Michael Moore: Thing

Michael Moore is American filmmaker, author, social critic, and liberal activist. Explore interesting quotes on thing.
Michael Moore: 142   quotes 2   likes

“What the media are telling you to be afraid of are the wrong things…”

Interview with filmmaker Michael Moore, Rolling Stone (January 2003)
2003
Context: What the media are telling you to be afraid of are the wrong things... Fear is a necessary ingredient of our survival instincts.

“I'm going to do damage with it. I'll make sure that my work gets out. That no publisher will ever be able to tell me to take things out. Because I'll put it out myself.”

Upon being asked by Brian Reade if money and success have gone to his head, quoted in "The Awkward Conscience of a Nation" in The Daily Mirror (3 November 2003) - Full text available at Highbeam Research (paysite) http://www.highbeam.com/doc/1G1-109560361.html <!-- an interview http://www.mirror.co.uk/news/allnews/content_objectid=13583626_method=full_siteid=50143_headline=-THE-AWKWARD-CONSCIENCE-OF-A-NATION-name_page.html DEAD LINK as of 2007·06·19 -->
2003
Context: I'm going to do damage with it. I'll make sure that my work gets out. That no publisher will ever be able to tell me to take things out. Because I'll put it out myself. The more money I earn, the less they can stop me. Where I come from it's called fuck you money because I don't have to take an ounce of shit from anybody.

“I think filmmakers are wrong about this. I think sharing's a good thing. … They said television would kill the movies, it didn't. They said VCRs would kill the movies, it didn't. Now they're saying this is going to kill the movies. It won't.”

On the posting of his film SiCKO on the Internet, prior to its official release, as quoted in "Michael Moore Takes on His Pirates!" by Edward Douglas (19 June 2007) http://www.comingsoon.net/news/movienews.php?id=21141
2007
Context: The film that's leaked onto the Internet is not taken at a movie theatre with a little home video camera, right? The way it's usually done? This is an inside job... Now, if you were a police detective, one of the first questions you'd ask is motive. Who has a vested interest in destroying the opening weekend's box office of this movie? If I were the police or the FBI investigating this felony that's taken place, that's where I would look.
Having said that, I'm glad that people were able to see my movie. … I'm not a big believer in our copyright laws. I think they're way too restrictive. … I've never supported this concept of going after Napster. I think the rock bands who fought this were wrong. I think filmmakers are wrong about this. I think sharing's a good thing. … They said television would kill the movies, it didn't. They said VCRs would kill the movies, it didn't. Now they're saying this is going to kill the movies. It won't. People want to get out of the house and go to the movies! Nothing's ever going to kill that, and I really hope people will do that on opening weekend.

“I think that's OK, I mean, that's always been okay right? — You share things with people and I think information, and art, and ideas should be shared.”

After being asked what he thought about his films being pirated on the internet, in a press conference (July 2004) (YouTube video) http://www.youtube.com/watch?v=OlAB0v8wHdc, quoted in
2004
Context: I don't agree with the copyright laws, and I don't have a problem with people downloading the movie and sharing it with people… as long as they're not doing it to make a profit off it as long as they're not, you know trying to make a profit off my labor — I would oppose that but you know I do quite well, and I don't know... I make these books and movies and TV shows because I want things to change, and so the more people who get to see them, the better. And so I'm…I'm happy I'm happy if that happens. Should I not be happy? I don't know, It's like if a friend of yours had the DVD of my movie — gave it to you to watch one night is that person doing something wrong? I'm not seeing any money from that, but he's just handing the DVD to you so that you can watch my movie, that he bought, and you're not buying it — and yet you're watching it without paying me any money you see, I think that's OK, I mean, that's always been okay right? — You share things with people and I think information, and art, and ideas should be shared.

“I stopped reading the comics page a long time ago. It seems that whoever is in charge of what to put on that page is given an edict that states: “For God’s sake, try to be as bland as possible and by no means offend any one!” Thus, whenever something like Doonesbury would come along, it would be continually censored and, if lucky, eventually banished to the editorial pages. The message was clear: Keep it simple, keep it cute, and don’t be challenging, outrageous or political.
And keep it white!
It’s odd that considering all the black ink that goes into making the comics section (and color on Sundays) that you rarely see any black faces on that page. Well, maybe it’s not so odd after all, considering the makeup of most newsrooms in our country. It is even more stunning when you consider that in many of our large cities like New York, Los Angeles, or Chicago where the white population is barely a third of the overall citizenry, the comics pages seem to be one of the last vestiges of the belief that white faces are just…well, you know…so much more happy and friendly and funny!
Of course, the real funnies are on the front pages of most papers these days. That’s where you can see a lot of black faces. The media loves to cover black people on the front page. After all, when you live in a society that will lock up 30 percent of all black men at some time in their lives and send more of them to prison than to college, chances are a fair number of those black faces will end up in the newspaper.
Oops, there I go playing the race card. You see, in America these days, we aren’t supposed to talk about race. We have been told to pretend that things have gotten better, that the old days of segregation and cross burnings are long gone, and that no one needs to talk about race again because, hey, we fixed that problem.
Of course, nothing could be further from the truth. Sure, the “whites only” signs are down, but they have just been replaced by invisible ones that, if you are black, you see hanging in front of the home loan department of the local bank, across the entrance of the ritzy suburban or on the doors of the U. S. Senate”

100 percent Caucasian and going strong!
Foreword to "The Boondocks Treasury: a Right to be Hostile" by Aaron McGruder, (2003).
2003