Pierre Bonnard: Going

“It would bother me if my canvases were stretched onto a frame. I never know in advance what dimensions I am going to choose.”

Pierre Bonnard

Dita Amory, in Pierre Bonnard: The Late Still Lifes and Interiors; Yale University Press, New Haven, 2009 - ISBN 978-0-300-14889-3, p. 4
Bonnard started to paint usually on an unstretched canvas

“I have all my subjects to hand. I go back and look at them. I take notes. Then I go home. And before I start painting I reflect, I dream.”

Pierre Bonnard

quoted in Bonnard; by Sarah Witfield and John Elderfield; Harry N. Abrams Inc., New York, 1998 - ISBN 0-8109-4021-3, p. 9
Bonnard did not paint from life but rather drew his subject and made notes on the colors. He then painted the canvas in his studio from the sketches and his notes

Dreams , Home , Painting

“I should have sent you news of myself long ago, for I know how much pleasure one derives from a letter during one's first days in the regiment. One needs it to be reminded that one is something more than a registered number and that in the past one's existence was different from that of beast. Anyway that is how I felt about the army. I was unable to connect my present existence with my former life as a civilian.... Here [in Paris in his studio in La Rue Pigalle] I am leading a studious and quite exemplary life... I am working on an important picture which is progressing well and which will be exhibited, I hope, at the [Salon des] 'Indépendants. In addition I am planning to do a screen which will also be shown at the exhibition. Otherwise nothing is happening. I may go with Vuillard to see a music publisher, but I do not expect any success as yet in that direction. I have abandoned chromolithography (ouf!) for the moment, but I shall take it up again whenever I feel impelled to interrupt my oil painting, in order to vary my pleasure's.”

Pierre Bonnard

in his letter to Lugné-Poë, End of 1890; as quoted in Pierre Bonnard, by John Rewald; MoMA - distribution, Simon & Schuster, New York, 1918, p. 17 - note 11
Lugné-Poe was just called then in the French army; Bonnard had left the army already, c. one year ago

Life , Pleasure , Hope , Music

“I work in the mornings and in the afternoons I go to the Latin Quarter. It is a long way from the Batignolles district to the Pantheon: Fortunately there is the Metro. It amuses me to see the people squashed together, and among them are some pretty faces which I draw in the evenings, from memory, in my sketchbook.”

Pierre Bonnard

letter to his grandmother, c. 1883; as cited in Pierre Bonnard, by John Rewald; MoMA -distribution, Simon & Schuster, New York, 1918, p. 12 (note 1)

People , Way , Memory , Drawing