Isa Genzken: Herring

Isa Genzken is German sculptor. Explore interesting quotes on herring.
Isa Genzken: 66   quotes 6   likes

“I like to work alone, because it irritates me if people say something stupid — I just can’t stand it… I have a Polish guy who comes in and cleans the studio, but pretty much no one else. [talking over a cappuccino, at the Museum of Modern Art New York, during her show there in 2013]”

Isa Genzken

after 2010, No, It Isn't Supposed to Be Easy' (2013)

People , Stupidity , Art , Guy

“Well, at first I wanted to put blinds on the building [of the outdoor-sculpture Josef Strau did for her recently]. But when I do something I've already done before, I sometimes have a certain feeling of uncertainty. Although I am falling back on something that I know is safe and pretty good. But then it was all too expensive. I had seen glowing green, fresh bamboo at the KaDeWe store. It had attracted my attention and I thought it would be nice to do something with it. Back home, sitting over the photo, drawing some things on it, I remembered this lovely green bamboo again and also that there was this fascist building – or partly fascist building – next to the store, a theater, an ugly building. And then I thought, bamboo is politically correct, that's just the thing. But I also think it's visually beautiful. Simple. The work is called 'Haare wachsen wie sie wollen”

Isa Genzken

'Hair grows the way it wants'
2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

Love , Beauty , Way , Feeling

“The show is called 'Wind'. I tried here to make work which looks like wind, and it is the most difficult thing to do; I was thinking of Leonardo da Vinci – as he was, for instance, always wanting to fly. And then, this hand of Michael Jackson is like 'ffffffff', 'I'm leaving' (makes gesture with her hand and mouth in the mirror in the hallway of the gallery, mimicking the action that Jackson is depicted making on the invitation card of her show - Simon Denny). Not in a sad way, but…. in a way a little bit sad too. And then I said 'Isa Genzken', because I always liked him so much. For instance, I would always have jackets like this one. This is my favourite kind of style, and so I said 'ffff' [blowing gesture] 'Now I'm coming'… It's like 'don't be afraid, don't be sad, you know… I'm here.”

Isa Genzken

2001 - 2010, Out to Lunch with Isa Genzken' (2009)

Sadness , Way , Thinking , Flying

“It [the first work in her show 'Wind'] is dedicated to Jasper Johns – I named it 'Homage à Jasper Johns'. As he basically did these 'flags', I mean he is so famous because of 'flags', and I was thinking of a flag too, and so I did this, so I was thinking of him because he's so incredibly famous and I'm not.”

Isa Genzken

both laugh
2001 - 2010, Out to Lunch with Isa Genzken' (2009)

Thinking

“There was a lot of revision that went into [making] the [Wind] sculptures, [c. 2009 - meant as her response to the death of Michael Jackson which she admired]. It might look like I just went in the gallery and they just went up – just like that – but it was not like that. It was really a long process to get the things to look the way they do, to have that balance especially in relation to what I already said about minimalism, and to also have this light touch to them.”

Isa Genzken

2001 - 2010, Out to Lunch with Isa Genzken' (2009)

Death , Way , Light

“I was so disappointed at first [visiting the pyramids in Egypt, in her 20s], because they looked so small, but then when you approached them, they got so big. It's an amazing effect.”

Isa Genzken

after 2010, No, It Isn't Supposed to Be Easy' (2013)

Disappointment

“.. you see they hung my painting here [on her show 'Wind', 2009] I did that in the early 1990s. People never really liked them so much back then, they thought they looked more like photographs. Actually, I was doing them when I was still married to Gerhard Richter [till 1993], and it was somehow in relation to what he was doing, you know, these kind of side-to-side gestural abstracts – done like this [gestures as if pulling a squeegee over a surface from one side to the other] like paintings of the 1950s. Mine were called 'Basic Research', they were rubbings of oil paint on canvas – frottages of the floor of my studio. I did quite a few of these. [Gerhard] Richter put one up in his studio for some time... But he found it too hard and then took it out after a while.”

Isa Genzken

2001 - 2010, Out to Lunch with Isa Genzken' (2009)

People , Time , Painting

“One curve corresponds to the curvature of Mars on a scale of 1:1000, another curve to Venus on a scale of 1:40.000 [named after the Roman Gods of Love and War, probably alluding to her starting romance with Gerhard Richter ]”

Isa Genzken

Quote of Genzken in: 'Gerhard Richter: A Life in Painting', by Dietmar Elger, University of Chicago Press 2009, p. 252
concept-text in 1980, for the commissioned decoration - together with Gerhard Richter - of the the multilevel U-bahn (subway) At König-Heinrich-Platz in Duisburg
1990 - 2000

Love , God , War

“they [her two shows in 2009] are so different, and actually it was a lot of work to make those two shows – I have never done that, two shows simultaneously. I worked on them for a whole year. It was very hard, because I was trying to get this balance between minimalism and something else beyond that – in dialogue with Minimalism, but with content. That was always the thing with minimalism, there was no content allowed of course, but only the thing in the space, that was what Sol LeWitt was always about, and Carl Andre – it was all about avoiding content. I was always very interested in this, right from the beginning, especially with my 'Ellipsoids' [she made 1981 - 1983]. They look like minimalism, but in the end there is a lot going on there.”

Isa Genzken

2001 - 2010, Out to Lunch with Isa Genzken' (2009)

“Yes. Basically, I can read your photography [of Wolfgang Tillmans, who is interviewing her] and see what moves you. What really moves you and not just faked emotion. I don't think it's good when it's like that in art – but unfortunately it often is. That's why I like Bruce Nauman, for example, as a sculptor. With his work, sometimes I have really thought to myself, that's simply beautiful... Above all, it is difficult enough to depict something that moves you deep down inside. But that's ultimately what art is all about, and that's also what appeals to people – if an artist can do it.”

Isa Genzken

2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

People , Beauty , Art , Thinking