Mattin: Likeness

Mattin is Spanish musician. Explore interesting quotes on likeness.

Mattin: 36 quotes0 likes

“If you turn up the volume to your computer, and set the the little microphone inside to maximum level it will feed back, just like any other type of microphone. I just put it through some filters and add some white noise or pink noise. For me, the thing was to use elements that were marginal in other types of music, take something of no real value and use it.”

Interview by Dan Warburton (July 2009)

“It seems that Locke had in mind rival goods when he developed his theory (if one consumes it, others can’t). What happens to non-rival goods like ideas? George Bernard Shaw famously said that if you and I have an apple and we exchange apples, you would only have one apple but if you and I have an idea and we exchanged them, we will have two ideas. So, how is it possible to treat ideas as if they were apples i. e. to make them into commodities? It is only through copyright that it is possible to produce scarcity out of ideas and this of course can produce serious benefits for some but not all”

Page 180.
"Anti-Copyright: Why Improvisation and Noise Run Against the Idea of Intellectual Property" (October 2008)

“Capitalism puts higher and higher demands on people to be able to improvise, to adapt to the constant changes of the market, to interact with each other and communicate in an effective way, to be ready at any time for the worse. There is a strong correlation between the importance of constant innovation in capitalism and in improvisation, and we cannot avoid that there is a strong relationship between the two. … The more open you are to experimentation, the more you would be likely to open up new avenues for capitalism to produce value.”

Interview (May 2007)

“Improvised music forces situations into play where musicians push each other into bringing different perspectives to their playing. Improvised music is not progressive in itself, but it invites constant experimentation. When players feel too secure about their approaches, the experimentation risks turning into Mannerism. What I would like to explore here are the moments in which players leave behind a safe zone and expose themselves in the face of the internalised structures of judgment that govern our appreciation of music. These I would call fragile moments.”

Page 20.
"Going Fragile" (July 2005)

“Like I said, I grew up with punk, and the lyrics of the songs I liked were about reality, and young people were expressing themselves by playing music. It's always been more about attitude, for me. Expressing yourself within society.”

Interview by Dan Warburton (July 2009)

“No other type of music-making contradicts itself through its recording like improvisation does.”

Page 168.
"Anti-Copyright: Why Improvisation and Noise Run Against the Idea of Intellectual Property" (October 2008)