Jackson Pollock: Working

Jackson Pollock was American artist. Explore interesting quotes on working.
Jackson Pollock: 66   quotes 22   likes

“The modern artist is living in a mechanical age and we have a mechanical means of representing objects in nature such as the camera and photograph. The modern artist, it seems to me, is working and expressing an inner world – in other words – expressing the energy, the motion and the other inner forces.... the modern artist is working with space and time, and expressing his feelings rather than illustrating.”

Jackson Pollock

Source: 1950's, Interview by William Wright, Summer 1950, pp. 139-140

Age , World , Feeling , Nature

“I don't work from drawings and colour sketches into a final painting. Painting, I think, today – the more immediate, the more direct – the greater the possibilities of making a direct – of making a statement.”

Jackson Pollock

Source: 1950's, Interview by William Wright, Summer 1950, p. 144

Thinking , Drawing , Painting

“The important thing is that Clyff Still – you know his work? – and Rothko, and I – we've changed the nature of painting… I don't mean there aren't any other good painters. Bill [ Willem the Kooning ] is a good painter, but he's a 'French' painter [Pollock meant: a French-abstract style]. I told him so, the last time I saw him after his last show,… all those pictures in his last show start with an image. You can see it even though he's covered it up, or tried to…. Style – that's the French part of it. He has to cover it up with style.. [answering Seldon Rodman's question]”

Jackson Pollock

In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's

Question , Nature , Change , Time

“My concern is with the rhythms of nature... I work inside out, like nature.”

Jackson Pollock

Quoted in Leonhard Emmerling (2003) Jackson Pollock: 1912-1956 Taschen, p. 48
in posthumous publications

Nature

“Modern art to me is nothing more than the expression of contemporary aims of the age we're living in... All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.”

Jackson Pollock

Source: 1950's, Interview by William Wright, Summer 1950, p. 140

Age , Art

“My painting does not come from the easel. I hardly ever stretch my canvas before painting. I prefer to tack the unstretched canvas to the hard wall or the floor. I need the resistance of a hard surface. On the floor I am more at ease. I feel nearer, more a part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting. This is akin to the method of the Indian sand painters of the West.”

Jackson Pollock

Quote from 'Possibilities' Vol. 1, no 1, winter 1947-48, p. 79; as cited in 'Jackson Pollock: is he the greatest living painter in the United States?', in 'Life' (8 August 1949), pp. 42-45
1940's

Way , Feeling , Parting , Painting

“With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use – I don't use the accident – 'cause I deny the accident.... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.”

Jackson Pollock

Source: 1950's, Interview by William Wright, Summer 1950, p. 144

Life , Sense , Drawing , Painting

“Well, painting today certainly seems very vibrant, very alive, very exiting. Five or six of my contemporaries around New York are doing very vital work, and the direction that painting seems to be taken here – is – away from the easel – into some sort, some kind of wall, wall painting…”

Jackson Pollock

Source: 1950's, Interview by William Wright, Summer 1950, p. 144

Painting

“My work with Benton was important as something against which to react very strongly, later on; in this, it was better to have worked with him than with a less resistant personality who would have provided a much less strong opposition. At the same time Benton introduced me to Renaissance art.”

Jackson Pollock

remark on his former art-teacher w:Thomas Hart Benton
As quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 137
1940's, Art and Architecture (1944)

Art , Strong , Teachers , Time

“The thing that interests me is that today painters do not have to go to a subject-matter outside themselves. Modern painters work in a different way. They work from within.”

Jackson Pollock

Quote of Pollock in a radio interview (1951); as quoted in Lives of the Great Twentieth Century Artists', (1986) Edward Lucie-Smith, p. 263
1950's

Way

“The important thing is that Clyff Still – you know his work?”

Jackson Pollock

and Rothko, and I – we've changed the nature of painting.. .I don't mean there aren't any other good painters. Bill [ Willem the Kooning ] is a good painter, but he's a 'French' painter [Pollock meant: a French-abstract style]. I told him so, the last time I saw him after his last show,. ..all those pictures in his last show start with an image. You can see it even though he's covered it up, or tried to.. ..Style – that's the French part of it. He has to cover it up with style.. [answering Seldon Rodman's question]
In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's