Iain Banks: Trending quotes (page 5)

“How depressing, the Sleeper Service thought. That it should all come down to this; the person with the biggest stick prevails.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 11 “Regarding Gravious” section X (p. 372).

Personality

“On Earth one of the things that a large proportion of the locals is most proud of is this wonderful economic system, which, with a sureness and certainty so comprehensive one could almost imagine the process bears some relation to their limited and limiting notions of either thermodynamics or God, all food, comfort, energy, shelter, space, fuel, and sustenance gravitates naturally and easily away from those who need it most and towards those who need it least. Indeed, those on the receiving end of such largesse are often harmed unto death by its arrival, though the effects may take years and generations to manifest themselves.”

Iain Banks

“State of the Art” (p. 136)
Short fiction, The State of the Art (1991)

Death , God , Food , Imagination

“There is a saying that we provide the machines with an end, and they provide us with the means.”

Iain Banks

“Descendant” (p. 40)
Short fiction, The State of the Art (1991)

“And coincidence convinces the credulous. Two things happen at the same time, or one after another, and we assume there must be a link; well, we sacrificed a virgin last year, and there was a good harvest. Of course the ceremony to raise the sun works—it comes up every morning, doesn’t it? I say my prayers each night and the world hasn’t ended yet…
Dung beetle thinking. Life is too complicated for there not to be continual coincidences, and we just have to come to terms with the fact that they merely happen and aren’t ordained, that some things occur for no real reason whatsoever, and that this is not a punishment and that is not a reward. Good grief; the most copper-bottomed, platinum-card proof of divine intervention, of some holy masterplan, would be if there were no coincidences at all! That really would look suspicious.”

Iain Banks

“Piece” (p. 75)
Short fiction, The State of the Art (1991)

Life , World , Thinking , Time

““I’m from out of town,” he said breezily. This was true. He’d never been within a hundred light-years of the place.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter IX (p. 147).

Light

“More than anything else now, though, he wanted to save Darckense. He had seen too many dead, dry eyes, too much air-blackened blood, too much fly-blown flesh, to be able to relate such ghastly truths to the nebulous ideas of honor and tradition that people claimed they were fighting for. Only the well-being of one loved person seemed really worth fighting for now; it was all that seemed real, all that could save his sanity.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter I (p. 444).

Love , People , Truth , Idea

“Pain, or even just discomfort, is like the warning sent by a frontier guard, sir. You are free to choose to ignore it, but you should not be unduly surprised if you are subsequently over-run by invaders.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 3 (p. 51)

Pain

“That was another thing she taught me. That you are what you do. To Providence—or Progress or the Future or before any other sort of judgment apart from our own conscience—what we have done, not what we have thought, is the result we are judged by.”

Iain Banks Culture series

Prologue (p. 3)
Culture series, Inversions (1998)

Future

“No! Get away from me, you wittering purple rogues! Away and become bankers the lot of you—admit what you really love!”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 3 (p. 45)

Love

“Here, in the bare dark face of night
A calm unhurried eye draws sight
—We see in what we think we fear
The cloudings of our thought made clear”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 3 “Uninvited Guests” section IV (p. 104).

Fear , Thinking , Drawing , Night

“The war won’t end,” Aviger said. “It’ll just die away…I don’t think the Culture will give in like everybody thinks it will. I think they’ll keep fighting because they believe in it. The Idirans won’t give in, either; they’ll keep fighting to the last, and they and the Culture will just keep going at each other all the time, all over the galaxy eventually, and their weapons and bombs and rays and things will just keep getting better and better, and in the end the whole galaxy will become a battleground until they’ve blown up all the stars and planets and Orbitals and everything else big enough to stand on, and then they’ll destroy all of each other’s big ships and then the little ships, too, until everybody’ll be living in single units blowing each other up with weapons that could destroy a planet…and that’s how it’ll end; probably they’ll invent guns or drones that are even smaller, and there’ll only be a few smaller and smaller machines fighting over whatever’s left of the galaxy, and there’ll be nobody left to know how it all started in the first place.”

Iain Banks Culture series

Source: Culture series, Consider Phlebas (1987), Chapter 11 “The Command System: Stations” (pp. 380-381).

War , Star , Thinking , Time

“Death, he remembered somebody saying once, was a kind of victory. To have lived a long good life, a life of prodigious pleasure and minimal misery, and then to die; that was to have won. To attempt to hang on forever risked ending up in some as-yet-unglimpsed horror future. What if you lived forever and all that had gone before, however terrible things had sometimes appeared to be in the past, however badly people had behaved to each other throughout history, was nothing compared to what was yet to come? Suppose in the great book of days that told the story of everything, all the gone, done past was merely a bright, happy introduction compared to the main body of the work, an unending tale of unbearable pain scraped in blood on a parchment of living skin?
Better to die than risk that.
Live well and then die, so that the you that is you now can never be again, and only tricks can re-create something that might think it is you, but is not.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 8 “Killing Time” section V (pp. 259-260).

Life , Death , Pain , People

“Never forget I am not this silver body, Mahrai. I am not an animal brain, I am not even some attempt to produce an AI through software running on a computer. I am a Culture Mind. We are close to gods, and on the far side. We are quicker; we live faster and more completely than you do, with so many more senses, such a greater store of memories and at such a fine level of detail. We die more slowly, and we die more completely, too.”

Iain Banks Culture series

Look to Windward
Culture series, Look to Windward (2000)

God , Sense , Memory , Animals

“I am not being obtuse.
You are being paranoid.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 5 “Kiss the Blade” section II (p. 136).

“The double-sun system was relatively poor in comets; there were only a hundred billion of them.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 5 “Kiss the Blade” section I (p. 133).

Sun

“Destroying the whole universe' – an always tempting scenario when you realise in SF you can do anything – just seems too easy.”

Iain Banks

https://www.theguardian.com/books/2013/jun/15/iain-banks-the-final-interview
Interviews

Universe

“People often behave badly when they are trying to prove a point.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 10 (p. 177)

People

“It was just like some ancient electricity-powered computer; it didn't matter how fast, error-free, and tireless it was, it didn't matter how great a labor-saving boon it was, it didn't matter what it could do or how many different ways it could amaze; if you pulled its plug out, or just hit the off button, all it became was a lump of matter; all its programs became just settings, dead instructions, and all its computations vanished as quickly as they'd moved.
It was, also, like the dependency of the human-basic brain on the human-basic body; no matter how intelligent, perceptive and gifted you were, no matter how entirely you lived for the ascetic rewards of the intellect and eschewed the material world and the ignobility of the flesh, if your heart just gave out…
That was the Dependency Principle; that you could never forget where your off switches were located, even if it was somewhere tiresome.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 4 “Dependency Principle” section III (p. 122).

World , Way , Error , Intelligence

““Let’s waste a little time, hmm?”
“A nice euphemism, sir,” she mused distantly.
He smiled. “Come and help me think of better ones.”
She smiled and they both looked at each other.
There was a long pause.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter IX (p. 157).

Smile , Thinking , Time , Help

“She supposed she ought to feel impressed that Genar-Hofoen was sticking to his principles in the face of imminent death—and she did feel a little admiration—but mostly she just thought he was being stupid.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 11 “Regarding Gravious” section VII (p. 369).

Death , Stupidity , Feeling