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“How much of the full heart must be
A seal’d book at whose contents we tremble?”

Letitia Elizabeth Landon

(1837 1) (Vol. 49) We Might Have Been
The Monthly Magazine

“Imagination's truth is from its power:
Man's genius can create when nature's felt;
He copies when he deems that he invents.”

Letitia Elizabeth Landon

Translations, From the French

“The Painter's skill has seized a moment where
Her hand is wreathing mid his raven hair;
And he is bent in worship, as that touch,
That soft light touch, were ecstasy too much.
He is just turned from that bewildering face
To the fair arm that holds the magic vase —
The purple liquor is just sparkling up —
The youth has pledged his heart's truth on that cup!”

Letitia Elizabeth Landon

(10th August 1822) Sketches from Drawings by Mr. Dagley. Sketch the Third. The Cup of Circe
The London Literary Gazette, 1821-1822

“Youth suffers but for a season; the bowed but unbroken spirit resumes its elasticity; the future, unknown and beautiful, wins the present to itself, and the past waits for that dark and overwhelming influence which sooner or later will darken our whole horizon.”

Letitia Elizabeth Landon

Other Gift Books

“As steals the dew along the flower,
So stole thy smile on me;
I cannot tell the day, nor hour
I first loved thee!”

Letitia Elizabeth Landon

(1836-2) (Vol.47) Songs-IV.
The Monthly Magazine

“Alas! when angry words begin
Their entrance on the lip to win;
When sullen eye and flushing cheek
Say more than bitterest tone could speak;
And look and word, than fire or steel,
Give wounds more deep,—time cannot heal;
And anger digs, with tauntings vain,
A gulf it may not pass again.”

Letitia Elizabeth Landon

The Golden Violet - The Ring
The Golden Violet (1827)

“Of all the fowls that sweep the air
None with the Peacock may compare;
Not only for its loveliness,
Though queens in vain might ask such dress,
But o'er those painted plumes are cast
So many shadows from the past”

Letitia Elizabeth Landon

The Vow of the Peacock (1835)

“There is a deep impression of awe produced by such a vast but silent crowd; we are at once conscious that the cause is terrible which can induce the unusual stillness. The issue of a trial on which hangs life or death, is indeed an appalling thing. We know that men are about to take away that which they cannot give—that a few words of human breath will deprive of breath one of the number for ever; and though we acknowledge that in this evil world punishment is the only security against crime, and that blood for blood has been a necessity from the beginning of time; still, we feel that the necessity is a dreadful one.”

Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“The leaves were gone from all, save where the pine
Threw the wide shadow of its unchang'd green.
I could not envy it that fadeless state.—
Ah! who would be the last, the only one
That ruin spares—no; if the blight must pass
O'er all around, let it pass o'er me too!”

Letitia Elizabeth Landon

Canto II, X
The Fate of Adelaide (1821)

“We say that people and that things are changed;
Alas! it is ourselves that change : the heart
Makes all around the mirror of itself.”

Letitia Elizabeth Landon

The London Literary Gazette, 1829

“One sweet whisper from her came;
And he drank to catch her breath, —
Wine and sigh alike are death!”

Letitia Elizabeth Landon

(1836-3) (Vol.48) Subjects for Pictures. Second Series. II. A Supper of Madame de Brinvilliers
The Monthly Magazine

“But youth is as a flowing stream, on whose current the shadow may rest but not remain.”

Letitia Elizabeth Landon

Other Gift Books

“What a falsehood it is to say that genius and industry are incompatible! Does one work of genius exist that has not also been a work of labour?”

Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“I own that I have known greater misfortunes in life than that a young gentleman and lady of twenty should have to wait a twelve-month before they were married; but every person considers their own the worst that ever happened…”

Letitia Elizabeth Landon

The Monthly Magazine

“Never day-beam hath shone o'er
Lovelier or wilder shore!
Half was land, and half was sea
Where the eye could only see
The blue sky for boundary.”

Letitia Elizabeth Landon

(30th November 1822) Fragments in Rhyme V: the Happy Isle
7th December 1822) Fragments in Rhyme VI: The Painter's Love see The Improvisatrice (1824
14th December 1822) Fragments in Rhyme VII: Manmadin, The Indian Cupid. Floating down the Ganges see The Improvisatrice (1824
21st December 1822) Fragments in Rhyme IX: The Female Convict see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

“The morning Sun arose —
Still the festal board was spread —
Still hosts and guests were round;
But hosts and guests were dead!”

Letitia Elizabeth Landon

22nd April 1826) The Death-Feast (under the pen name Iole
The London Literary Gazette, 1826

“Those cheerful bells, how can they bid
A welcome to the new-born Year?
I think on what the past has been;
I cannot hope—I only fear.”

Letitia Elizabeth Landon

(4th January 1834) The New Year
The London Literary Gazette, 1833-1835

“I am persuaded there is no triumph equal to one achieved on the stage—it comes so immediate and so home : you have before you the mass of human beings whose sympathies are at your will; you witness the emotions which you raise, you see the tears which you command : the poet has erected the statue, but it is for you to give it life—the words must find their music on your lips—the generous sentiment, the exalted hope, the touches of deep feeling, ask their expression from you : surely such influence is among the triumphs of the mind, ay and a great and noble triumph.”

Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“And here they met: where should Love’s meeting be —
Love passionate, and spiritual, and deep—
Where, but in such a haunted solitude—
A green and natural temple—fitting shrine
For vows the stars remember?”

Letitia Elizabeth Landon

The Last of the St. Aubyns
Heath's book of Beauty, 1833 (1832)

“Peace to the weary and the beating heart,
That fed upon itself!”

Letitia Elizabeth Landon

A History of the Lyre
The Venetian Bracelet (1829)