Jean-François Millet: Timing

Jean-François Millet was French painter. Explore interesting quotes on timing.
Jean-François Millet: 24 quotes2 likes

“For the first [his very first time in Paris], I went to a little hotel, where I spent the night in a sort of nightmare, in which I saw my home, full of melancholy, with my mother, grandmother, and sister spinning in the evening, weeping and thinking of me, praying that I should escape the perdition of Paris. Then the evil demon drove me on before wonderful pictures, which seemed so beautiful, so brilliant, that it appeared to me they took fire and vanished in a heavenly cloud... Finally, without knowing how, I found myself [during one of his his first days in Paris] on the Pont Neuf, from which I saw a magnificent building which I thought must be the Louvre, from the descriptions I had heard of it. I went to it, and mounted the great stairway with a beating heart. At last one great object of my life was attained. I had imagined correctly what I should see. It seemed to me that I was in a world of friends [the paintings of the old masters], in a family where all that I beheld was the reality of my dreams.”

Jean-François Millet

Source: Jean-Francois Millet – Peasant and Painter, 1881, p. 46-49

“I work like a gang of slaves; the day seems five months long. My wish to make a winter landscape has become a fixed idea. I want to do a sheep picture and have all sorts of projects in my head. If you could see how beautiful the forest is! I rush there at the end of the day, after my work, and I come back every time crushed. It is so calm, such a terrible grandeur, that I find myself really frightened. I don't know what those fellows, the trees, are saying to each other.... we don't know their language, that is all; but I am quite sure of this - they do not make puns!.... Send [me] 3 burnt sienna, 2 raw ditto, 3 Naples's yellow, 1 burnt Italian earth, 2 yellow ocher, 2 burnt umber, 1 bottle of raw oil.”

Jean-François Millet

Quote of Millet, in his letter from Barbizon, c. 1850 to fr:Alfred_Sensier in Paris; as cited by Arthur Hoeber in The Barbizon Painters – being the story of the Men of thirty https://ia902205.us.archive.org/30/items/barbizonpainters00hoeb/barbizonpainters00hoeb.pdf – associate of the National Academy of Design; publishers, Frederick A. Stokes Company, New York 1915, p. 38 <br class="br">In 1850 Millet entered into an arrangement with Alfred Sensier, who provided him with materials and money in return for drawings and paintings (source: Murphy, Alexandra R. Jean-François Millet. Museum of Fine Arts, Boston, 1984, p. xix), see: Wikipedia, Millet <br class="br">1835 - 1850

“My dear Sensier, - I shall be greatly obliged if after reading and sealing the enclosed letter, you will take it to Rue du Delta, No. 8. [Paris].... Jaque [common friend and painter] and I have settled to stay here [ Barbizon ] for some time, and have accordingly each of us taken rooms. The prices are excessively low compared to those in Paris; and as it is easy to get to town if necessary, and the country is superbly beautiful, we hope to work more quietly here, and perhaps do better things. In fact, we intend to spend some time here... I wish you good-bye, with many hearty embraces. Jacque sends you warm remembrances, and will answer your letter tomorrow.”

Jean-François Millet

Quote from Millet's first letter to fr:Alfred_Sensier, from Barbizon, 28 June 1849; as cited by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 95
1835 - 1850

“You are sitting under the trees, feeling all the ease, all the tranquility that can possibly be enjoyed; you see some poor figure laden with a faggot come turning out of some little path. The unexpected and always striking way in which this figure appears to you carries your mind instantly to the sadness of human life... In tilled lands you see these figures digging and delving. From time to time you see one straighten his loins and wipe his forehead with the back of his hand. Is this the gay frolicsome work in which some people would have us believe? Yet here for me is the real humanity, the great poetry.”

Jean-François Millet

Quote from his letter, 1851; as quoted in Millet, by Romain Rolland, - translated from the French text of M. Romain Rolland by Miss Clementina Black; published: London, Duchworth & Co / New York, E. P. Dutton & Co, p. 11+12
1851 - 1870