Ken Kesey: Likeness

Source: One Flew Over the Cuckoo's Nest

As quoted in "Comes Spake the Cuckoo" the Far Gone interview (13 September 1992) http://www.intrepidtrips.com/kesey/fahey.html by Todd Brendan Fahey http://www.fargonebooks.com/bio.html
Context: Leary can get a part of my mind that's kind of rusted shut grinding again, just by being around him and talking, 'cause that's where he works. He knows that area of the mind and the brain, and he knows the difference between the two areas. He's a real master at getting your old wheel squeaking again. … When we first broke into that forbidden box in the other dimension, we knew that we had discovered something as surprising and powerful as the New World when Columbus came stumbling onto it. It is still largely unexplored and uncharted. People like Leary have done the best they can to chart it sort of underground, but the government and the powers do not want this world charted, because it threatens established powers. It always has.

The Paris Review interview (1994)
Context: It’s the same old wilderness, just no longer up on that hill or around that bend or in the gully. It’s the fact that there is no more hill or gully, that the hollow is there and you’ve got to explore the hollow with faith. If you don’t have faith that there is something down there, pretty soon when you’re in the hollow, you begin to get scared and start shaking. That’s when you stop taking acid and start taking coke and drinking booze and start trying to fill the hollow with depressants and Valium. Real warriors like William Burroughs or Leonard Cohen or Wallace Stevens examine the hollow as well as anybody; they get in there, look far into the dark, and yet come out with poetry.

Settlers on this continent from the beginning have been seeking that wilderness and its wildness. The explorers and pioneers were out on the edge, seeking that wildness because they could sense that in Europe everything had become locked tight with things. The things were owned by all the same people and all of the roads went in the same direction forever. When we got here there was a sense of possibility and new direction, and it had to do with wildness.
The Paris Review interview (1994)

The Paris Review interview (1994)
Context: Kerouac had lots of class — stumbling drunk in the end, but read those last books. He never blames anybody else; he always blames himself. If there is a bad guy, it’s poor old drunk Jack, stumbling around. You never hear him railing at the government or railing at this or that. He likes trains, people, bums, cars. He just paints a wonderful picture of Norman Rockwell’s world. Of course it’s Norman Rockwell on a lot of dope.
Jack London had class. He wasn’t a very good writer, but he had tremendous class. And nobody had more class than Melville. To do what he did in Moby-Dick, to tell a story and to risk putting so much material into it. If you could weigh a book, I don’t know any book that would be more full. It’s more full than War and Peace or The Brothers Karamazov. It has Saint Elmo’s fire, and great whales, and grand arguments between heroes, and secret passions. It risks wandering far, far out into the globe. Melville took on the whole world, saw it all in a vision, and risked everything in prose that sings. You have a sense from the very beginning that Melville had a vision in his mind of what this book was going to look like, and he trusted himself to follow it through all the way.

Source: One Flew Over the Cuckoo's Nest

Source: One Flew Over the Cuckoo's Nest

Source: One Flew Over the Cuckoo's Nest

Source: One Flew Over the Cuckoo's Nest (1962), Ch. 29

"Chief, in Ch. 29
One Flew Over the Cuckoo's Nest (1962)