“Well, this is a surprise. If you aren't here to give me trouble, then why are you here?”
Source: Never Let Me Go (2005), Chapter 21, p. 248
Kazuo Ishiguro is a Nobel Prize-winning British novelist, screenwriter, and short story writer. He was born in Nagasaki, Japan; his family moved to England in 1960 when he was five. Ishiguro graduated from the University of Kent with a bachelor's degree in English and Philosophy in 1978 and gained his master's from the University of East Anglia's creative writing course in 1980.
Ishiguro is considered one of the most celebrated contemporary fiction authors in the English-speaking world, having received four Man Booker Prize nominations and winning the 1989 award for his novel The Remains of the Day. His 2005 novel, Never Let Me Go, was named by Time as the best novel of 2005 and included in its list of the 100 best English-language novels from 1923 to 2005. His seventh novel, The Buried Giant, was published in 2015. Growing up in a Japanese family in the UK was crucial to his writing, as he says, enabling him to see things from a different perspective to many of his British peers.
In 2017, the Swedish Academy awarded Ishiguro the Nobel Prize in Literature, describing him in its citation as a writer "who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world".
“Well, this is a surprise. If you aren't here to give me trouble, then why are you here?”
Source: Never Let Me Go (2005), Chapter 21, p. 248
“It'll come off. If you can't get it off yourself, just take it to Miss Jody.”
Source: Never Let Me Go (2005), Chapter 1, p. 11
Source: Never Let Me Go (2005), Chapter 2, pp. 13–14
“Miss Emily had an intellect you could slice logs with.”
Source: Never Let Me Go (2005), Chapter 4, p. 43
Source: The Remains of the Day (1989), p. 245
“At least you got him to pipe down,' she said. 'Are you okay? Mad animal.”
Source: Never Let Me Go (2005), Chapter 1, p. 12
Source: Never Let Me Go (2005), Chapter 2, p. 14
On growing up in England, having left Japan at age 5. Conversation with Lewis Burke Frumkes, The Writer http://www.writermag.com/, volume 114, number 5, May 2001, collected in Conversations with Kazuo Ishiguro, p. 189 https://books.google.com/books?id=lvuteIrz7JUC&pg=PA189&dq=%22there+was+another+life+that+i+might+have+had,+but+I%E2%80%99m+having+this+one%22
... I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.
Rukeyser, Rebecca. " Kazuo Ishiguro: Mythic Retreat https://www.guernicamag.com/mythic-retreat/" guernicamag.com interview. 1 May 2015.