Halldór Laxness: Quotes about the world

Halldór Laxness was Icelandic author. Explore interesting quotes on world.
Halldór Laxness: 432 quotes5 likes

“Never do hymns seem so long as in the days of childhood, never is their world and their language so alien to the soul. In old age the opposite is true, the hours are then too short for the hymns.”

Halldór Laxness

Sjálfstætt fólk (Independent People) (1935), Book One, Part II: Free of Debt

“His mother taught him to sing. And when he had grown up and had listened to the world's song, he felt that there could be no greater happiness than to return to her song. In her song dwelt the most precious and most incomprehensible dreams of mankind.”

Halldór Laxness

Sjálfstætt fólk (Independent People) (1935), Book One, Part II: Free of Debt
Context: His mother taught him to sing. And when he had grown up and had listened to the world's song, he felt that there could be no greater happiness than to return to her song. In her song dwelt the most precious and most incomprehensible dreams of mankind. The heath grew into the heavens in those days. The songbirds of the air listened in wonder to this song, the most beautiful song of life.

“I say, and have always said, and will always say: the fish that does not sing throughout the whole world is a dead fish.”

Halldór Laxness

Merchant Gúðmúnsen
Brekkukotsannáll (The Fish Can Sing) (1957)

“He came to a halt in a hollow and got his breath back. He felt himself freed of a great burden by getting out of sight of other people. The previous days and nights had been eventful, and he had lost himself. But now he was sure he would find himself again, like a dead man who finds himself, little by little, in the next world. In spite of everything, and although he was in reality a newborn babe in this new world, it was delightful to be born anew and to own a share of the sun like others instead of having to wait half the year perhaps for one little ray of sunshine.... No, there's probably no way of making something cease to exist once it has come into existence. He was no longer afraid of the immortality of the soul, that doctrine which for a time had seemed to him the height of human cruelty. Today it was the many and various abodes of the Creator which enchanted the mind.... and death did not exist.”

Halldór Laxness

Heimsljós (World Light) (1940), Book Two: The Palace of the Summerland

“These people, who have since antiqui possessed the most distinguished litteras in the northern part of the world, choose now to walk upon calfskin or to eat calfskin rather than to read the old words written upon calfskin.”

Halldór Laxness

Arnas Arnæus
Íslandsklukkan (Iceland's Bell) (1946), Part I: Iceland's Bell

“I have always felt that I was different from others. I felt it when I was small. I felt that there was a soul in me. I saw the world from a height of many thousand meters. Even when I was thrashed it was of no concern to me; I could tuck Reykjavik under my arm and go away with it.”

Halldór Laxness book The Atom Station

Brilliantine
Atómstöðin (The Atom Station) (1948)

“My job was to keep the house clean, get the children off to school, help the cook-housekeeper, and serve at table. The house was much more perfect than the sort of gilt-bordered Christmas-card-Heaven that a crooked-nosed woman would sacrifice everything to attain in the next world: it was an all-electric house, with machines being plugged in and started up all day long; there was no such thing as a fire; heat came from hot-springs underground, and the glowing embers in the fireplace were made of glass.”

Halldór Laxness book The Atom Station

Atómstöðin (The Atom Station) (1948)

“He wrote down everything he saw and heard, and most of his thoghts, sometimes in verse, sometimes in prose. It could take him many hours to write in his diary a survey of one full day: everything was an experience, any noteworthy observation which some nameless person might make was a new vista, any insignificant piece of information was a new sunrise, any ordinary poem he read for the first time was the beginning of a new epoch like a flight around the globe; the world was multiform, magnificent and opulent, and he loved it.”

Halldór Laxness

Heimsljós (World Light) (1940), Book Two: The Palace of the Summerland

“When someone from Skagafjörður was settled comfortably against our gable-wall and was launched on to the Úlfar-rímur set to a Skagafjörður chant, with that obligatory opening about King Cyrus, there opened up before us a whole wide world of heroic poetry all the way to the Orient, fitfully lit by strange flashes of illumination.”

Halldór Laxness

Brekkukotsannáll (The Fish Can Sing) (1957)

“When I was young and walked along Breiðafjörður I never would have thought that such a wide variety of people inhabited the world. Here were many folk from the numerous city-states and counties of Italy: Milanese, Napolese and Sicilians, Sardinians, Savoyards, Venetians and Tuscans, along with the Romans themselves; here one could see the peoples of the six Spanish kingdoms: the Castilians, Aragonese, Catalans, Valencians, Majorcans, and Navarrans; gathered here were envoys from the different nations of the Empire, even from the nations that had adopted Luther's reforms: Bavarians, Germans and Croatians, Franconians, Westphalians, Rhinelanders, Saxons, Burgundians, Franks, Walloons, Austrians, and Styrians... I saw people from nations I knew nothing about, their countenances, the textures of their clothing, their grimy faces and their eyes filled with passion and tenacity. Most often, however, I found myself thinking about their countless feet, bare or in shoes, mostly certainly tired, yet somehow lively and hopeful; and the old crusade-dance that resounded through their musica: 'Fair are the fields, cloudless God's sky.' And suddenly I realized that Guðríður Þorbjarnardóttir was gone. Not a single Icelander remained.”

Halldór Laxness

Arnas describing a procession in Rome
Íslandsklukkan (Iceland's Bell) (1946), Part II: The Fair Maiden

“I have no idea whether my grandfather took notice of everything in it, or nothing. If he believed at all, he was just like those theologians who store their theology somewhere in a locked compartment of the brain, or rather, perhaps, like those travelers who carry a bottle of iodine in their luggage and take care to keep it tightly corked in case it leaks and ruins their belongings. To be honest, I think my grandfather Björn of Brekkukot would not have been significantly different if he had lived here in Iceland in pagan times, or if his home had been somewhere in the world where people never read from Vídalín's Book of Sermons but believed instead in the bull Apis, or the god Ra, or the bird Colibri.... "A Bible that costs half a hen? Pshaw!"”

Halldór Laxness

Brekkukotsannáll (The Fish Can Sing) (1957)

“To be a poet is to be a visitor on a distant shore until one dies. In the land where I belong, but which I shall never reach, individuals have no cares, and that is because industry runs by itself without anyone trying to steal from others. My land is a land of plenty; it is the world that Nature has given to mankind, where society is not a thieves' society, where the children aren't sickly but healthy and contented, and young men and women can fulfill their aspirations because it is natural to do so. In my world it is possible to fulfill all aspirations, and therefore all aspirations are in themselves good, quite unlike here, where people's aspirations are called wicked because it isn't possible to fulfill them.”

Halldór Laxness

Ólafur
Heimsljós (World Light) (1940), Book Three: The House of the Poet

“There is no such thing as morality—only varingly expedient conventions. What to one race is a crime, is virtue to another; crime in one era is virtue in another; even a crime in one class of society is at the same time and in the same society virtue in another class... It makes no difference whether people are called good or bad; we are all here; now; there is only one world in existence, and in it there prevail either expedient or inexpedient conditions for those who are alive.”

Halldór Laxness book The Atom Station

the organist
Atómstöðin (The Atom Station) (1948)

“How is one to have any respect for the world where nothing else matters except who can lie the most plausibly and steal the most?”

Halldór Laxness

Þórunn of Kambar
Heimsljós (World Light) (1940), Book Two: The Palace of the Summerland

“You asked me whether you could learn to sing. I don't know. It could well be that you have the makings of a singer. It could well be that the world will give you the best that it has: glory, power, honor, what else is there? Palaces and parks, perhaps? Or merry meadows? And then what?”

Halldór Laxness

Garðar Hólm
Brekkukotsannáll (The Fish Can Sing) (1957)

“A wise man once said that next to losing its mother, there is nothing more healthy for a child than to lose its father. And though I would never subscribe to such a statement wholeheartedly, I would be the last person to reject it out of hand. For my own part, I would express such a doctrine without any suggestion of bitterness against the world, or rather without the hurt which the mere sound of the words implies.”

Halldór Laxness

Brekkukotsannáll (The Fish Can Sing) (1957)

“He swore repeatedly, ever the more violently the unsteadier his legs became, but to steel his senses he kept his mind fixed persistently on the world-famous battles of the rhymes. He recited the most powerful passages one after another over and over again, dwelling especially on the devilish heroes, Grimur Ægir and Andri. It was Grimur he was fighting now, he thought... but now an end would be put to the deadly feud, for now the stage was set for the final struggle.”

Halldór Laxness

Sjálfstætt fólk (Independent People) (1935), Book One, Part I: Icelandic Pioneers

“So hopelessly incapable was I of understanding better folk that I did not even know how to keep a servile tongue in my head. In a flash there appeared before my mind the difference between the two worlds in which we lived, this woman and I; although I was staying under her roof we were such poles apart from one another that it was only with half justification possible to classify us together as human beings; we were both vertebrates, certainly, even mammals, but there all resemblance ended; any human society of which both of us were members was merely an empty phrase.</b”

Halldór Laxness book The Atom Station

Atómstöðin (The Atom Station) (1948)

“Was all human endeavor then, even the beautiful of the world, of so little consequence compared with murder?”

Halldór Laxness

Heimsljós (World Light) (1940), Book Four: The Beauty of the Heavens

“He would have died of loneliness and other things if the divine Omnipotence had not called him whenever It had the chance and invited him to become one with the radiant glory of heaven and earth. He tried whenever the opportunity occurred to obey this call and allow his soul to become one with a higher world beyond this world. He did not compose poetry openly now—his first experience at that had taught him a lesson; he resolved not to compose poetry openly until he was grown up and living among good and high-minded men, whom he imagined must exist elsewhere. But that did not stop him composing poetry; he composed just for himself now. Sometimes he scratched out a whole verse on the ice. He committed to memory every scrap of poetry he heard, and absorbed everything to do with knowledge, and was determined to write it all down in books later on—you see, he had the idea that there were too few books in the world, and that somewhere in the world there were people waiting impatiently, hungry for more books to be written.</b”

Halldór Laxness

Heimsljós (World Light) (1940), Book One: The Revelation of the Deity