Kenneth Rexroth: Likeness

Kenneth Rexroth was American poet, writer, anarchist, academic and conscientious objector. Explore interesting quotes on likeness.
Kenneth Rexroth: 130   quotes 0   likes

“I said, "I have an extremely wide repertory. What would you like — sex, revolution, or mysticism?" She looked up and said quietly, "What’s the difference?"”

"The Libertarian Circle"
An Autobiographical Novel (1991)
Context: I was giving a reading at some university. Down in the front row of the auditorium was a young lady in a leather microskirt and a leather microbolero, tied with a leather bootlace, and nothing else whatever. I said, "I have an extremely wide repertory. What would you like — sex, revolution, or mysticism?" She looked up and said quietly, "What’s the difference?"

“She was almost the perfectly typical passionate, revolutionary, intellectual woman — a frailer, even more highly strung Rosa Luxemburg. … She made up her own revolution out of her vitals, like a spider or silkworm.”

"Simone Weil" in The Nation (12 January 1957) http://www.cddc.vt.edu/bps/rexroth/essays/simone-weil.htm
Context: Simone Weil was one of the most remarkable women of the twentieth, or indeed of any other century. I have great sympathy for her, but sympathy is not necessarily congeniality. It would be easier to write of her if I liked what she had to say, which I strongly do not. …I think Simone Weil had both over- and under-equipped herself for the crisis which overwhelmed her — along, we forget, immersed in her tragedy, with all the rest of us. She was almost the perfectly typical passionate, revolutionary, intellectual woman — a frailer, even more highly strung Rosa Luxemburg. … She made up her own revolution out of her vitals, like a spider or silkworm. She could introject all the ill of the world into her own heart, but she could not project herself in sympathy to others. Her letters read like the more distraught signals of John of the Cross in the dark night.

“With my own group I like to keep it loose. They have to counter rather than go with me. When they stop I like to be moving.”

Referring to the jazz musicians who performed along with his readings
Rothenberg and Antin interview (1958)