“i wondered if i would spend the rest of my life inventing complicated ways to depress myself..”
Source: No One Belongs Here More Than You
Miranda July is an American film director, screenwriter, actor, author and artist. Her body of work includes film, fiction, monologue, digital media presentations, and live performance art. She wrote, directed and starred in the films Me and You and Everyone We Know and The Future . Her most recent book - and debut novel - The First Bad Man, was published in January 2015. July was a recipient of a Creative Capital Emerging Fields Award.
“i wondered if i would spend the rest of my life inventing complicated ways to depress myself..”
Source: No One Belongs Here More Than You
Variant: All I ever really want to know is how other people are making it through life—where do they put their body, hour by hour, and how do they cope inside of it.
Source: It Chooses You
Source: No One Belongs Here More Than You
“Life is just this way, broken, and I am crazy to hope for something else.”
Source: No One Belongs Here More Than You
“When you can see the beauty of a tree, then you will know what love is.”
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
“They wordlessly excused each other for not loving each other as much as they had planned.”
"Birthmark" in Paris Review (Spring 2003)
Context: They wordlessly excused each other for not loving each other as much as they had planned. There were empty rooms in the house where they had meant to put their love and they worked together to fill these rooms with high-end, consumer-grade equipment. It was a tight situation. The next sudden move would have to be through the wall.
“What a terrible mistake to let go of something wonderful for something real.”
Source: No One Belongs Here More Than You
Pretty Cool People interview (2007)
Context: I guess my favorite thing in the world is when I look at a piece of art, or read a story, or watch a movie where I walk away feeling like "Oh my god — I have to do something, I have to make something or talk to someone — things are not the same anymore" — and so I try to make work where you come away with that feeling. It's like, yeah, you're thinking about what you just saw, but even more than that — you feel able, you feel like, kind of propelled.
The Shared Patio (2005)
Context: Do you have doubts about life? Are you unsure if it is really worth the trouble? Look at the sky: that is for you. Look at each person's face as you pass them on the street: those faces are for you. And the street itself, and the ground under the street, and the ball of fire underneath the ground: all these things are for you. They are as much for you as they are for other people. Remember this when you wake up in the morning and think you have nothing. Stand up and face the east. Now praise the sky and praise the light within each person under the sky. It's okay to be unsure. But praise, praise, praise.
“Common sense and the truth should feel authorless, writ by time itself.”
The Shared Patio (2005)
Context: Common sense and the truth should feel authorless, writ by time itself. It is actually really hard to write something that will make a terminally ill person feel better. And Positive has rules, you can't just lift your guidance from the Bible or a book about Zen; they want original material. So far none of my submissions have gotten in, but I'm getting closer.
“I think there’s something spiritual in a very day-to-day, mundane existence.”
As quoted in "Miranda July Is Totally Not Kidding" by Katrina Onstad, in The New York Times (14 July 2011) http://www.nytimes.com/2011/07/17/magazine/the-make-believer.html?_r=0&pagewanted=all
Context: I think there’s something spiritual in a very day-to-day, mundane existence. It’s impossible to articulate, and it’s happening now, almost like a perverse secret.... That’s always sort of fascinating to me.
The Shared Patio (2005)
Context: Do you have doubts about life? Are you unsure if it is really worth the trouble? Look at the sky: that is for you. Look at each person's face as you pass them on the street: those faces are for you. And the street itself, and the ground under the street, and the ball of fire underneath the ground: all these things are for you. They are as much for you as they are for other people. Remember this when you wake up in the morning and think you have nothing. Stand up and face the east. Now praise the sky and praise the light within each person under the sky. It's okay to be unsure. But praise, praise, praise.
“Now began the part of her life where she was just very beautiful. Except for nothing.”
"Birthmark" in Paris Review (Spring 2003) http://guccipiggy.objectis.net/prose/birthmark
Context: Now began the part of her life where she was just very beautiful. Except for nothing. Only winners will know what this feels like. Have you ever wanted something very badly and then gotten it. Then you know that winning is many things, but it is never the thing you thought it would be.
The Shared Patio (2005)
Context: I pretended that I was pausing before telling him about the secret feeling of joy that I hide in my chest, waiting, waiting, waiting for someone to notice that I rise each morning seemingly with nothing to live for, but I do rise, and it is only because of this secret joy, God's love, in my chest. I looked down from the sky and into his eyes and I said, It wasn't your fault. I excused him for the cover and for everything else. For not yet being a New Man. We fell into silence then; he did not ask me any more questions. I was still happy to sit there beside him, but that is only because I have very, very low expectations of most people, and he had now become Most People.
“Inelegantly, and without my consent, time passed.”
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
“Don't wait to be sure. Move, move, move.”
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
“He seemed to be waiting for me to move forward. Weren't we all.”
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
“She bludgeoned me with a look of such limitless compassion that I immediately began to cry.”
Source: No One Belongs Here More Than You
“Would she understand that time had stopped while she was gone.”
Source: No One Belongs Here More Than You
“I went to the bedroom and lay on the floor, so as not to mess up the covers.”
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
Source: No One Belongs Here More Than You
On her film Me and You and Everyone We Know (2005), in an interview at Apple.com http://www.apple.com/finalcutstudio/in-action/?movie=july
“It was a tiny sound but it woke me up because it was a human sound.”
"The Man on the Stairs" in Fence (Spring/Summer 2004) http://fence.fenceportal.org/v7n1/text/july.html
The Shared Patio (2005)
"The Man on the Stairs" in Fence (Spring/Summer 2004)
Pretty Cool People interview (2007)
Pretty Cool People interview (2007)
As quoted in "Miranda July Is Totally Not Kidding" by Katrina Onstad, in The New York Times (14 July 2011)
As quoted in "Miranda July Is Totally Not Kidding" by Katrina Onstad, in The New York Times (14 July 2011) http://www.nytimes.com/2011/07/17/magazine/the-make-believer.html?_r=0&pagewanted=all