Michael Marshall Smith: Thing

Michael Marshall Smith is British novelist, screenwriter and short story writer. Explore interesting quotes on thing.
Michael Marshall Smith: 52 quotes1 like

“A pencil is a simple and predictable piece of technology. There's only one way of it working (it will function when it is sharp), and an obvious failure model(too short, too blunt, no lead). With a car, especially the kind of limp-along rust bucket most of us got for our first ride, it's more complex. There's coaxing involved, especially on cold mornings. There's that noise that never amounts to anything but never goes away, random stalls you begin to put down to the cast of the moon. None of it means it's broken, just that it requires friendly attention, that it has needs. Gradually you acquire a ritualized relationship to it, a bond forged by its unpredictability, by the fact it has to be dealt with. Which is how you come to know people, after all: not by things they have in common with everyone else, but through learning your way around their eccentricities, their hard edges and unpredictable softnesses, the things that make them different from everybody else.”

Michael Marshall Smith

Source: The Lonely Dead (2004), Ch. 11

“Death is real. Death changes things. Everything else is filler, merely a message from our sponsor.”

Michael Marshall Smith

Source: The Lonely Dead (2004), Ch. 16

“The curse of the middle-aged man was knowing — or believing — that he'd told all he had to tell. Soon as you suspect that, you started wanting something, anything, to prove it wasn't so: and that's where the mistakes started, when the bad things happened.”

Michael Marshall Smith

Source: The Lonely Dead (2004), Ch. 20

“One of the big things about being a man, she'd noted, was that being good, doing the work, wasn't enough. It had to be generally acknowledged that here you were, damn well seeing to business.”

Michael Marshall Smith

Source: The Lonely Dead (2004), Ch. 6

“Must be a strange life these days, for toes. A simple twist of fate and they could have been the big boys, the much-feted opposables, spending their days busy carrying things and controlling machinery and touching interesting parts of people's bodies. They don't get to do any of that. Instead they just get pushed into small, dark leather places and forgotten about, and when they're let free they often seem little more than a strange fringe on the ends of your feet.”

Michael Marshall Smith

Source: The Lonely Dead (2004), Ch. 7

“As he drove, he was conscious of the web around him. The web of streets, of people, of places, and of things. The other web, too, the new world. This parallel place, with email address private driveways, it sdotcom marketplaces. You could find out so much there, running reality through your hands likea god's. Everything on the web is information; but everything is on the web, these days; so the world has become information. Everything has become an utterance of this thing, of this bank of words and images: everything is something it is saying, or has said. It's about buying, and looking, about our habits and desires, about contact with others, about voyeurism and aspiration and addiction. It is us boiled down — our essence, for better or worse. It is no longer passive. It is telling the story of us, and sometimes that story needs work.”

Michael Marshall Smith

Source: The Lonely Dead (2004), Ch. 16

“My limited experience of such things told me that you get closest to the truth by not giving it advance warning that you're coming after it.”

Michael Marshall Smith

Source: The Lonely Dead (2004), Ch. 5

“It had taken me a while to work out what I got from this. You didn't watch in the hope of seeing something exciting. Just the opposite. You watched because the very lack of discernible activity, of presented subject matter, made the view itself seem more real. If you watch something in particular, all you see is that thing happening. You see the moment, the event, and you are distracted from the long, slow tide of eventlessness underlying it. If you watch nothing, then you see everything. You see the thing as it is.”

Michael Marshall Smith

Source: The Lonely Dead (2004), Ch. 15