George W. S. Trow: Likeness

George W. S. Trow was American writer. Explore interesting quotes on likeness.
George W. S. Trow: 46 quotes0 likes

“I don’t just like Ike; I love him. I think he’s the guy of guys, I think he’s uniquely American, and I’m sorry we’re not going to have him anymore.”

George W. S. Trow

My Pilgrim’s Progress (1999)

“(discussing the Alfred Hitchcock film Saboteur): …I saw when I was young that, in fact, when you got to the top or toward the top of things, you found, indeed, very flawed but glamorous people, people who were, in fact, not thinking about the kinds of problems that the blind man was thinking about in 1943, not acting intuitively and bravely and in some kind of harmony with nature as that blind man in Saboteur was acting, and certainly not taking on impossible tasks. People were acting in a kind of what I’ve come to call a deutero-Hemingway way: they were preserving their own vitality by being adventurous within the media. The James Stewart character is someone who roams the world, but with a camera, not a gun, and not like Schweitzer, setting up modes of change in impossible places. He’s touring the world adventurously in the interest of preserving his masculine independence, but he’s doing it with a camera.”

George W. S. Trow

My Pilgrim’s Progress (1999)

“Maybe that’s why everyone died young. Some of the questions you didn’t dare ask about Earth People’s Park were: Where is it? Who will run it? Will anyone want to do the real work? Like the global economy now, it was just something assumed, and the people in the room were there to embody the zeitgeist of it and kill the people who didn’t belong (or seem to belong) in the body of the zeitgeist.”

George W. S. Trow

My Pilgrim’s Progress (1999)

“World War II changed the demography. For a while, high seriousness was a part (only a part) of the mix. No one likes to think that the vector that has carried him into the demography could get lost in the demography, but that is what happens. Rock and roll—or the generating spirit of rock and roll—could get lost there, easily. And just think of all the ideas—and changes—there were implicit in the hegemony of rock and roll. We could be left with... just some of the music.”

George W. S. Trow

Collapsing Dominant (1997)

“As that little child in the spacesuit in The Seven year Itch grew up, three things would become obvious to him. He would be aware that he hadn’t been trained to really understand the history of mechanization, and was insufficient in that regard; that he hadn’t been trained to be anything like Winston Churchill, and was going to be permanently insufficient in that regard; and that he wasn’t actually going to be able to look a mine worker in the eye, and was going to be insufficient in that regard. He was going to be aware that he had been a Video Ranger from the start, and that he was going to have to keep on being a Video Ranger, and that he was going to have to learn to laugh about that. And, also, because he wanted to get married, to be a man in some sense, he was going to have to be serious about something. He was going to have to touch base with some real thing going on in his father, and what he got hold of was the irony in his father…. And the evolution of that process is toward David Letterman…. We were going to have to grow up to be entirely ironic in our visceral reactions to our own manhood.”

George W. S. Trow

My Pilgrim’s Progress (1999)

“Don’t let me get grand with you; I’m not someone who was, from day one, turning himself into a philosophical academic or anything; I was, from day one, someone who was determined to survive, and to pay attention to what was going on around him, period, and when Elvis Presley came along, my heart stood still, to borrow the Larry Hart lyric. The first note I heard from him, I said, “Well, this is it, this is a sufferer like me, this is something new, this is what I want, this is who I am, in a way,” and Elvis had that gift. That’s why there are so many Elvis imitators.”

George W. S. Trow

My Pilgrim’s Progress (1999)