Paul Klee: Trending quotes (page 5)

“He [in general] has found his style, when he cannot do otherwise, i. e., cannot do something else.”

Paul Klee

Diary entry (Munich, 1908), # 825, in The Diaries of Paul Klee, 1898-1918; University of California Press, 1968, p. 227
1903 - 1910

“another and longer variant: I now abandon work. It penetrated so deeply and so gently into me, I feel it and it gives me confidence in myself without effort. Color possesses me. I don’t have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Colour and I are one. I am a painter.”

Paul Klee

Quote (Tunisia, 16 April 1914), # 926, in: The Diaries of Paul Klee, 1898-1918, transl. Pierre B. Schneider, R.Y. Zachary and Max Knight; Berkeley and Los Angeles, University of California Press, 1964
1911 - 1914, Diary-notes from Tunisia' (1914)

Color , Feeling , Confidence , Effort

“To be a student of Stuck [1898 - 1900] sounded good. In reality, however, it was not half so splendid. Instead of coming to him with a sound mind I brought a thousand pains and many prejudices. In the realm of colour I found it hard to progress. Since the tone provided by mood predominated strongly in my mastery of form, I sought to find as much profit as possible here at least. And, in this respect, a great deal really was to be gained at Stuck's. Naturally I was not the only one, at this time, to be deficient in the realm of color. Later, in his monograph, Kandinsky passed a similar judgement on this school [of Stuck].”

Paul Klee

Quote (1900), # 121, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

Pain , School , Color , Mood

“The pictorial work was born of movement, is itself recorded movement, and is assimilated through movement (eye muscles).”

Paul Klee

Section IV
1916 - 1920, Creative Credo (1920)

“The work as human action (genesis) is productive as well as receptive. It is continuity.”

Paul Klee

I.13 Productive | Receptive, p. 33
1921 - 1930, Pedagogical Sketch Book, (1925)

“Thought is the medially between earth and world. The broader the magnitude of his reach, the more painful man's tragic limitation. Thought is the medially between earth and world. The broader the magnitude of his reach, the more painful man's tragic limitation. To get where motion is interminate.”

Paul Klee

IIII.37, The Arrow. p. 54
1921 - 1930, Pedagogical Sketch Book, (1925)

Pain , World

“Art should be like a holiday: something to give a man the opportunity to see things differently and to change his point of view.”

Paul Klee

As quoted in the film Der Bauhaus, produced by TV-Rechte in Germany (1975)
Attributed from posthumous publications

Art , Change , Holiday

“The evening is indescribable. And on the top of everything else a full moon came up. Louis urged me to paint it. I said: it will be an exercise at best. Naturally I am not up to this kind of nature. Still, I know a bit more than I did before. I know the disparity between my inadequate resources and nature. This is an internal affair to keep me busy for the next few years. It doesn't trouble me one bit. No use hurrying when you want so much. The evening is deep inside me forever. Many a blond, northern moon rise, like a muted reflection, will softly remind me, and remind me again and again. It will be my bride, my alter ego. An incentive to find myself. I myself am the moon-rise of the South.”

Paul Klee

Diary entry, (Tunisia, April 1914), # 926-k, in: The Diaries of Paul Klee, 1898-1918, transl. Pierre B. Schneider, R.Y. Zachary and Max Knight; Berkeley and Los Angeles, University of California Press, 1964
1911 - 1914, Diary-notes from Tunisia' (1914)

Exercises , Business , Nature , Painting

“At the moment, an unpleasant feeling presses on my stomach, as though the new year of the unified, national Germany has assisted in the advent of an all too torch-parade-like sparkling wine bacchanal.”

Paul Klee

Quote in a letter to his wife Lily Klee, 1 February 1933; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html
in the same year Paul Klee was fired by the Nazi's; they closed the Bauhaus; the family Klee emigrated to Switzerland
1931 -1940

Feeling , Wine

“Graphic work as the expressive movement of the hand holding the recording pencil.... is so fundamentally different from dealing with tone and color that one can use this technique quite well in the dark, even in the blackest night. On the other hand, tone (movement from light to dark) presupposes some light, and color presupposes a great deal of light.”

Paul Klee

Quote (1912), # 928, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1911 - 1914

Color , Light , Night

“Since not even sufficient time for my main business remains to me. Production is taking a larger magnitude at a faster tempo, and can no longer wholly keep up with these children. They [very probably: his new art] issue forth.”

Paul Klee

Paul Klee to his son Felix Paul Klee, 29.12.1939; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html
1931 -1940

Children , Art , Business , Time

“Now Delaunay wrote and sent me an article by himself about himself.”

Paul Klee

Diary entry (1912), # 914; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html
in 1912 Klee translated into German an essay on light by Delaunay
1911 - 1914

“You know what I want to become temporarily today: a painter? No. A simple and common designer. But a biting one. I would like to deride humanity, nothing less. And this with the simplest means, in black and white. At the same time - oh blasphemy - I would like to attack our Lord adequately.”

Paul Klee

Quote in a letter to his friend de:Hans Bloesch, 1898; as cited in Das Frühwerk 1883-1922 (The early works 1888-1922), Munich, Städtische Galerie im Lenbachhaus, 1979, p. 47
Klee originally aspired to become a satirist, not a painter.
1895 - 1902

Time

“Yesterday was shaped by Kandinsky's move... This departure is what proves something for me... It is a friendship that overcomes a number of negative items, because the plus side stands firm and, in particular, because there is a link to my productive youth [in Munich].”

Paul Klee

Quote in a letter to his wife Lily Klee, 11 Dec. 1932; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html
taken from Wikipedia: Following a Nazi smear campaign the Bauhaus academy left Dessau in 1932 for Berlin, until its dissolution in July 1933. Kandinsky then left Germany, settling in Paris.
1931 -1940

Friendship , Youth , Departure

“Polyphonic painting is superior to music in that, here, the time element becomes a spatial element. The notion of simultaneity stands out even more richly.”

Paul Klee

Paul Klee, quote from 'Diaries III', 1917; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html
1916 - 1920

Music , Time , Painting

“When looking at any significant work of art, remember that a more significant one probably has had to be sacrificed.”

Paul Klee

Diary entry (December 1904), # 583, in The Diaries of Paul Klee, 1898-1918; University of California Press, 1968
1903 - 1910

Art

“[It].... is a real declaration of love toward art. Abstraction from this world more as a game, less as a failure of the earthly. Somewhere in between. The man in love no longer drinks and eats..”

Paul Klee

Diary entry (1912), # 922; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html
1911 - 1914

Love , World , Art , Game

“The longer my production moves in a definite direction, the less gaily it progresses. But just now something new seems to be happening to the stream: it is broadening into a lake. I hope it will not lack a corresponding depth. I was the faithful image of a part of art history; I moved towards Impressionism and beyond it. I don't want to say that I grew out of it; I hope this is not so... In lucid moments, I now have a clear view of twelve years of the history of my inner self. First the cramped self, that self with the big blinkers, then the disappearance of the blinkers and the self, now gradually the re-emergence of a self without blinkers. It is good that one didn't know this in advance.”

Paul Klee

Quote (1911), Diary # 899; as cited by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html
1911 - 1914

Faith , Hope , Art , History

“In my productive activity, every time a type grows beyond the stage of its genesis, and I have about reached the goal, the intensity gets lost very quickly, and I have to look for new ways. It is precisely the way which is productive - this is the essential thing: becoming is more important than being.”

Paul Klee

Quote (1912), # 928, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1911 - 1914

Way , Time

“Everything vanishes around me, and works are born as if out of the void. Ripe, graphic fruits fall off. My hand has become the obedient instrument of a remote will.”

Paul Klee

Diary entry (January/February 1918), # 1104, The Diaries of Paul Klee, 1898-1918 (p. 387)
1916 - 1920