Martin Amis: Quotes about life

Martin Amis is Welsh novelist. Explore interesting quotes on life.
Martin Amis: 272 quotes2 likes

“Terror always has its roots in hysteria and psychotic insecurity; still, we should know our enemy. The firefighters were not afraid to die for an idea. But the suicide killers belong in a different psychic category, and their battle effectiveness has, on our side, no equivalent. Clearly, they have contempt for life. Equally clearly, they have contempt for death.
Their aim was to torture tens of thousands, and to terrify hundreds of millions. In this, they have succeeded.”

Martin Amis

"Fear and loathing" (2001)
Context: The bringers of Tuesday's terror were morally "barbaric", inexpiably so, but they brought a demented sophistication to their work. They took these great American artefacts and pestled them together. Nor is it at all helpful to describe the attacks as "cowardly". Terror always has its roots in hysteria and psychotic insecurity; still, we should know our enemy. The firefighters were not afraid to die for an idea. But the suicide killers belong in a different psychic category, and their battle effectiveness has, on our side, no equivalent. Clearly, they have contempt for life. Equally clearly, they have contempt for death.
Their aim was to torture tens of thousands, and to terrify hundreds of millions. In this, they have succeeded.

“The universe is a million billion light-years wide, and every inch of it would kill you if you went there. This is the position of the universe with regards to human life.”

Martin Amis

“My life looked good on paper - where, in fact, almost all of it was being lived.”

Martin Amis

Source: Experience: A Memoir

“Fiction is the only way to redeem the formlessness of life”

Martin Amis

Source: Essays

“Perhaps there are other bits of my life that would take on content, take on shadow, if only I read more and thought less about money.”

Martin Amis book Money

Source: Money

“Beautifully written… the webs of imagery that Harris has so carefully woven… contains writing of which our best writers would be proud… there is not a singly ugly or dead sentence…' - or so sang the critics. Hannibal is a genre novel, and all genre novels contain dead sentences - unless you feel the throb of life in such periods as 'Tommaso put the lid back on the cooler' or 'Eric Pickford answered' or 'Pazzi worked like a man possessed' or 'Margot laughed in spite of herself' or 'Bob Sneed broke the silence.' What these commentators must be thinking of, I suppose, are the bits when Harris goes all blubbery and portentous (every other phrase a spare tyre), or when, with a fugitive poeticism, he swoons us to a dying fall: 'Starling looked for a moment through the wall, past the wall, out to forever and composed herself…' 'It seemed forever ago…' 'He looked deep, deep into her eyes…' 'His dark eyes held her whole…' Needless to say, Harris has become a serial murderer of English sentences, and Hannibal is a necropolis of prose.”

Martin Amis

Review of Hannibal by Thomas Harris, p. 240
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

“The trouble with life (the novelist will feel) is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it's always the same beginning; and the same ending …”

Martin Amis book Experience

Introduction
Experience (2000)

“As it turns out, Mailer comes close to solving the mystery [of Lee Harvey Oswald], but he never establishes the tragedy. Dreiser's tale was tragic and American because it happened every day. Oswald made only one notch in the calendar. It was meaningless; he just renamed an airport, violently.
…Oswald's life was not a cry of pain so much as a squawk for attention. He achieved geopolitical significance by the shortest possible route. He was not an example of post-modern absurdity but one of its messiahs: an inspiration to the glazed loner. He killed Kennedy not to impress Jodie Foster. He killed Kennedy to impress Clio - the muse of history.”

Martin Amis

Review of Oswald's Tale: An American Mystery by Norman Mailer, p. 277
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

“Does screen violence provide a window or a mirror? Is it an effect or a cause, an encouragement, a facilitation? Fairly representatively, I think, I happen to like screen violence while steadily execrating its real-life counterpart. Moreover, I can tell the difference between the two. One is happening, one is not.”

Martin Amis

Review of Hollywood vs. America by Michael Medved, p. 16
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

“Iron John, a short work of psychological, literary and anthropological speculation by the poet Robert Bly, dominated the New York Times best-seller list for nearly a year and made, as we shall see, a significant impact on many aspects of American life. In England, it made no impression whatever. … We are British over in Britain, we are skeptical, ironical, et cetera, and are not given, as Americans are, to seeking expert advice on basic matters. Especially such matters as our manhood. In England, maleness itself has become an embarrassment: male consciousness, male pride, male rage, we don't want to hear about.”

Martin Amis

"Political Correctness: Robert Bly and Philip Larkin" (1997)

“Just as a Philistine does not on the whole devote his life to his art, so a misogynist does not devote his inner life to women. Larkin's men friends devolved into pen-pals. Such intimacies as he shared, he shared with women.”

Martin Amis

"Political Correctness: Robert Bly and Philip Larkin" (1997)

“Every writer hopes or boldly assumes that his life is in some sense exemplary, that the particular will turn out to be universal.”

Martin Amis

The Observer [London] (30 August 1987)

“When success happens to an English writer, he acquires a new typewriter. When success happens to an American writer, he acquires a new life.”

Martin Amis

"Kurt Vonnegut" (1983)
The Moronic Inferno and Other Visits to America (1986)