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““One of the advantages of having laws is the pleasure one may take in breaking them. We here are not children, Mr. Gurgeh.” Hamin waved the pipestem round the tables of people. “Rules and laws exist only because we take pleasure in doing what they forbid, but as long as most of the people obey such proscriptions most of the time, they have done their job; blind obedience would imply we are—ha!”—Hamin chuckled and pointed at the drone with the pipe—“no more than robots!””

Iain Banks Culture series

Source: Culture series, The Player of Games (1988), Chapter 2 (p. 279).

“While the forces of repression need to win every time, the progressive elements need only triumph once.”

“A Few Notes on the Culture” (p. 169)
Short fiction, The State of the Art (1991)

“There are no gods, we are told, so I must make my own salvation.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter V (p. 303).

“What I know was passed to me by others, and so must surrender the toll which information tends to pay when it passes through the minds and memories of others.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 23 (p. 371)

““So it’s false.”
“What isn’t?”
“Intellectual achievement. The exercise of skill. Human feeling.””

Iain Banks Culture series

Source: Culture series, The Player of Games (1988), Chapter 1 “Culture Plate” (p. 5).

“Pity they didn’t devote a little more ingenuity to staying alive rather than conducting mass slaughter as efficiently as possible.”

Iain Banks Culture series

Source: Culture series, Consider Phlebas (1987), Chapter 4 “Temple of Light” (p. 96).

“Tell me, suit, don’t you wonder if it’s all worth it?’
“If what’s all worth what?” it says, and I can hear that condescending tone in its voice again.
“You know; living. Is it worth all the… bother?”
“No.”
“No?”
“No, I don’t ever wonder about it.”
“Why not?” I’m keeping my questions short as we walk, conserving energy and breath.
“I don’t need to wonder about that. It’s not important.”

“Not important?”
“It’s an irrelevant question. We live; that’s enough.”
“Descendant” (p. 44)
Short fiction, The State of the Art (1991)

““You’re a wicked man.”
“Thank you. It’s taken years of diligent practice.””

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter Eleven (p. 355).

“The sky was aquamarine, stroked with clouds. She could smell the grass and taste the scent of small, crushed flowers. She looked back up over her forehead at the gray-black wall towering behind her, and wondered if the castle had ever been attacked on days like this. Did the sky seem so limitless, the waters of the straits so fresh and clean, the flowers so bright and fragrant, when men fought and screamed, hacked and staggered and fell and watched their blood mat the grass?
Mists and dusk, rain and lowering cloud seemed the better background; clothes to cover the shame of battle.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter Two (pp. 50-51).

“One does not spy on one’s own people,” ZeSpiole informed him. “One has, rather, conduits of communication which lead to the common man.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 18 (p. 295)

“The youth was a cretin, and didn’t even realize that he was.
He could think of no more disastrous combination.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter V (p. 303).

““These people have successfully incorporated a belief in your martial prowess into their religion; how can you deny them?”
“Believe me, it would be easy.””

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter Twelve (p. 390).

“Sex was an infringement, an attack, an invasion; there was no other way he could see it; every act, however magical and intensely enjoyed, and however willingly conducted, seemed to carry a harmonic of rapacity. He took her, and however much she gained in provoked pleasure and in his own increasing love, she was still the one that suffered the act, had it played out upon her and inside her. He was aware of the absurdity of trying too hard to develop the comparison between sex and war; he had been laughed out of several embarrassing situations trying to do so (“Zakalwe,” she would say when he tried to explain some of this, and she would put her cool slim fingers behind his neck and stare out from the rambunctious black tangle of her hair. “You have serious problems.””

Iain Banks Culture series

She would smile), But the feelings, the acts, the structure of the two were to him so close, so self-evidently akin, that such a reaction only forced him deeper into his confusion.
Source: Culture series, Use of Weapons (1990), Chapter IX (pp. 144-145).

“He was tall and very dark-skinned and he had fabulously blond hair and a voice that could raise bumps on your skin at a hundred meters, or, better still, millimeters.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 5 “Kiss the Blade” section IV (p. 151).

“It’s very nearly 1989 but it’s midnight in the Dark Ages just the thickness of a book away, the thickness of a skull away; just the turn of a page away.”

“Piece” (p. 74)
Short fiction, The State of the Art (1991)

“Quettil, it doesn’t matter,” the King said airily, waving one hand. “I prefer accuracy to flattery.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 9 (p. 158)

“He knew in his heart that there was a relief in not being listened to, sometimes. Power meant responsibility. Advice unacted upon almost always might have been right, and in the working out of whatever plan was followed, there was anyway always blood; better it was on their hands. The good soldier did as he was told, and if he had any sense at all volunteered for nothing, especially promotion.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter XII (p. 65).

““You like music, Mr. Gurgeh?” Hamin asked, leaning over to the man.
Gurgeh nodded. “Well, a little does no harm.””

Iain Banks Culture series

Source: Culture series, The Player of Games (1988), Chapter 2 (p. 277).

“Did the Doctor really imagine that everbody went around believing different things? One believed what one was told to believe, what it made sense to believe. Unless one was a foreigner, of course, or a philosopher.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 7 (pp. 125-126)

“Maybe it wasn’t anything remotely to do with religion, mysticism or metaphilosophy after all; maybe it was more banal; maybe it was just…accounting.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 11 “Regarding Gravious” section VI (p. 364).