Karel Appel: Likeness

Karel Appel was Dutch painter, sculptor, and poet. Explore interesting quotes on likeness.
Karel Appel: 116   quotes 1   like

“The Cobra group started new, and first of all we threw away all these things we had known and started afresh, like a child — fresh and new. Sometimes my works look very childish, or childlike, schizophrenic or stupid, you know. But that was the good thing for me. Because, for me, the material is the paint itself. The paint expresses itself. In the mass of paint, I find my imagination and go on to paint it.”

Karel Appel

Quoted in: 'Karel Appel, Dutch Expressionist Painter, Dies at 85', by Margalit Fox, in 'Art & Design', New York Times May 9, 2006
Quote of an oral history in 'Contemporary Artists' - Karel Appel describes the wild artistic urgency that gave rise to the Cobra artist-group

Stupidity , Imagination , Painting

“That is what he used to do, what he is doing now for the last hears. He is the only painter who paints like that.... like the wind, like the ocean, like the light, like the sunlight, like the moonlight, far away from everything, without any image..”

Karel Appel

quotes from Appel's poem '..and now I want to talk about Willem de Kooning, February 1990 http://beeldgedicht.info/Reprocitaat/appel-kooning.htm

Light , Painting

“Of course, I painted before Cobra, as afterwards. Each one of us [CoBrA-artists] had his own personality. Cobra is only a very short period of my life. It was like a crossroads. We crossed paths and each continued on his way.... We [artists] are not born to form groups. A group that lasted for too long would destroy the creative activity of its members.”

Karel Appel

Quote of Appel in an interview with fr:Michel Ragon, 1963; as quoted in; Karel Appel, a gesture of colour, Jean-François Lyotard, (original French text of 1992 based upon intensive correspondence with Karel Appel), Christine Buci-Glucksmann, Herman Parret; University Press, Leuven, Belgium, 2009, p. 105
fr:Michel Ragon asked Appel: 'Without Cobra, would you have been what you are today?'

Life , Way , Painting , Personality

“Pollock... I also feel
like an erupting volcano.”

Karel Appel

ATV, 187; p. 167
Karel Appel, a gesture of colour' (1992/2009)

Feeling

“The wastelands belong to my youth [c. 1930's]. When I was young I played in the outskirts of the city - watching the cranes at the harbour. There was no law but garbage, grass and wildflowers like boys and girls, rough, hot and sexual and full of hidden pleasures. Life and death are overlapping in the wastelands like in my paintings.”

Karel Appel

Appel's quote is referring to his youth in Amsterdam, in the outskirts and the ports of the Dutch city
Source: Karel Appel – the complete sculptures,' (1990), pp. 75-77 'Quotes', K. Appel (1989)

Life , Death , Pleasure , Youth

“Knowledge isolates phenomena and things to observe with.... nothing is isolatable or can be removed from its environment. Anything which becomes isolated ceases to exist. It is like the violent refusal of someone to play a game in which everyone cheats.”

Karel Appel

Karel Appel – the complete sculptures,' (1990) not-paged

Game , Knowledge , Cheating

“.. And his painting is like the wind, like a breeze blowing the paint across the canvas, so unreal, so loose and far away from the worldly life.”

Karel Appel
Life , Painting

“If I had not become a painter,
I would surely have become a clown..
.. because I make people laugh..
.. Faces deformed
by suffering, humour or work.
Often crazy. They then became imaginary,
when I adorned them with movements
free colours depending on the head. The
colour too become clown-like”

Karel Appel

AF, 73; p. 161
Karel Appel, a gesture of colour' (1992/2009)

People , Suffering , Dependency

“You can see the roughness of structure and the spots like wounds from battles on the canvas. The tops of skyscrapers with windows like eyes constantly remind you that there are laws surrounding the wastelands, and so you hide in the deep grass when you make love to a girl in dirty clothes, and experience how your nerves of seeing become stronger and stronger and every little sound more and more intense. That's what Pasolini's poetry is partly about; he was a street guy and therefore I avoided beautiful new wood or metal for his sculpture... The wasteland was Pasolini's other side; the boys, the knives, the nights, the tensions.”

Karel Appel

Appel is referring to the Italian movie-maker Pasolini
Source: Karel Appel – the complete sculptures,' (1990), pp. 75-77 'Quotes', K. Appel (1989)

Love , Making love , Law , Beauty

“As an artist you have to fight and survive the wilderness to keep your creative freedom. Creativity is very fragile. It's like a leaf in the fall; it hangs and when it drops you don't know where it's drifting.”

Karel Appel

Source: Karel Appel – the complete sculptures,' (1990), p. 91 'Quotes', K. Appel (1989)

Freedom , Fight

“.. I believe, they always say to me that I'm an expressionist, I don't know why, because perhaps the technique is [not understood] and the colour is strong... But for some years, I work, I feel much more of, of the space, that is: magic is spacious if you like. Because for me man is an infinitely creative space. And because of that I am always looking to expand my work, you know, to find space.”

Karel Appel

explaining his need for large sizes
Karel Appel defines his painting', interview 1968

Feeling , Strong

“I have painted like an ape. The ape phase is in all my work. My first lick of paint is the ape phase, from that I grow towards a more intellectual phase, involving the lines, the rhythm. From that phase I grow towards mankind, for that is where the power of my imagination lies. It no longer has anything to do with reality, even though the world is present in it - for we recognize people, animals, plants, you name it.”

Karel Appel

quote of Karel Appel: from the conversation with Rudy Fuchs in 1990; as quoted in 'The Low Countries', Jaargang 12(2004) on DBNL (Dutch Librairy online) http://www.dbnl.org/tekst/_low001200401_01/_low001200401_01_0027.php

People , World , Imagination , Reality

“The mill is a tool for the wind
the mill is like a human being
that escapes”

Karel Appel

ATV, 47; p. 183
Karel Appel, a gesture of colour' (1992/2009)

“My paint is like a rocket, which describes its own space. I try to make the impossible possible. What is happening I cannot foresee, it is a surprise. Painting, like passion, is an emotion full of truth and rings a living sound, like the roar coming from the lion's breast.”

Karel Appel

Karel Appel's excerpt', c. 1953

Truth , Passion , Painting

“One of my first sculptures was made of bicycle parts. I was living at that time in a attic in the red light section of Amsterdam. I started to work without any specific materials. I was looking in the street like when I was a young boy, in the garbage cans, for ropes, wires, and paint. I left my parents in 1940. Years later I saw an exhibition of Kurt Schwitters at the Stedelijk Museum in Amsterdam curated by Willem Sandberg and there I saw the real 'objet trouvé'; until then I had never heard about it. Schwitters was a shattering experience.”

Karel Appel

Source: Karel Appel – the complete sculptures,' (1990), p. 79 'Quotes', K. Appel (1989)

Boy , Parent , Light , Time

“.. because I live in Paris, but just outside Paris at the start of Yonne, I have a barn, a very, very big barn.... right near Auxerre, a barn forty meters long, six meters wide and fifteen meters high, and I do all my work there.. it's like a large street, you know.”

Karel Appel

describing the location outside Paris, where he makes his large relief compositions
Karel Appel defines his painting', interview 1968

“It's like this - you are in front of your canvas, you hand holds the paint, ready, raised. The canvas waits, waits, empty and white - but all the time it knows what it wants. So - what does it want, anyway? My hand comes near, my eyes begin to transform the waiting canvas; and when - with my hands holding the paint and my eyes seeing the forms - I touch the canvas, it trembles, it comes to life.”

Karel Appel

Karel Appel's excerpt', c. 1953

Life , Time , Waiting , Painting

“To paint is to destroy what preceded. I never try to make a painting, but a chunk of life. It is a scream; it is a night; it is like a child; it is a tiger behind bars.”

Karel Appel

Karel Appel's excerpt', c. 1953

Life , Painting , Night