Gangubai Hangal: Timing

“Three minutes then seemed a terribly long time limit.”

Gangubai Hangal

When she recorded on 78 rpm in 1959 in "Khyāl: Creativity Within North India's Classical Music" p. 193

Time

“He did not practise law and so whatever money I earned, I just placed before him. He invested in business--trucks, cars--but lost everything. I could not bear to see him unhappy. Often he would disappear from home for months on end. The bank people would come and harass me, ask for my property as I was unable to repay the loans. This happened several times. I had to sell everything I had. I will never forget or forgive myself for not being by his bedside before he died. I had a programme in Bombay, but I did not want to go. He insisted because we needed the money. While I was performing, he died.”

Gangubai Hangal

Her selfless devotion to her husband was never considered a sacrifice by her and even though he was a brahmin, a lawyer, it was ironically she who supported him. In "On Gangubai Hangal by Sabina Sehgal Computer Science & Engineering - University of Washington".

Money , People , Law , Cars

“In Calcutta, when the organizers saw me, they insisted that I first sing in a private sitting a night before my concert was scheduled. I couldn't understand why they couldn't wait till the next day. Nisar Husain Khan Saheb took me aside and explained that the organizers had doubts about what I, a frail girl at that time, was capable of! I sang and was greatly appreciated. In fact, I was awarded a gold medal by the Maharaja of Tripura. At the same concert, I kept remembering my mother who was no more, and just then felt a hand on my shoulder. When I turned around, I saw K. L. Saigal, who said, 'bahut surila' (very melodious). I was happy but then very upset that a strange man should touch me!”

Gangubai Hangal

On her actual technique of training, in "On Gangubai Hangal by Sabina Sehgal Computer Science & Engineering - University of Washington".

Girl , Understanding , Singing , Time

“Music, for Gangubai, was an expression of faith and the note had to be searched and discovered each time a phrase was attempted. …In her case, a penetrating search for the note was more important than ornamentation. She could never achieve the sweetness, smoothness or the delicate artistry of tones that the Kirana was noted for, but with inherited talent, scrupulous cultivation and years of struggle what she achieved was unbelievable.”

Gangubai Hangal

Deepa Ganesh, in "Gangubai's search for perfection"

Music , Faith , Time , Search