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“Failure to grasp centrifugal meaning is incomplete reading; failure to grasp centripetal meaning is incompetent reading.”

Northrop Frye

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Three, p. 58

“Man lives, not directly or nakedly in nature like the animals, but within a mythological universe, a body of assumptions and beliefs developed from his existential concerns.”

Northrop Frye

Introduction, p. xviii
"Quotes", The Great Code: The Bible and Literature (1982)

“I don`t want the reduction of religion to aesthetics, but the abolition of aesthetics & incorporating of art with the Word of God.”

Northrop Frye

Source: "Quotes", Notebooks and Lectures on the Bible and Other Religious Texts (2003), p. 7

“One should have bigger & better conversions everyday, like a mechanized phoenix.”

Northrop Frye

21.495
"Quotes", Notebooks

“It is of the essence of imaginative culture that is transcends the limits both of the naturally possible and of the morally acceptable.”

Northrop Frye

"Quotes", Anatomy of Criticism: Four Essays (1957), Anagogic Phase: Symbol as Monad

“Nature is inside art as its content, not outside as its model.”

Northrop Frye

Fables of Identity (1963)
"Quotes"

“What’s transcendental in Blake is not the statically geometrical, but the sense of arrested energy: the wriggling vines & snakes, flames & the like…It’s an expression of the belief that every object is an event.”

Northrop Frye

Source: "Quotes", The "Third Book" Notebooks of Northrop Frye, 1964–1972 (2002), p. 14

“Everything that happens in the Old Testament is a "type" or adumbration of something that happens in the New Testament, and the whole subject is therefore called typology, though it is a typology in a special sense.”

Northrop Frye

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Four, p. 79

“The human mind is [a poet's] individual mind at first, but as soon as he writes a poem it becomes our [the readers'] minds too. There is no self-expression in [a poet's] poem, because once the poem is there the individual [poet] has disappeared. …there is really no such thing as self-expression in literature.”

Northrop Frye

"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time

“The kind of problem that literature raises is not the kind that you ever 'solve'. Whether my answers are any good or not, they represent a fair amount of thinking about the questions.”

Northrop Frye

"Quotes", The Educated Imagination (1963), Talk 1: The Motive For Metaphor http://northropfrye-theeducatedimagination.blogspot.ca/2009/08/1-motive-for-metaphor.html

“The apocalypse is the way the world looks after the ego has disappeared.”

Northrop Frye

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Five, p. 158

“All texts are incarnational, and the climax of the entire Christian Bible, "the Word was made flesh, and dwelt among us," is the most logocentric sentence ever written.”

Northrop Frye

1:154
"Quotes", Late Notebooks, 1982–1990: Architecture of the Spiritual World (2002)

“Between religion's "this is" and poetry's "but suppose this is" there must always be some kind of tension, until the possible and the actual meet at infinity.”

Northrop Frye

"Quotes", Anatomy of Criticism: Four Essays (1957), Anagogic Phase: Symbol as Monad

“The bedrock of doubt is the total nothingness of death. Death is a leveler, not because everybody dies, but because nobody understands what death means.”

Northrop Frye

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter 8, p. 230

“The total simultaneous pattern always extend from alpha to omega.”

Northrop Frye

21.190
"Quotes", Notebooks

“There is a curious law of art…that even the attempt to reproduce the act of seeing, when carried out with sufficient energy, tends to lose its realism and take on the unnatural glittering intensity of hallucination.”

Northrop Frye

“Design as a Principle in the Arts”, The Critical Path and Other Writings on Critical Theory, 1963–1975, p. 232
"Quotes"

“Popular art is normally decried as vulgar by the cultivated people of its time; then it loses favour with its original audience as a new generation up; then it begins to merge into the softer lighting of "quaint" and cultivated people become interested in it, and finally it begins to take on the archaic dignity of the primitive.”

Northrop Frye

"Quotes", Anatomy of Criticism: Four Essays (1957), Mythical Phase: Symbol as Archetype

“The disinterested imaginative core of mythology is what develops into literature, science, philosophy. Religion is applied mythology.”

Northrop Frye

21.101
"Quotes", Notebooks

“I see a sequence of seven main phases: creation, revolution or exodus (Israel in Egypt), law, wisdom, prophecy, gospel, and apocalypse.”

Northrop Frye

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Five, p. 106

“The fact that creative powers come from an area of the mind that seems to be independent of the conscious will, and often emerge with a good deal of emotional disturbance in their wake, provides the chief analogy between prophecy and the arts…Some people pursue wholeness and integration, others get smashed up, and fragments are rescued from the smash of an intensity that the wholeness and integration people do not reach.”

Northrop Frye

"The Secular Scripture" and Other Writings on Critical Theory, 1976–1991, p. 164
"Quotes"