John Dryden: Man

A Discourse concerning the Original and Progress of Satire (1693).
Context: How easie is it to call Rogue and Villain, and that wittily! But how hard to make a Man appear a Fool, a Blockhead, or a Knave, without using any of those opprobrious terms! To spare the grossness of the Names, and to do the thing yet more severely, is to draw a full Face, and to make the Nose and Cheeks stand out, and yet not to employ any depth of Shadowing. This is the Mystery of that Noble Trade, which yet no Master can teach to his Apprentice: He may give the Rules, but the Scholar is never the nearer in his practice. Neither is it true, that this fineness of Raillery is offensive. A witty Man is tickl'd while he is hurt in this manner, and a Fool feels it not. The occasion of an Offence may possibly be given, but he cannot take it. If it be granted that in effect this way does more Mischief; that a Man is secretly wounded, and though he be not sensible himself, yet the malicious World will find it for him: yet there is still a vast difference betwixt the slovenly Butchering of a Man, and the fineness of a stroke that separates the Head from the Body, and leaves it standing in its place.

St. 1.
A Song for St. Cecilia's Day http://www.englishverse.com/poems/a_song_for_st_cecilias_day_1687 (1687)
Context: From harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

Epistle to John Driden of Chesterton (1700), lines 92–95.
Context: Better to hunt in fields, for health unbought,
Than fee the doctor for a nauseous draught.
The wise, for cure, on exercise depend;
God never made his work for man to mend.

Part 1, Act I, scene i.
The Conquest of Granada (1669-1670)
Context: I am as free as Nature first made man,
Ere the base laws of servitude began,
When wild in woods the noble savage ran.

Essay of Dramatick Poesie (1668)
Context: To begin then with Shakespeare; he was the man who of all Modern, and perhaps Ancient Poets, had the largest and most comprehensive soul. All the Images of Nature were still present to him, and he drew them not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learn'd; he needed not the spectacles of Books to read Nature; he look'd inwards, and found her there. I cannot say he is every where alike; were he so, I should do him injury to compare him with the greatest of Mankind. He is many times flat, insipid; his Comick wit degenerating into clenches; his serious swelling into Bombast. But he is alwayes great, when some great occasion is presented to him: no man can say he ever had a fit subject for his wit, and did not then raise himself as high above the rest of the Poets

Pt. I, line 999–1005. Compare Publius Syrus, Maxim 289, "Furor fit læsa sæpius patientia" ("An over-taxed patience gives way to fierce anger").
Absalom and Achitophel (1681)
Variant: Beware the Fury of a Patient Man.
Context: Oh that my Pow'r to Saving were confin’d:
Why am I forc’d, like Heav’n, against my mind,
To make Examples of another Kind?
Must I at length the Sword of Justice draw?
Oh curst Effects of necessary Law!
How ill my Fear they by my Mercy scan,
Beware the Fury of a Patient Man.

Book III, Ode 29, lines 65–68.
Imitation of Horace (1685)

Pt. II, lines 462–469.
Absalom and Achitophel (1681)

Prologue
All for Love (1678)

Preface to Translations from Theocritus, Lucretius, and Horace, in Sylvæ: or, The second part of Poetical Miscellanies, published by Mr. Dryden, third edition (London, 1702).

Absalom and Achitophel. Part i. Line 557.
The Hind and the Panther (1687)

Pt. I, lines 554–557.
Absalom and Achitophel (1681)

To the Pious Memory of Mrs. Anne Killegrew (1686), line 70.

The Cock and the Fox line 445 - 457.
Fables, Ancient and Modern (1700)

Sylvae (London, 1685), Translation of the Latter Part of the Third Book of Lucretius, "Against the Fear of Death", pp. 61–62.

The Works of Virgil translated into English verse by Mr. Dryden, Volume II (London, 1709), "Dedication", p. 213.

Religio Laici (1682), Preface.

Persius, Satire v, line 246.
Bartlett's Familiar Quotations, 10th ed. (1919)