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“Several children present me with scraps of paper for autographs: obviously don't know who I am and don't care. I sign "Jackie Collins" and they go away quite content.”

Robertson Davies

Diary entry describing his appearance at the Gothenburg Book Fair (7 September 1989), published in Happy Alchemy (1999), p. 332.

“Women always think that if they tell a man not to be pompous that will shut him up, but I am an old hand at that game. I know that if a man bides his time his moment will come.”

Robertson Davies

The Great Queen is Amused.
High Spirits: A Collection of Ghost Stories (1982)

“I am sure that I would not make a good taxidermist; the temptation to improve upon nature would certainly be too strong for me. Think how easy it would be, when stuffing somebody's pet terrier, to slip a couple of human glass eyes into a sockets, instead of the usual buttons. Then the owner would really be justified in saying that his pet looked almost human. If I were stuffing this two-headed calf, for instance, I could not resist making one head smile and the other one frown, so that they looked like masks of Comedy and Tragedy.”

Robertson Davies book The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

“Chaucer shares on the literary stock marker have been rising during the past ten years, owing chiefly to the enthusiasm, literary gifts and scholarship of an Oxford don, Nevill Coghill, and secondarily to the British Broadcasting Corporation. The fluctuations of the literary market are familiar to everyone; sometimes there is a fierce flutter in a virtually unknown commodity (like the John Donne boom in the twenties); occasionally an almost dead commodity bursts in new life (as in the Trollope boom of the forties); Foreign Moderns (Sartre, de Beauvoir, Camus, Sagan) are eagerly pushed but are apt to collapse suddenly, wiping out those critics who have invested too heavily in them; in the USA the Deep South and Proletarian Anguish are solid, though all else fluctuates unpredictably.”

Robertson Davies

Review of the Canterbury Tales (1957).

“Whoever declares a child to be "delicate" thereby crowns and anoints a tyrant.”

Robertson Davies book The Cunning Man

Part 1, section 6.
The Cunning Man (1994)

“If you can, and if you are a playgoer and a filmgoer, you should be able to find voices for all the characters in the books you read.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“I have no skills with machines. I fear them, and because I cannot help attributing human qualities to them, I suspect that they hate me and will kill me if they can.”

Robertson Davies

Reading (1990)

“It is not as though "Do what thou wilt shall be the whole of the law" was a precept from which splendid fiction could not be drawn; it is rather that what these small-time rebels choose to do is so trivial, so cheap, and in the end, so dreary.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“So, I was to talk about "Opera as Related to Literature", was I not? And because the subject is so vast, I have wandered here and there, trying to illuminate, as if with a candle, a vast chamber full of fascinating corners, mysterious with mirrors, and echoing with some of the loveliest music ever written. I have not succeeded on any high level, but then, I never expected to do so. But perhaps I have thrown out an idea or two which you would like to consider for yourselves.”

Robertson Davies

Opera for the Man Who Reads Hamlet (1989).

“The King had every privilege except that of being at ease. Pompadour provided the atmosphere in which that final luxury was possible. She did not do this, as anyone who thinks about the matter for twenty seconds will know, by twenty years of rapt contemplation of the ceilings of Versailles. Indeed, Pompadour was not a physically ardent woman, and love-making tired her. After about eight years of their association Louis XV did not sleep with her… But it was to Pompadour that he talked, and it was to Pompadour that he listened.”

Robertson Davies

Madame de Pompadour.

“Do they show us the future as it matures in the womb of the present?”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“Saw also a toy train big enough to pull children and a few adults. Would fain have had a ride on it, but I had no child with me, and feared that I might excite remark and even rebuke if I tried to pass myself off as a nursery-school type. The train had an excellent whistle which sent me, just as Sinatra sends the bobby-sockers. Whoo! it went, mellowly and invitingly: Whoo! Whoo!”

Robertson Davies book The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

“This evening heard Carmen on the radio, and reflected how hard it was to vamp a man while singing at the top of one's voice. That is the operatic problem; the singer must keep up a head of stream while trying to appear secretive, or seductive, or consumptive. Some ingenious composer should write an opera about a group of people who were condemned by a cruel god to scream all the time; it would be an instantaneous success, and a triumph of verisimilitude.”

Robertson Davies book The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

“Marriage is a framework to preserve friendship. It is valuable because it gives much more room to develop than just living together. It provides a base from which a person can work at understanding himself and another person.”

Robertson Davies

"Dr. Robertson Davies".
Conversations with Robertson Davies (1989)

“I am not even prepared to meet Professor Einstein or Bertrand Russell; why should I vaingloriously assume that God would find me interesting?”

Robertson Davies

The Table Talk of Samuel Marchbanks (1949)

“But not to be acquainted with what is happening in literary France is to feel disgraced, and in the pecking order of literary criticism a Frenchman can humiliate an Englishman just as readily as an Englishman can humiliate an American, and an American a Canadian. One of Canada's most serious literary needs at present is some lesser nation to domineer over and shame by displays of superior taste.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“There are people nowadays who think that Irving was a ranter and a ham; quite true, he was, but in the sense that Alexander the Great was a martinet and a butcher. Ranting and hamming are very necessary accomplishments for a great actor, and he is able to invest them with a greatness which lesser actors cannot approach.”

Robertson Davies

John Martin-Harvey (1944).

“Some people I know were telling me of a curious experience which they had recently; they put a collection of old and rejected household articles in their car and drove to a dump to dispose of them. While busy at the dump, they were accosted by a strange figure, a woman of tall and stately presence, wearing a paper crown and carrying a staff in her hand, who strode majestically through the avenues of ashes, tin cans, dishonoured wash-boilers and superannuated bathtubs, attended by a rabble of admiring children. This apparition hailed my friends in a strange, incoherent, but musical language, and her breath was richly perfumed with bay-rum, or it may have been lilac lotion; she was in fact as high as a kite and as mimsy as a borogrove. Having said her say, she strode off in queenly style, and she and her raffish crew were soon lost in the mazes of the dump… My theory is that this was Titania, the fairy queen, fallen upon evil days, but magnificent in ruin; or it may simply have been some rumdumb old bag with a sense of humour. In either case the matter is worth investigating.”

Robertson Davies book The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

“Great drama, drama that may reach the alchemical level, must have dimension and its relevance will take care of itself. Writing about AIDS rather than the cocktail set, or possibly the fairy kingdom, will not guarantee importance.... The old comment that all periods of time are at an equal distance from eternity says much, and pondering on it will lead to alchemical theatre while relevance becomes old hat.”

Robertson Davies

Alchemy in the Theatre (1994).

“As I plodded back and forth I reflected miserably upon my own political rootlessness, in a world where politics is so important. When I am with Tories I am a violent advocate of reform; when I am with reformers I hold forth on the value of tradition and stability. When I am with communists I become a royalist — almost a Jacobite; when I am with socialists I am an advocate of free trade, private enterprise and laissez-faire.”

Robertson Davies book The Diary of Samuel Marchbanks

The presence of a person who has strong political convictions always sends me flying off in a contrary direction. Inevitably, in the world of today, this will bring me before a firing squad sooner or later. Maybe the fascists will shoot me, and maybe the proletariat, but political contrariness will be the end of me; I feel it in my bones.
The Diary of Samuel Marchbanks (1947)