Lester Bangs: Rock

“Rock 'n' roll is an attitude, it's not a musical form of a strict sort. It's a way of doing things, of approaching things. Writing can be rock 'n' roll, or a movie can be rock 'n' roll. It's a way of living your life.”

Lester Bangs

Life , Music , Way

“The politics of rock 'n' roll, in England or America or anywhere else, is that a whole lot of kids want to be fried out of their skins by the most scalding propulsion they can find, for a night they can pretend is the rest of their lives, and whether the next day they go back to work in shops or boredom on the dole or American TV doldrums in Mom 'n' Daddy's living room nothing can cancel the reality of that night in the revivifying flames when for once if only then in your life you were blasted out of yourself and the monotony which defines most life anywhere at any time, when you supped on lightning and nothing else in the realms of the living or dead mattered at all.”

Lester Bangs

"The Clash" (December 1977), p. 239
Psychotic Reactions and Carburetor Dung (1988)

Life , Moms , Reality , Time

“The trend toward narcissistic flair has been responsible in large part for smiting rock with the superstar virus, which revolves around the substituting of attitudes and flamboyant trappings, into which the audience can project their fantasies, for the simple desire to make music, get loose, knock the folks out or get 'em up dancin.' It's not enough just to do those things anymore; what you must do instead if you want success on any large scale is figure a way of getting yourself associated in the audience's mind with their pieties and their sense of "community," i. e., ram it home that you're one of THEM; or, alternately, deck and bake yourself into an image configuration so blatant or outrageous that you become a culture myth.”

Lester Bangs

"James Taylor Marked for Death" (1971), p. 67
Psychotic Reactions and Carburetor Dung (1988)

Music , Way , Home , Communication

“The point is that, like Richard Hell says, rock 'n' roll is an arena in which you recreate yourself, and all this blathering about authenticity is just a bunch of crap. The Clash are authentic because their music carries such brutal conviction, not because they're Noble Savages.”

Lester Bangs

"The Clash" (December 1977), p. 227
Psychotic Reactions and Carburetor Dung (1988)

Music , Hell

“Things started to go downhill. Instead of singing about taking tea with Mary Jane and boppin' your dingus on ol' Sweet Slit Annie it was Help me God I don't know the meaning of life or I believe that love is gonna cure the world of psoriasis and cancer both and I'm gonna tell the people all about it 285 different ways whether you like it or not. And Why is there war well go ask the children they know everything we need to know, and Gee I sure like black folks even if my own folks don't and endless vinyl floods of drivel in similar veins. At that point I started to pack in and resort back to my good old ' 66 goof squat rock. I got out records like 96 Tears by Question Mark and the Mysterians, who were mysterious indeed, and re-whooped to jungle juju cackles like "Wooly Bully," which is indescribable and was recorded by a bunch of guys who drove around in a hearse wearing turbans.”

Lester Bangs

"Psychotic Reactions and Carburetor Dung: A Tales of These Times" (June 1971), p. 9
Psychotic Reactions and Carburetor Dung (1988)

Love , Life , God , War

“By the end of the decade it had become obvious that perhaps the one constant of our variegated and strung-out peer groups was a pervasive sense of self-consciousness that sent us in grouchy packs to ugly festivals just to be together and dig ourselves and each other, as if all of this meant something greater than that we were kids who liked rock 'n' roll and came out to have a good time, as if our very styles and trappings and drugs and jargon could be in themselves political statements for any longer than about fifteen stoned seconds, even a threat to the Mother Country! So we loved and loved and doted on ourselves and our reflections in each other even as the whole thing got out of hand and turned into mud and disaster areas and downs and death.”

Lester Bangs

"James Taylor Marked for Death" (1971), p. 66
Psychotic Reactions and Carburetor Dung (1988)

Love , Death , Sense , Time

“O. K., I'm a rock critic. I also write and record music. I write poetry, fiction, straight journalism, unstraight journalism, beatnik drivel, mortifying love letters, death threats to white jazz critics signed "The Mau Maus of East Harlem," and once a year my own obituary (latest entry: "He was promising…").”

Lester Bangs

"An Instant Fan's Inspired Notes: You Gotta Listen" (1980), from Da Capo Best Music Writing 2000, ed. Peter Guralnick (Da Capo Press, 2000, ISBN 0306809990), p. 100

Love , Death , Music