Jean-François Millet: Doing

“[Theophile] Gautier's article is very good. I begin to feel a little more contented. His remarks about my thick colours are also very just. The critics who see and judge my pictures are not forced to know that in painting them I am not guided by a definite intention, although I do my utmost to try and attain the aim which I have in sight, independently of methods. People are not even obliged to know why it is that I work in this way, with all its faults.”

Jean-François Millet

Quote of Millet in his letter of 23 March 1851; as quoted by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 112
the most famous painting of Millet 'The Sower', reviewed in an article then by Gautier, was exhibited for the first time in 'The Salon' of Paris, at the End of 1850
1851 - 1870

People , Way , Feeling , Painting

“He [Alfred de Musset] puts you into a fever, it is true; but he can do nothing more for you. He has undoubted charms, but his taste is capricious and poisoned. All he can do is to disenchant and corrupt you, and at the end leave you in despair. The fever passes, and you are left without strength - like a convalescent who is in need of fresh air, of the sunshine, and of the stars.”

Jean-François Millet

a remark to his friend Louis Marolle in Paris c. 1839; as quoted by Julia Cartwright in Jean Francois Millet, his Life and Letters https://archive.org/stream/jeanfrancoismill00cart#page/n5/mode/2up, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 60
Millet had little sympathy with the French poet Alfred de Musset and criticized the tendencies of his poetry severely.
1835 - 1850

Star , Despair

“What do I care? 'I don't come here to please anybody. I come because there are antiques and models to teach me, that is all. Do I object to your figures, made of butter and honey [to Alfred Boisseau]?”

Jean-François Millet

Quote of Millet, c. 1839; as cited by biographer , in Jean-Francois Millet – Peasant and Painter, transl. Helena de Kay; publ. Macmillan and Co., London, 1881, p. 54
Boisseau criticized Millet on making his own plan; he was one of the master's pets of art-teacher Paul Delaroche in Paris, that time
1835 - 1850

“I work like a gang of slaves; the day seems five months long. My wish to make a winter landscape has become a fixed idea. I want to do a sheep picture and have all sorts of projects in my head. If you could see how beautiful the forest is! I rush there at the end of the day, after my work, and I come back every time crushed. It is so calm, such a terrible grandeur, that I find myself really frightened. I don't know what those fellows, the trees, are saying to each other.... we don't know their language, that is all; but I am quite sure of this - they do not make puns!.... Send [me] 3 burnt sienna, 2 raw ditto, 3 Naples's yellow, 1 burnt Italian earth, 2 yellow ocher, 2 burnt umber, 1 bottle of raw oil.”

Jean-François Millet

Quote of Millet, in his letter from Barbizon, c. 1850 to fr:Alfred_Sensier in Paris; as cited by Arthur Hoeber in The Barbizon Painters – being the story of the Men of thirty https://ia902205.us.archive.org/30/items/barbizonpainters00hoeb/barbizonpainters00hoeb.pdf – associate of the National Academy of Design; publishers, Frederick A. Stokes Company, New York 1915, p. 38
In 1850 Millet entered into an arrangement with Alfred Sensier, who provided him with materials and money in return for drawings and paintings (source: Murphy, Alexandra R. Jean-François Millet. Museum of Fine Arts, Boston, 1984, p. xix), see: Wikipedia, Millet
1835 - 1850

Beauty , Idea , Tree , Winter

“My dear Sensier, - I shall be greatly obliged if after reading and sealing the enclosed letter, you will take it to Rue du Delta, No. 8. [Paris].... Jaque [common friend and painter] and I have settled to stay here [ Barbizon ] for some time, and have accordingly each of us taken rooms. The prices are excessively low compared to those in Paris; and as it is easy to get to town if necessary, and the country is superbly beautiful, we hope to work more quietly here, and perhaps do better things. In fact, we intend to spend some time here... I wish you good-bye, with many hearty embraces. Jacque sends you warm remembrances, and will answer your letter tomorrow.”

Jean-François Millet

Quote from Millet's first letter to fr:Alfred_Sensier, from Barbizon, 28 June 1849; as cited by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 95
1835 - 1850

Beauty , Hope , Time , Reading