Speech at the Nobel Banquet (1991)
Context: I certainly find being the recipient at this celebratory dinner more pleasurable and rewarding than chicken-pox, having now in my life experienced both. But the small girl was not entirely wrong. Writing is indeed, some kind of affliction in its demands as the most solitary and introspective of occupations.
Nadine Gordimer: Writing
Nadine Gordimer was South african Nobel-winning writer. Explore interesting quotes on writing.
Nadine Gordimer:
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Writing and Being (1991)
Context: Like the prisoners incarcerated with the jaguar in Borges' story, 'The God's Script', who was trying to read, in a ray of light which fell only once a day, the meaning of being from the marking on the creature's pelt, we spend our lives attempting to interpret through the word the readings we take in the societies, the world of which we are part. It is in this sense, this inextricable, ineffable participation, that writing is always and at once an exploration of self and of the world; of individual and collective being.
“The best way a writer can serve a revolution is to write as well as he can.”
Writing and Being (1991)
Context: Camus dealt with the question best. He said that he liked individuals who take sides more than literatures that do. 'One either serves the whole of man or does not serve him at all. And if man needs bread and justice, and if what has to be done must be done to serve this need, he also needs pure beauty which is the bread of his heart.' So Camus called for 'Courage in and talent in one's work.' And Márquez redefined tender fiction thus: The best way a writer can serve a revolution is to write as well as he can.
I believe that these two statements might be the credo for all of us who write. They do not resolve the conflicts that have come, and will continue to come, to contemporary writers. But they state plainly an honest possibility of doing so, they turn the face of the writer squarely to her and his existence, the reason to be, as a writer, and the reason to be, as a responsible human, acting, like any other, within a social context.
Writing and Being (1991)
Context: I have said that nothing factual that I write or say will be as truthful as my fiction. The life, the opinions, are not the work, for it is in the tension between standing apart and being involved that the imagination transforms both. Let me give some minimal account of myself. I am what I suppose would be called a natural writer. I did not make any decision to become one. I did not, at the beginning, expect to earn a living by being read. I wrote as a child out of the joy of apprehending life through my senses — the look and scent and feel of things; and soon out of the emotions that puzzled me or raged within me and which took form, found some enlightenment, solace and delight, shaped in the written word.
Interview with Jannika Hurwitt, published in Paris Review, 88 (Summer 1983) 82–127; reprinted in Writers at Work: The Paris Review Interviews, Sixth Series (1984) (the interview took place in two parts: fall 1979/spring 1980)
Source: Conversations With Nadine Gordimer
“Learning to write sent me falling, falling through the surface of the South African way of life.”
As quoted at ContemporaryWriters.com http://www.contemporarywriters.com/authors/?p=auth03D25I553012635618
Writing and Being (1991)
The Tanner Lectures on Human Values (1985) ed. Sterling McMurrin
Writing and Being (1991)
“I shall never write an autobiography, I'm much too jealous of my privacy for that.”
"The conscience of South Africa talks about her country's new racial order" (1998) by Dwight Garner http://web.archive.org/web/20000302013506/http://www.salon.com/books/int/1998/03/cov_si_09int.html
Speech at the Nobel Banquet (1991)
Writing and Being (1991)