1. Quotes
  2. Authors
  3. Robertson Davies

Robertson Davies Quotes
page 5

William Robertson Davies, CC, OOnt, FRSC, FRSL was a Canadian novelist, playwright, critic, journalist, and professor. He was one of Canada's best known and most popular authors and one of its most distinguished "men of letters", a term Davies is variously said to have both gladly accepted for himself and to have detested. Davies was the founding Master of Massey College, a graduate residential college associated with the University of Toronto.

✵ 28. August 1913 – 2. December 1995
Robertson Davies: 282 quotes4 likes

Robertson Davies Quotes

“This was a distilled essence of life; this was the way people behaved when they took off the masks which all adults seemed to me to wear; this was noble. A veil had been rent between the greatness of mankind and myself, and I knew that I would never be the same again. Nor was I. Since that night I have made some progress in my attempt to understand mankind, but I have never made another such giant leap.”

Robertson Davies

Three Worlds, Three Summers — But Not the Summer Just Past.

“This is, after all, a book about reading, and the kind of reader I am addressing does not care primarily about being in fashion.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“It seemed to me as if the stones sang, in the strangest voices, in the language of Ultima Thule.”

Robertson Davies

Harper of the Stones (1986).

“During the years when my own daughters were pupils in this school I attended many of these gatherings, and heard many speeches made by men who stood where I stand at this moment. They said all sorts of things. I recall one speaker who said that as he looked out at the girls who were assembled to receive prizes, and to pay their last respects to their school, he felt as though he were looking over a garden of exquisite flowers. He was drunk, poor man, and it would be absurd to treat his remark as though he were speaking on oath.”

Robertson Davies

What Every Girl Should Know.
One-Half of Robertson Davies (1977)

“We all have slumbering realms of sensibility which can be coaxed into wakefulness by books.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“Naked anger may sometimes be seen in priests of the Church of Rome, but the Church of England prefers the icy smile, the false bonhomie, the sword concealed in the palm-branch.”

Robertson Davies book The Cunning Man

Part 3, section 15
The Cunning Man (1994)

“Long toil and short leisure are part of the heavy price we pay for our North American standard of living. It is reputed to be the highest in the world, and so it should be, for it is bought at an inordinate price.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“Every man is wise when attacked by a mad dog; fewer when pursued by a mad woman; only the wisest survive when attacked by a mad notion.”

Robertson Davies

Samuel Marchbanks' Almanack (1967)

“The true realist is he who believes in both God and the Devil, and is prepared to attempt, with humility, to sort out some corner of the extraordinary tangle of their works which is our world. He cannot use his feeling alone, he must use his intellect.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“You would not serve junk food at a banquet, and your book must be a banquet. Get your language from Swift, not from Shopsy's.”

Robertson Davies

Note on a thesis draft, where a graduate student who had used "hopefully" to mean "it is to be hoped"; published in Robertson Davies : Man of Myth (1994) edited by Judith Skelton Grant

“It would certainly be better if a writer like Leacock knew always what was best to do and what would look best in the eyes of posterity, but such unnatural foresight cannot be required of any man.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“I think a lot of people have unreasonable expectations because they never stop to consider what life actually has to offer them. They're always looking for some great epiphany from the skies. They never stop to consider the fact which human beings find hardest to recognize: "Maybe I'm not worthy of an epiphany."”

Robertson Davies

"You Should Face Up to Your Death, Says Author".
Conversations with Robertson Davies (1989)

“The usual thing — the statistically normal thing — is for the speaker to tell the graduating class that they are going out into a world torn by dissent, racked by problems of unprecedented knottiness and difficulty, and headed for the abyss of destruction unless the graduating class shoulders its burden and does something splendid to put everything right. The speaker generally admits that he is at the end of his tether: he is old, and broken on the wheel of Fate; his decrepitude and his wounds have been received in this great battle with the world's problems. Nothing — absolutely nothing — is to be expected of him in the future. From his failing hands he throws the torch; he plants the task of setting the world right square on the graduating class. He says that he does it with confidence. But he is usually so gloomy that one wonders how much his confidence is worth. Sometimes one gets the impression that immediately after Convocation he is going home to die.”

Robertson Davies

What Will the Age of Aquarius Bring
One-Half of Robertson Davies (1977)

“I am a Democrat. All of my family have been persons of peasant origin, who have wrung a meagre sufficiency from a harsh world by the labour of their hands. I acknowledge no one my superior merely on grounds of a more fortunate destiny, a favoured birth. I did what any such man would do when confronted with Queen Victoria; I fell immediately to my knees.”

Robertson Davies

The Great Queen is Amused.
High Spirits: A Collection of Ghost Stories (1982)

“There must be times, in the world of business, when two Peale-powered personalities find themselves in opposition. Number One is determined to achieve success by selling Number Two a great gross of non-molting dust mops; Number Two is equally determined not to have the mops. Both have affirmed an equal number of times that he can do all things through Christ which strengtheneth him. What happens? Theologians will scratch their heads over this, and Immensity itself may feel a tremor.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“Speakers' nerves affect them in various ways. Some tremble, some become frenzied. I lose all confidence, and suffer from a leaden oppression that makes me wonder why I ever agreed to speak at all; the Tomb and the Conqueror Worm seem preferable to delivering the stupid and piffling speech I have so carefully prepared.”

Robertson Davies

One Half of Robertson Davies (1989).

“We are approaching a millennium; the year 2000 draws on apace. The last time mankind had this experience a chaos comparable to our own was observable in many parts of the world; monsters and portents were reported from all quarters of the globe. We need not believe in these monsters and portents as actualities any more than we need believe the reports of flying saucers today; what is significant is that men yielded to an inner compulsion to fancy such things, and in this sense they were artistic creations rooted in fear much as are the pictures and images which we have been discussing.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“There are great numbers of people to whom the act of reading a book — any sort of book — is wondrous; they speak of the reader in the tone of warm approbation which they use otherwise when referring to pregnant women, or the newly dead.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“Perhaps the word for the feeling I mean is serenity, a high acceptance, a recognition that Heracleitus's doctrine of eternal flow is a great truth, and while we may not, in ourselves, find the moment when the one element changes into the other, that moment will come and the consciousness of its inevitability may give us courage in adversity, and balance in good fortune.”

Robertson Davies

Opera and Humour (1991)

“It used to be fashionable for authors to have their pictures taken with dogs, but the dogs always looked like models hired from an advertising agency, and probably were.”

Robertson Davies

mehitabel (1959).

“Love, though sweet, must know its proper station
And never seek to rival education.”

Robertson Davies

The Golden Ass (1999)

“Celtic civilization was tribal, but by no means savage or uncultivated. People who regarded the theft of a harp from a bard as a crime second only to an attack on the tribal chieftain cannot be regarded as wanting in cultivated feeling.”

Robertson Davies

Scottish Folklore and Opera (1992).

“The stones were dancing now. O yes, they were dancing! But it was not hopping and skipping like jigs or reels, nor was it the dismal revolving of a ballroom. Not a stone moved from its place, but they rocked and turned, slowly and with the greatest dignity, as if to say: "We are the lords of the earth and of the water. We shall stand when all has gone. We shall endure until better things come. But what can be better than we? So we shall endure forever."”

Robertson Davies

Harper of the Stones (1986).

“It is lost, lovely child, somewhere in the ragbag that I laughingly refer to as my memory.”

Robertson Davies

A Conversation about Dr. Canon's Cure (1982).

“There can be no doubt that Samuel Marchbanks is one of the choice and master spirits of this age. If there were such a volume as Who Really Ought To Be Who his entry would require several pages.”

Robertson Davies

Introduction.
The Papers of Samuel Marchbanks (1985)

“It is particularly displeasing to hear professional critics using the term "layman" to describe people who are amateurs and patrons of those arts with which they are themselves professionally concerned. The fact that the critic gets money for knowing something, and giving public expression to his opinion, does not entitle him to consider the amateur, who may be as well informed and as sensitive as himself, an outsider.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“In my collection, to me at least, the theatre of the past lives again and those long-dead playwrights and actors have in me an enthralled audience of one, and I applaud them across the centuries.”

Robertson Davies

How to Be a Collector (1995).

“You have to come to terms with yourself and your place in the scheme of life — something a good many people don't want to do. In the last century we have extended the normal life-span. Many seem to believe that this means we have extended the period when they should enjoy the things they enjoyed in youth. But I don't think they realize that we've also expanded the period of life when we can learn to think, feel, and experience the largeness and the splendor of life.”

Robertson Davies

"You Should Face Up to Your Death, Says Author".
Conversations with Robertson Davies (1989)

“She made a great deal of money in her time and she spent it lavishly. Speaking of herself and her colleagues at the Metropolitan she said: "We were a race of giants." Quite true, and in case you don't know it, being a giant is a very expensive business. The cost of food and drink, not merely for oneself but for one's fellow-giants and one's scores of attendant gnomes, is a very considerable item. And the cost of jewels for a female giant is really fabulous.”

Robertson Davies

"Emma Calvé" (1942).

“The US, for historical reasons, mistrusts the concept of a welfare state, and this mistrust shows itself nakedly under present US government, which commits uncounted billions of the national wealth to what it calls defence, and is close-fisted in giving money to plans which would ameliorate the grinding poverty of a great part of its people. Quite simply, in Canada you could not get away with that.”

Robertson Davies

Literature in a Country Without a Mythology (1988).

“Motherhood and all the sentimentality that goes with Mother's Day was not congenial to the Greek mind. They were a remarkably unsentimental people; they had no particular reverence for children, nor did they regard them as a special and privileged portion of society. It would not have occurred to them to erect a vast temple to Mickey Mouse. They left that for us.”

Robertson Davies

The Noble Greeks.

“And how often do we meet the man who prefaces his remarks with: "I was reading a book last night…" in the too loud, overenunciated fashion of one who might be saying: "I keep a hippogryph in my basement."”

Robertson Davies book A Voice from the Attic

Reading confers status.
A Voice from the Attic (1960)

“I have known far too many university graduates, in this country and in my own, who, as soon as they have received the diploma which declares them to be of Certified Intelligence, put their brains in cold storage and never use them again until they are hauled away to the mortuary.”

Robertson Davies

Reading (1990)

“In spite of all this chaos, however, most people seem to lead humdrum lives, and badly want livening up. Do you think we should organize a Chaos-of-the-Month Club, guaranteeing to supply all members with something really unnerving every thirty days?”

Robertson Davies

Samuel Marchbanks' Almanack (1967)

“Why are so many people ashamed of having intelligence and using it? There is nothing democratic about such an attitude. To pretend to be less intelligent that one is deceives nobody and begets dislike, for intelligence cannot be hidden; like a cough, it will out, stifle it how you may. No man has ever won commendation for standing at less than his full height, either physically, morally, or intellectually.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“We mistrust anything that too strongly challenges our ideal of mediocrity.”

Robertson Davies

The Noble Greeks (1993).

“This is a work which ought to be in every library in Canada; perhaps, after twenty-five years or so, it might silence the recurrent hubbub about nude paintings which is a feature of our national life. Yes, they are erotic. Yes, madam, the painters are often naughty men, and the models are sometimes bad girls. But there are elements involved in the painting of the nude which draw upon what is highest in art and express what is highest in mankind. Now, may we please look at the pictures?”

Robertson Davies

Review of The Painter's Eye and The Nude (1957).

“One of the things that puzzles me is that so few people want to look at life as a totality and to recognize that death is no more extraordinary than birth. When they say it's the end of everything they don't seem to recognize that we came from somewhere and it would be very, very strange indeed to suppose that we're not going somewhere.”

Robertson Davies

"You Should Face Up to Your Death, Says Author".
Conversations with Robertson Davies (1989)

“Several children present me with scraps of paper for autographs: obviously don't know who I am and don't care. I sign "Jackie Collins" and they go away quite content.”

Robertson Davies

Diary entry describing his appearance at the Gothenburg Book Fair (7 September 1989), published in Happy Alchemy (1999), p. 332.

“Women always think that if they tell a man not to be pompous that will shut him up, but I am an old hand at that game. I know that if a man bides his time his moment will come.”

Robertson Davies

The Great Queen is Amused.
High Spirits: A Collection of Ghost Stories (1982)

“I am sure that I would not make a good taxidermist; the temptation to improve upon nature would certainly be too strong for me. Think how easy it would be, when stuffing somebody's pet terrier, to slip a couple of human glass eyes into a sockets, instead of the usual buttons. Then the owner would really be justified in saying that his pet looked almost human. If I were stuffing this two-headed calf, for instance, I could not resist making one head smile and the other one frown, so that they looked like masks of Comedy and Tragedy.”

Robertson Davies book The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

“Chaucer shares on the literary stock marker have been rising during the past ten years, owing chiefly to the enthusiasm, literary gifts and scholarship of an Oxford don, Nevill Coghill, and secondarily to the British Broadcasting Corporation. The fluctuations of the literary market are familiar to everyone; sometimes there is a fierce flutter in a virtually unknown commodity (like the John Donne boom in the twenties); occasionally an almost dead commodity bursts in new life (as in the Trollope boom of the forties); Foreign Moderns (Sartre, de Beauvoir, Camus, Sagan) are eagerly pushed but are apt to collapse suddenly, wiping out those critics who have invested too heavily in them; in the USA the Deep South and Proletarian Anguish are solid, though all else fluctuates unpredictably.”

Robertson Davies

Review of the Canterbury Tales (1957).

“Whoever declares a child to be "delicate" thereby crowns and anoints a tyrant.”

Robertson Davies book The Cunning Man

Part 1, section 6.
The Cunning Man (1994)

“If you can, and if you are a playgoer and a filmgoer, you should be able to find voices for all the characters in the books you read.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“I have no skills with machines. I fear them, and because I cannot help attributing human qualities to them, I suspect that they hate me and will kill me if they can.”

Robertson Davies

Reading (1990)

“It is not as though "Do what thou wilt shall be the whole of the law" was a precept from which splendid fiction could not be drawn; it is rather that what these small-time rebels choose to do is so trivial, so cheap, and in the end, so dreary.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“So, I was to talk about "Opera as Related to Literature", was I not? And because the subject is so vast, I have wandered here and there, trying to illuminate, as if with a candle, a vast chamber full of fascinating corners, mysterious with mirrors, and echoing with some of the loveliest music ever written. I have not succeeded on any high level, but then, I never expected to do so. But perhaps I have thrown out an idea or two which you would like to consider for yourselves.”

Robertson Davies

Opera for the Man Who Reads Hamlet (1989).

“The King had every privilege except that of being at ease. Pompadour provided the atmosphere in which that final luxury was possible. She did not do this, as anyone who thinks about the matter for twenty seconds will know, by twenty years of rapt contemplation of the ceilings of Versailles. Indeed, Pompadour was not a physically ardent woman, and love-making tired her. After about eight years of their association Louis XV did not sleep with her… But it was to Pompadour that he talked, and it was to Pompadour that he listened.”

Robertson Davies

Madame de Pompadour.

“Do they show us the future as it matures in the womb of the present?”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)