enlightened than Gone with the Wind, obsessed with military strategy, impartial between South and North, religiously devout, it waits 70 minutes before introducing the first of its two speaking roles for African Americans; "Stonewall" Jackson assures his black cook that the South will free him, and the cook looks cautiously optimistic. If World War II were handled this way, there'd be hell to pay.”

Roger Ebert

Review http://www.rogerebert.com/reviews/gods-and-generals-2003 of Gods and Generals (21 February 2003)
Reviews, One-and-a-half star reviews

War , World , Way , Hell

“I saw The Lonely Guy all by myself. It was one of those Saturday afternoons where the snow is coming down gray and mean, and you can't even get a decent recorded message on the answering machines of strangers … "Good luck," an usher told me. "You're going to need it." He was right … The Lonely Guy is the kind of movie that seems to have been made to play in empty theaters on overcast January afternoons … [It] is the kind of movie that inspires you to distract yourself by counting the commercial products visible on the screen, and speculating about whether their manufacturers paid fees to have them worked into the movie. I counted two Diet 7-Ups, two Tabs, and Steve Martin.”

Roger Ebert

Review http://www.rogerebert.com/reviews/the-lonely-guy-1984 of The Lonely Guy (1 January 1984)
Reviews, One-and-a-half star reviews

Guy

“It considers not only how we relate to others, but how we relate to our ideas of others — so that a completely phony, non-human replica of a dead wife can inspire the same feelings that the wife herself once did. That is a peculiarity of humans: We feel the same emotions for our ideas as we do for the real world, which is why we can cry while reading a book, or fall in love with movie stars. Our idea of humanity bewitches us, while humanity itself stays safely sealed away into its billions of separate containers, or "people."”

Roger Ebert

Review http://www.rogerebert.com/reviews/solaris-2002 of Solaris (22 November 2002)
Reviews, Three-and-a-half star reviews

Love , People , Books , World