Richard Henry Dana Jr.: House

“The past was real. The present, all about me, was unreal, unnatural, repellent. I saw the big ships lying in the stream… the home of hardship and hopelessness; the boats passing to and fro; the cries of the sailors at the capstan or falls; the peopled beach; the large hide houses, with their gangs of men; and the Kanakas interspersed everywhere. All, all were gone! Not a vestige to mark where one hide house stood. The oven, too, was gone. I searched for its site, and found, where I thought it should be, a few broken bricks and bits of mortar. I alone was left of all, and how strangely was I here! What changes to me! Where were they all? Why should I care for them — poor Kanakas and sailors, the refuse of civilization, the outlaws and the beachcombers of the Pacific! Time and death seemed to transfigure them. Doubtless nearly all were dead; but how had they died, and where? In hospitals, in fever climes, in dens of vice, or falling from the mast, or dropping exhausted from the wreck "When for a moment, like a drop of rain/He sinks into thy depths with bubbling groan/Without a grave, unknelled, uncoffined, and unknown." The lighthearted boys are now hardened middle-aged men, if the seas, rocks, fevers, and the deadlier enemies that beset a sailor's life on shore have spared them; and the then strong men have bowed themselves, and the earth or sea has covered them. How softening is the effect of time! It touches us through the affections. I almost feel as if I were lamenting the passing away of something loved and dear — the boats, the Kanakas, the hides, my old shipmates! Death, change, distance, lend them a character which makes them quite another thing.”

Richard Henry Dana Jr.

Twenty-Four Years After (1869)

Love , Life , Death , Men

“I shall never forget the impression which our first landing on the beach of California make upon me. The sun had just gone down; it was getting dusky; the damp night wind was beginning to blow, and the heavy swell of the Pacific was setting in, and breaking in loud and high "combers" on the beach… we put our oars in the boat, and, leaving one to watch it, walked about the beach to see what we could of the place. The beach is nearly a mile in length between the two points, and of smooth sand… It was growing dark, so that we could just distinguish the dim outlines of the two vessels in the offing; and the great seas were rolling in in regular lines, growing larger and larger as they approached the shore, and hanging over the beach upon which they were to break, when their tops would curl over and turn white with foam, and, being at one extreme of the line, break rapidly to the other, as a child's long card house falls when a card is knocked down at one end.”

Richard Henry Dana Jr. book Two Years Before the Mast

Two Years Before the Mast (1840)

Sun , Housing , Sea , Night

“Passing round Point Conception, and steering easterly, we opened the islands that form, with the mainland, the canal of Santa Barbara. There they are, Santa Cruz and Santa Rosa, and there is the beautiful point, Santa Buenaventura; and there lies Santa Barbara on its plain, with its amphitheater of high hills and distant mountains. There is the old white mission with its belfries, and there the town, with its one-story adobe houses, with here and there a two-story wooden house of later build; yet little is it altered — the same repose in the golden sunlight and glorious climate, sheltered by its hills; and then, more remindful than anything else, there roars and tumbles upon the beach the same grand surf of the great Pacific… the same bright-blue ocean, and the surf making just the same monotonous, melancholy roar, and the same dreamy town.”

Richard Henry Dana Jr.

Twenty-Four Years After (1869)

Beauty , Mountain , Distant , Housing

“January, 14th, 1835: We came to anchor in the spacious bay of Santa Barbara. There was only one vessel in the port. Beside the vessel, there was no object to break the surface of the bay… directly opposite the anchoring ground, lie the mission and town of Santa Barbara, on a low plain, but little above the level of the sea, covered with grass, though entirely without trees, and surrounded on three sides by an amphitheater of mountains, which slant off to the distance of fifteen or twenty miles. The mission stands a little back of the town, and is a large building, or rather a collection of buildings, in the center of which is a high tower, with a belfry of five bells. The whole, being plastered, makes quite a show at a distance, and is the mark by which vessels come to anchor. The town lies a little nearer to the beach — about half a mile from it — and is composed of one-story houses built of sun-baked clay, or adobe, some of them whitewashed, with red tiles on the roof. I should judge that there was about a hundred of them… The town is finely situated, with a bay in front, and an amphitheater of hills behind.”

Richard Henry Dana Jr. book Two Years Before the Mast

Two Years Before the Mast (1840)

Lie , Mountain , Tree , Grass

“As we made the high point off San Diego, Point Loma, we were greeted by the cheering presence of a lighthouse. As we swept round it in the early morning, there, before us, lay the little harbor of San Diego, its low spit of sand, where the water runs so deep; the opposite flats, where the Alert grounded in starting for home; the low hills, without trees, and almost without brush; the quiet little beach; but the chief objects, the hide houses, my eye looked for in vain. They were gone, all, and left no mark behind. I wished to be alone, so I let the other passengers go up to the town, and was quietly pulled ashore in a boat, and left to myself. The recollections and the emotions were all sad… and only sad.”

Richard Henry Dana Jr.

Twenty-Four Years After (1869)

Sadness , Home , Tree , Water

“We bore round the point toward the old anchoring ground of the hide ships, and there, covering the sand hills and the valleys… flickering all over with the lamps of its streets and houses, lay a city of one hundred thousand inhabitants. The dock into which we drew, and the streets about it, were densely crowded with express wagons and handcarts… Though this crowd I made my way, along the well-built and well-light streets, as alive as by day, where boys in high-keyed voices where already crying the latest New York papers. When I awoke in the morning, and looked from my windows over the city of San Francisco, with its storehouses, towers, and steeples; its courthouses, theaters, and hospitals, its daily journals, its well-filled learned professions, its fortresses and lighthouses; its wharves and harbor… when I saw all these things, and reflected on what I once saw here, and what now surrounded me, I could scarcely keep my hold on reality at all, or the genuineness of anything.”

Richard Henry Dana Jr.

Twenty-Four Years After (1869)

Way , Boy , Reality , Light