George Henry Lewes: Trending quotes (page 2)

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“Minds differ in the vividness with which they recall the elements of previous experience”

The Principles of Success in Literature (1865)
Context: Minds differ in the vividness with which they recall the elements of previous experience, and mentally see the absent objects; they differ also in the aptitudes for selection, abstraction, and recombination: the fine selective instinct of the artist, which makes him fasten upon the details which will most powerfully affect us, without any disturbance of the harmony of the general impression, does not depend solely upon the vividness of his memory and the clearness with which the objects are seen, but depends also upon very complex and peculiar conditions of sympathy which we call genius.

“The selective instinct of the artist tells him when his language should be homely, and when it should be more elevated; and it is precisely in the imperceptible blending of the plain with the ornate that a great writer is distinguished.”

The Principles of Success in Literature (1865)
Context: The selective instinct of the artist tells him when his language should be homely, and when it should be more elevated; and it is precisely in the imperceptible blending of the plain with the ornate that a great writer is distinguished. He uses the simplest phrases without triviality, and the grandest without a suggestion of grandiloquence.

“An artist produces an effect in virtue of the distinctness with which he sees the objects he represents, seeing them not vaguely as in vanishing apparitions, but steadily, and in their most characteristic relations. To this Vision he adds artistic skill with which to make us see.”

The Principles of Success in Literature (1865)
Context: An artist produces an effect in virtue of the distinctness with which he sees the objects he represents, seeing them not vaguely as in vanishing apparitions, but steadily, and in their most characteristic relations. To this Vision he adds artistic skill with which to make us see. He may have clear conceptions, yet fail to make them clear to us: in this case he has imagination, but is not an artist. Without clear Vision no skill can avail. Imperfect Vision necessitates imperfect representation; words take the place of ideas.

“No man really thinks and feels monotonously.”

The Principles of Success in Literature (1865)
Context: No man really thinks and feels monotonously. If he is monotonous in his manner of setting forth his thoughts and feelings, that is either because he has not learned the art of writing, or because he is more or less consciously imitating the manner of others. The subtle play of thought will give movement and life to his style if he do not clog it with critical superstitions. I do not say that it will give him grace and power; I do not say that relying on perfect sincerity will make him a fine writer, because sincerity will not give talent; but I say that sincerity will give him all the power that is possible to him, and will secure him the inestimable excellence of Variety.

“The intensity of vision in the artist and of vividness in his creations are the sole tests of his imaginative power.”

The Principles of Success in Literature (1865)
Context: I wish to call special attention to the psychological fact, that fairies and demons, remote as they are from experience, are not created by a more vigorous effort of imagination than milk maids and poachers. The intensity of vision in the artist and of vividness in his creations are the sole tests of his imaginative power.

“We must never assume that which is incapable of proof.”

The Physiology of Common Life (1859-60; repr. New York: D. Appleton, 1867) vol. 2, p. 349

“The history of the race is but that of the individual "writ large."”

Vol. 2, p. 135
The Foundations of a Creed (1874-5)

“Remember that every drop that falls, bears into the bosom of the earth a quality of beautiful fertility.”

G. P. R. James Henry Masterton (1832; repr. London: Richard Bentley, 1837) p. 297
Misattributed

“There are many justifications of silence; there can be none of insincerity.”

The Principles of Success in Literature (1865)

“Shakespeare is a good raft whereon to float securely down the stream of time; fasten yourself to that and your immortality is safe.”

On Actors and the Art of Acting (Leipzig: Bernhard Tauchnitz, 1875) p. 60

“The only cure for grief is action.”

Source: The Spanish Drama (1846), Ch. 2

“Science is the systematic classification of experience.”

The Physical Basis of Mind (1877; repr. Boston: Houghton, Mifflin, 1891) p. 4

“Murder, like talent, seems occasionally to run in families.”

The Physiology of Common Life (1859-60; repr. New York: D. Appleton, 1867) vol. 2, p. 322