Iain Banks: Evening

Iain Banks was Scottish writer. Explore interesting quotes on evening.
Iain Banks: 278 quotes2 likes

“I think the easiest people to fool are ourselves. Fooling ourselves may even be a necessary precondition for fooling others.”

Iain Banks book The Bridge

Source: The Bridge

“That’s the trouble with people like them, I suppose; whenever you think you’re detecting the first signs of them starting to behave responsibly, it’s just them being even more devious and underhand than usual.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 8 “Killing Time” section V (p. 261).

“The youth was a cretin, and didn’t even realize that he was.
He could think of no more disastrous combination.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter V (p. 303).

“Look at these humans! How could such glacial slowness even be called life? An age could pass, virtual empires rise and fall in the time they took to open their mouths to utter some new inanity!”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 7 “Tier” section II (p. 212).

“Even the pain of what had felt on occasion like an irretrievably broken heart had consistently proved less lasting than she’d initially imagined and expected; the revelation that a boy’s taste was so grotesquely deficient he could prefer somebody else to her always reduced both the intensity and the duration of the anguish her heart demanded be endured to mark such a loss of regard.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 6 “Pittance” section III (p. 180).

“Pain, or even just discomfort, is like the warning sent by a frontier guard, sir. You are free to choose to ignore it, but you should not be unduly surprised if you are subsequently over-run by invaders.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 3 (p. 51)

“The war won’t end,” Aviger said. “It’ll just die away…I don’t think the Culture will give in like everybody thinks it will. I think they’ll keep fighting because they believe in it. The Idirans won’t give in, either; they’ll keep fighting to the last, and they and the Culture will just keep going at each other all the time, all over the galaxy eventually, and their weapons and bombs and rays and things will just keep getting better and better, and in the end the whole galaxy will become a battleground until they’ve blown up all the stars and planets and Orbitals and everything else big enough to stand on, and then they’ll destroy all of each other’s big ships and then the little ships, too, until everybody’ll be living in single units blowing each other up with weapons that could destroy a planet…and that’s how it’ll end; probably they’ll invent guns or drones that are even smaller, and there’ll only be a few smaller and smaller machines fighting over whatever’s left of the galaxy, and there’ll be nobody left to know how it all started in the first place.”

Iain Banks Culture series

Source: Culture series, Consider Phlebas (1987), Chapter 11 “The Command System: Stations” (pp. 380-381).

“Never forget I am not this silver body, Mahrai. I am not an animal brain, I am not even some attempt to produce an AI through software running on a computer. I am a Culture Mind. We are close to gods, and on the far side. We are quicker; we live faster and more completely than you do, with so many more senses, such a greater store of memories and at such a fine level of detail. We die more slowly, and we die more completely, too.”

Iain Banks Culture series

Look to Windward
Culture series, Look to Windward (2000)

“It was just like some ancient electricity-powered computer; it didn't matter how fast, error-free, and tireless it was, it didn't matter how great a labor-saving boon it was, it didn't matter what it could do or how many different ways it could amaze; if you pulled its plug out, or just hit the off button, all it became was a lump of matter; all its programs became just settings, dead instructions, and all its computations vanished as quickly as they'd moved.
It was, also, like the dependency of the human-basic brain on the human-basic body; no matter how intelligent, perceptive and gifted you were, no matter how entirely you lived for the ascetic rewards of the intellect and eschewed the material world and the ignobility of the flesh, if your heart just gave out…
That was the Dependency Principle; that you could never forget where your off switches were located, even if it was somewhere tiresome.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 4 “Dependency Principle” section III (p. 122).

“He would give up then, and console himself with something she’d said: that you could not love what you fully understood. Love, she maintained, was a process, not a state. Held still, it withered. He wasn’t too sure about all that; he seemed to have found a calm clear serenity in himself he hadn’t even known was there, thanks to her.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter IX (p. 149).

“It was like living half your life in a tiny, stuffy, warm gray box, and being moderately happy in there because you knew no better…and then discovering a little hole in one corner of the box, a tiny opening which you could get a finger into, and tease and pull at, so that eventually you created a tear, which led to a greater tear, which led to the box falling apart around you…so that you stepped out of the tiny box’s confines into startlingly cool, clear fresh air and found yourself on top of a mountain, surrounded by deep valleys, sighing forests, soaring peaks, glittering lakes, sparkling snowfields and a stunning, breathtakingly blue sky. And that, of course, wasn’t even the start of the real story, that was more like the breath that is drawn in before the first syllable of the first word of the first paragraph of the first chapter of the first book of the first volume of the story.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 4 “Dependency Principle” section III (p. 120).

“All the usual rules of uprising realpolitik still apply, especially that concerning the peculiar of dialectic of dissent which—simply stated—dictates that in all but the most dedicatedly repressive hegemonies, if in a sizable population there are one hundred rebels, all of whom are then rounded up and killed, the number of rebels present at the end of the day is not zero, and not even one hundred, but two hundred or three hundred or more; an equation based on human nature which seem often to baffle the military and political mind.”

Iain Banks

“A Few Notes on the Culture” (pp. 168-169)
Short fiction, The State of the Art (1991)

“One can read too much into one’s own circumstances. I am reminded of one race who set themselves against us—oh, long ago now, before I was even thought of. Their conceit was that the galaxy belonged to them, and they justified this heresy by a blasphemous belief concerning design. They were aquatic, their brain and major organs housed in a large central pod from which several large arms or tentacles protruded. These tentacles were thick at the body, thin at the tips and lined with suckers. Their water god was supposed to have made the galaxy in their image.
“You see? They thought that because they bore a rough physical resemblance to the great lens that is the home of all of us—even taking the analogy as far as comparing their tentacle suckers to globular clusters—it therefore belonged to them. For all the idiocy of this heathen belief, they had prospered and were powerful: quite respectable adversaries, in fact.”
“Hmm,” Aviger said. Without looking up, he asked, “What were they called?”
“Hmm,” Xoxarle rumbled. “Their name…” The Idiran pondered. “…I believe they were called the…the Fanch.”

Iain Banks Culture series

“Never heard of them,” Aviger said.
“No, you wouldn’t have,” Xoxarle purred. “We annihilated them.”
Source: Culture series, Consider Phlebas (1987), Chapter 13 “The Command System: Terminus” (pp. 445-446).

“But even if all the other stuff seems a bit esoteric, just think of all those other avatars at all those other gatherings, concerts, dances, ceremonies, parties and meals; think of all that talk, all those ideas, all that sparkle and wit!”

Iain Banks Culture series

“Think of all that bullshit, the nonsense and non-sequiturs, the self-aggrandisement and self-deception, the boring stupid nonsense, the pathetic attempts to impress or ingratiate, the slow-wittedness, the incomprehension and the incomprehensible, the gland-addled meanderings and general suffocating dullness.”
Source: Culture series, Look to Windward (2000), Chapter 11 “Absence of Gravitas” (p. 245)

“Are you really as ignorant as you appear, Trelsen, or is this some sort of bizarre act, perhaps even meant to be amusing?”

Iain Banks Culture series

Source: Culture series, Look to Windward (2000), Chapter 11 “Absence of Gravitas” (p. 231)

“It must be a burden, not even being able to say you were just obeying orders.”

Iain Banks Culture series

“Well, that is always a lie, or a sign you are fighting for an unworthy cause, or still have a very long way to develop civilisationally.”
Source: Culture series, Look to Windward (2000), Chapter 13 “Some Ways of Dying” (p. 312)

“I’m supposed to be at this sort of thing but even I find it pretty damn tedious at times. Still, receptions and parties are pan-cultural, so we’re told. I’ve never been sure whether to be reassured or appalled by that.”

Iain Banks Culture series

Source: Culture series, Look to Windward (2000), Chapter 8a “The Retreat at Cadracet” (p. 154)

“But are we within likelihood? Are we even still within the realm of anything other than paranoid lunacy?”

Iain Banks Culture series

Source: Culture series, Matter (2008), Chapter 19 “Dispatches” (p. 357)

“Even galaxy-spanning anarchist utopias of stupefying full-spectrum civilisational power have turf wars within their unacknowledged militaries.”

Iain Banks Culture series

Source: Culture series, Matter (2008), Chapter 18 “The Current Emergency” (p. 333)