Peter Blake: Work

“I don’t think artists should be sponsored. You should not rely on grants. You either make a success of your art or you don’t. I worked as an artist for a number of years without making much money – I have never had any financial backing in that way. Things are now very good for me but for a lot of the time things were not.”

Peter Blake

Colin Serjent, "Blake's 08, http://www.catalystmedia.org.uk/issues/nerve9/peter_blake.php Nerve, Autumn 2006 Life

“My dealer was a friend of the Beatles and the Stones, and he suggested they used a fine artist. I talked to the Beatles at length about what the cover would be. I worked out it would show the moment after they had played in a bandstand in the park. My big contribution was the life-size cutouts, the magic crowds.”

Peter Blake

Charlotte Higgins, "It was 37 years ago today &ndash; and Sgt Pepper cover has still failed to pay", http://www.guardian.co.uk/thebeatles/story/0,,1230411,00.html The Guardian, 2004-06-03 Sgt. Pepper's cover

“In one work Marcel Duchamp meets Tracey Emin in the desert, with three camp cowboys. In another he meets Elvis and the Spice Girls.”

Peter Blake

Charlotte Higgins, "It was 37 years ago today &ndash; and Sgt Pepper cover has still failed to pay", http://www.guardian.co.uk/thebeatles/story/0,,1230411,00.html The Guardian, 2004-06-03 On his painting, Marcel Duchamp's World Tour. Art

“I can’t work with computers but I work with someone who can. We talk about what the subjects will be and then I get a load of images about Liverpool. We then scan them and put them on a disk and then we manipulate them on the computer. I am treating them as posters. They are prints but I want them to look like posters.”

Peter Blake

Colin Serjent, "Blake's 08, http://www.catalystmedia.org.uk/issues/nerve9/peter_blake.php Nerve, Autumn 2006 On producing serigraph prints to celebrate Liverpool as the 2008 European Capital of Culture. Art