The Inferno (1917), Ch. XIV
Context: Once, bowed in the evening light, the dead man had said, "After my death, life will continue. Every detail in the world will continue to occupy the same place quietly. All the traces of my passing will die little by little, and the void I leave behind will be filled once more."
He was mistaken in saying so. He carried all the truth with him. Yet we, we saw him die. He was dead for us, but not for himself. I feel there is a fearfully difficult truth here which we must get, a formidable contradiction. But I hold on to the two ends of it, groping to find out what formless language will translate it. Something like this: "Every human being is the whole truth." I return to what I heard. We do not die since we are alone. It is the others who die. And this sentence, which comes to my lips tremulously, at once baleful and beaming with light, announces that death is a false god.
Henri Barbusse: Doing
Henri Barbusse was French novelist. Explore interesting quotes on doing.
Light (1919), Ch. XXII - Light
Context: I do not regret my youth and its beliefs. Up to now, I have wasted my time to live. Youth is the true force, but it is too rarely lucid. Sometimes it has a triumphant liking for what is now, and the pugnacious broadside of paradox may please it. But there is a degree in innovation which they who have not lived very much cannot attain. And yet who knows if the stern greatness of present events will not have educated and aged the generation which to-day forms humanity's effective frontier? Whatever our hope may be, if we did not place it in youth, where should we place it?
“We do not die. Each human being is alone in the world.”
The Inferno (1917), Ch. XIV
Context: We do not die. Each human being is alone in the world. It seems absurd, contradictory to say this, and yet it is so. But there are many human beings like me. No, we cannot say that. In saying that, we set ourselves outside the truth in a kind of abstraction. All we can say is: I am alone.
And that is why we do not die.
Light (1919), Ch. XXIII - Face To Face
Context: Against the window's still pallid sky I see her hair, silvered with a moonlike sheen, and her night-veiled face. Closely I look at the share of sublimity which she bears on it, and I reflect that I am infinitely attached to this woman, that it is not true to say she is of less moment to me because desire no longer throws me on her as it used to do. Is it habit? No, not only that. Everywhere habit exerts its gentle strength, perhaps between us two also. But there is more. There is not only the narrowness of rooms to bring us together. There is more, there is more! So I say to her:
"There's you."
"Me?" she says. "I'm nothing."
"Yes, you are everything, you're everything to me."
“What I have seen is going to disappear, since I shall do nothing with it.”
The Inferno (1917), Ch. XVII
Context: What I have seen is going to disappear, since I shall do nothing with it. I am like a mother the fruit of whose womb will perish after it has been born.
What matter? I have heard the annunciation of whatever finer things are to come. Through me has passed, without staying me in my course, the Word which does not lie, and which, said over again, will satisfy.
Light (1919), Ch. XXII - Light
Context: There are official proclamations, full of the notion of liberty and rights, which would be beautiful if they said truly what they say. But they who compose them do not attach their full meaning to the words. What they recite they are not capable of wanting, nor even of understanding. The one indisputable sign of progress in ideas to-day is that there are things which they dare no longer leave publicly unsaid, and that's all. There are not all the political parties that there seem to be. They swarm, certainly, as numerous as the cases of short sight; but there are only two — the democrats and the conservatives. Every political deed ends fatally either in one or the other, and all their leaders have always a tendency to act in the direction of reaction.
The Inferno (1917), Ch. XVI
Context: I come back as I always do to the greatness of mankind's curse, and I repeat it with the monotony of those who are always right — oh, without God, without a harbour, without enough rags to cover us, all we have, standing erect on the land of the dead, is the rebellion of our smile, the rebellion of being gay when darkness envelops us. We are divinely alone, the heavens have fallen on our heads.
Light (1919), Ch. XXIII - Face To Face
Context: You are a living creature, you are a human being, you are the infinity that man is, and all that you are unites me to you. Your suffering of just now, your regret for the ruins of youth and the ghosts of caresses, all of it unites me to you, for I feel them, I share them. Such as you are and such as I am. I can say to you at last, "I love you."
I love you, you who now appearing truly to me, you who truly duplicate my life. We have nothing to turn aside from us to be together. All your thoughts, all your likes, your ideas and your preferences have a place which I feel within me, and I see that they are right even if my own are not like them (for each one's freedom is part of his value), and I have a feeling that I am telling you a lie whenever I do not speak to you.
I am only going on with my thought when I say aloud:
"I would give my life for you, and I forgive you beforehand for everything you might ever do to make yourself happy.".
Light (1919), Ch. XXIII - Face To Face
Context: By what right does carnal love say, "I am your hearts and minds as well, and we are indissoluble, and I sweep all along with my strokes of glory and defeat; I am Love!"? It is not true, it is not true. Only by violence does it seize the whole of thought; and the poets and lovers, equally ignorant and dazzled, dress it up in a grandeur and profundity which it has not. The heart is strong and beautiful, but it is mad and it is a liar. Moist lips in transfigured faces murmur, "It's grand to be mad!" No, you do not elevate aberration into an ideal, and illusion is always a stain, whatever the name you lend it.
Light (1919), Ch. XV - An Apparition
Context: Hidden behind the horizons, living men unite with machines and fall furiously on space. They do not see their shots. They do not know what they are doing. "You shall not know; you shall not know."
But since the cannonade is returning, they will be fighting here again. All these battles spring from themselves and necessitate each other to infinity! One single battle is not enough, it is not complete, there is no satisfaction. Nothing is finished, nothing is ever finished. Ah, it is only men who die! No one understands the greatness of things, and I know well that I do not understand all the horror in which I am.
Light (1919), Ch. XV - An Apparition
Context: Hidden behind the horizons, living men unite with machines and fall furiously on space. They do not see their shots. They do not know what they are doing. "You shall not know; you shall not know."
But since the cannonade is returning, they will be fighting here again. All these battles spring from themselves and necessitate each other to infinity! One single battle is not enough, it is not complete, there is no satisfaction. Nothing is finished, nothing is ever finished. Ah, it is only men who die! No one understands the greatness of things, and I know well that I do not understand all the horror in which I am.
Light (1919), Ch. XVI - De Profundis Clamavi
Context: The spectacle of to-morrow is one of agony. Wise men make laughable efforts to determine what may be, in the ages to come, the cause of the inhabited world's end. Will it be a comet, the rarefaction of water, or the extinction of the sun, that will destroy mankind? They have forgotten the likeliest and nearest cause — Suicide.
They who say, "There will always be war," do not know what they are saying. They are preyed upon by the common internal malady of shortsight. They think themselves full of common-sense as they think themselves full of honesty. In reality, they are revealing the clumsy and limited mentality of the assassins themselves.
The shapeless struggle of the elements will begin again on the seared earth when men have slain themselves because they were slaves, because they believed the same things, because they were alike.
Under Fire (1916), Ch. 24 - The Dawn
Context: There are all those things against you. Against you and your great common interests which as you dimly saw are the same thing in effect as justice, there are not only the sword-wavers, the profiteers, and the intriguers.
There is not only the prodigious opposition of interested parties — financiers, speculators great and small, armorplated in their banks and houses, who live on war and live in peace during war, with their brows stubbornly set upon a secret doctrine and their faces shut up like safes.
There are those who admire the exchange of flashing blows, who hail like women the bright colors of uniforms; those whom military music and the martial ballads poured upon the public intoxicate as with brandy; the dizzy-brained, the feeble-minded, the superstitious, the savages.
There are those who bury themselves in the past, on whose lips are the sayings only of bygone days, the traditionalists for whom an injustice has legal force because it is perpetuated, who aspire to be guided by the dead, who strive to subordinate progress and the future and all their palpitating passion to the realm of ghosts and nursery-tales.
With them are all the parsons, who seek to excite you and to lull you to sleep with the morphine of their Paradise, so that nothing may change. There are the lawyers, the economists, the historians — and how many more? — who befog you with the rigmarole of theory, who declare the inter-antagonism of nationalities at a time when the only unity possessed by each nation of to-day is in the arbitrary map-made lines of her frontiers, while she is inhabited by an artificial amalgam of races; there are the worm-eaten genealogists, who forge for the ambitious of conquest and plunder false certificates of philosophy and imaginary titles of nobility. The infirmity of human intelligence is short sight. In too many cases, the wiseacres are dunces of a sort, who lose sight of the simplicity of things, and stifle and obscure it with formulae and trivialities. It is the small things that one learns from books, not the great ones.
And even while they are saying that they do not wish for war they are doing all they can to perpetuate it. They nourish national vanity and the love of supremacy by force. "We alone," they say, each behind his shelter, "we alone are the guardians of courage and loyalty, of ability and good taste!" Out of the greatness and richness of a country they make something like a consuming disease. Out of patriotism — which can be respected as long as it remains in the domain of sentiment and art on exactly the same footing as the sense of family and local pride, all equally sacred — out of patriotism they make a Utopian and impracticable idea, unbalancing the world, a sort of cancer which drains all the living force, spreads everywhere and crushes life, a contagious cancer which culminates either in the crash of war or in the exhaustion and suffocation of armed peace.
They pervert the most admirable of moral principles. How many are the crimes of which they have made virtues merely by dowering them with the word "national"? They distort even truth itself. For the truth which is eternally the same they substitute each their national truth. So many nations, so many truths; and thus they falsify and twist the truth.
Those are your enemies. All those people whose childish and odiously ridiculous disputes you hear snarling above you — "It wasn't me that began, it was you!" — "No, it wasn't me, it was you!" — "Hit me then!" — "No, you hit me!" — those puerilities that perpetuate the world's huge wound, for the disputants are not the people truly concerned, but quite the contrary, nor do they desire to have done with it; all those people who cannot or will not make peace on earth; all those who for one reason or another cling to the ancient state of things and find or invent excuses for it — they are your enemies!
They are your enemies as much as those German soldiers are to-day who are prostrate here between you in the mud, who are only poor dupes hatefully deceived and brutalized, domestic beasts. They are your enemies, wherever they were born, however they pronounce their names, whatever the language in which they lie. Look at them, in the heaven and on the earth. Look at them, everywhere! Identify them once for all, and be mindful for ever!
The Inferno (1917), Ch. XVII
Context: Who shall compose the Bible of human desire, the terrible and simple Bible of that which drives us from life to life, the Bible of our doings, our goings, our original fall? Who will dare to tell everything, who will have the genius to see everything?
I believe in a lofty form of poetry, in the work in which beauty will be mingled with beliefs. The more incapable of it I feel myself, the more I believe it to be possible. The sad splendour with which certain memories of mine overwhelm me, shows me that it is possible. Sometimes I myself have been sublime, I myself have been a masterpiece. Sometimes my visions have been mingled with a thrill of evidence so strong and so creative that the whole room has quivered with it like a forest, and there have been moments, in truth, when the silence cried out.
But I have stolen all this, and I have profited by it, thanks to the shamelessness of the truth revealed. At the point in space in which, by accident, I found myself, I had only to open my eyes and to stretch out my mendicant hands to accomplish more than a dream, to accomplish almost a work.
The Inferno (1917), Ch. XIV
Context: What am I? I am the desire not to die. I have always been impelled — not that evening alone — by the need to construct the solid, powerful dream that I shall never leave again. We are all, always, the desire not to die. This desire is as immeasurable and varied as life's complexity, but at bottom this is what it is: To continue to be, to be more and more, to develop and to endure. All the force we have, all our energy and clearness of mind serve to intensify themselves in one way or another. We intensify ourselves with new impressions, new sensations, new ideas. We endeavour to take what we do not have and to add it to ourselves. Humanity is the desire for novelty founded upon the fear of death. That is what it is.
And what we will, we must will to build it, with order, with method, beginning at the beginning, when once we have been as far as that beginning. We must not only open our eyes, but our arms, our wings.
Light (1919), Ch, XXI - No!
The Inferno (1917), Ch. XV
Under Fire (1916), Ch. 24 - The Dawn
Light (1919), Ch. XIX - Ghosts