Mani Madhava Chakyar: Performance

““Mani Madhava Chakyar was performing sikhinisalabha… Butterflies fly all around. Some of them fell into the fire below. The anguish was reflected in the actor’s eyes. Ha! There they come out without a burn! What a relief! They came again. The actor continued the performance. Only his eyes move… The audience was spellbound. They did not know that an hour has passed!”
- About his world famous abhinaya of the shloka shikhinisalabha from Subhadradhananjayam.”

Mani Madhava Chakyar

Abhinaya and Netrābhinaya
Source: Indigenous Sanskrit theatre form, The Hindu, Tuesday, Jul 31, 2007 http://www.hindu.com/br/2007/07/31/stories/2007073150031600.htm

World , Flying

““(I got introduced to) the late and great Mani Madhava Cakyar’s King Udayana in Svapnavasavadatta. In what may have been among his last performances on the public stage I was fortunate to see Sri Cakyar, who at an advanced age, literally threw away his walking stick as he entered the stage to become a sprightly royal lover pining away for his beloved Vasavadatta. At his home in Likkadi he demonstrated the nava rasas… Sri Cakyar vividly illustrated to me that kutiyattam acting has the power to transform even the oldest person into the character he portrays”
- Prof. Farley P. Richmond (Expert on Indian theatre), Department of Theatre and Film Studies, University of Georgia.”

Mani Madhava Chakyar

Abhinaya and Netrābhinaya
Source: www.uga.edu/farleyrichmond/projects/trivandrum%20speech.pdf

Age , Home , Lovers , Study

““Scholars of Paderevski Foundation who were fortunate enough to have witnessed the fragments of Swapnavāsavadattam as performed by your splendid actors, were unanimous in their praise of the high cultural and aesthetic level of the Koodiyattam. It was a most enjoyable experience and the Paderevski Founadtion is proud to have co-sponsored the appearances of the Theatre in Northern India”
- Paderewski Foundation (New York) Certificate (New Delhi, 1964) - First International recognition for Kutiyattam and the maestro.”

Mani Madhava Chakyar

Awards

Appearance

“Mani Madhava Cakyar with his unfailing urge for complicated, difficult and minute details has enriched the art during the decades of his unparalleled performing life without permitting even an iota of compromise regarding the essentials of traditional style. He has served his Kuladharma ever since his maiden appearance with tireless effort, enthusiasm, perseverance and vigor. He introduced new forms to improve this art form without impairing its tradition. The effectiveness of these innovations which only a genius could visualise and perform has already been proved several times”

Mani Madhava Chakyar

"The Hindu (1989)
Abhinaya and Netrābhinaya
Source: K. A. Chandrahasan, In pursuit of excellence (Performing Arts), "The Hindu", Sunday March 26, 1989

Life , Art , Effort , Appearance

“"My own people condemned my action (performing Koothu and Kutiyattam outside the precincts of the temples), Once, after I had given performances at Vaikkom, they even thought about excommunicating me. I desired that this art should survive the test of time. That was precisely why I ventured outside the temple"
- Guru about the difficulties he had faced from hardliners when he tok Koothu and Kutiyattam outside the temples and performing it for common man.”

Mani Madhava Chakyar

Source: Mani Madhava Chakkyar: The Master at Work, K.N. Panikar, Sangeet Natak Akademi New Delhi, 1994

People , Art , Time

“"(Guru Mani Madhava Chakiar) began playing the dual role of Parvati and Shiva…sat on a wooden chair…I have never ever seen a Parvati so exquisitely beautiful. I have never seen a Shiva so handsome and so cunning. I sat there and wept as if I were alone in the presence of God. I then realized what theatre was all about — the falsehood of that old man made me arrive at a state where inhibitions and convictions, all became so fluid and beautiful. And this vision has remained with me always"
- Dr. Vijaya Mehta (Executive Director, National Center for Performing Arts- Bombay, acclaimed Indian theatre personality) about her experience of watching 72 year old Guru's Abhinaya of Parvativiraha”

Mani Madhava Chakyar

Abhinaya and Netrābhinaya
Source: Theatre is a great lie that gets us to arrive at a great truth- Dr.Vijaya Mehta http://www.rotaryclubofbombay.org/ps121206.htm

God , Beauty , Art , Personality