Gabrielle Roy: Likeness

Gabrielle Roy was French Canadian fiction writer. Explore interesting quotes on likeness.
Gabrielle Roy: 80 quotes1 like

“But Florentine was still riding the crest of her great wave…When it lifted her high she had to hold her breath. How could she ever again be bothered by these petty everyday cares? Would she ever again feel the old anxiety on hearing these dreadful midnight confidences, in the silence heavy with breathing? The wave that bore her was like a long, slow swell. There were hollows into which she sank with all her thoughts, all her willpower, where she was no more than a wing, a feather, a fringe, borne off ever faster, ever faster…He kissed me on the cheeks. On the eyes! "What's going to happen to us, Florentine? If your father's gone and lost his job again, we'll have to live on what you can give us, poor Florentine. We can always go back on relief…”

Gabrielle Roy book The Tin Flute

Source: The Tin Flute (1945), P. 85

“Soon she saw the dining room light shining through the parted curtains. Its humble glow provoked a goodness in her heart that was no longer calculating or defiant, nor a kind of currency with which to barter and exchange; what she felt was an infinite, poignant affinity for this life that was her family’s. No longer did it seem harassed and restricting, but rather made beautiful from start to finish like a lighthouse beam before her. Home would take her in, home would cure her. Her hand on the doorknob, she paused for one long, ineffable moment. Then she pushed open the door. And it was as if an arctic wind chilled her frail efforts to make a fresh beginning.”

Gabrielle Roy book The Tin Flute

Source: The Tin Flute (1945), P. 257

“We're saying that Germany wants to destroy us. And right now in Germany a whole lot of good quiet people like us, no worse than we are, they're getting whipped into a frenzy by the same story. They're being told the others are penning them into a country that's too small, and don't want to let them live. On one side or the other somebody's being sold a bill of goods. Maybe the Germans are wrong. We don't know. All I know is, I don't want to go killing some guy that never did me any harm, and who hasn't the choice but to do what he's told. I've got nothing against that poor guy. Why should I go and stick a bayonet into him? He wants to live, just like I do. He doesn't want to die.”

Gabrielle Roy book The Tin Flute

Source: The Tin Flute (1945), P.45

“…You and a lot of others like you wanted nothing more than a job and a bit of a salary just to keep the body and soul together. Instead of that you were doing, nothing and the rest of us who were making a dollar, well, we were paying for that. We paid to keep you doing nothing. In Canada, here, it got so the two-thirds of the population kept the other third idle!”

Gabrielle Roy book The Tin Flute

Source: The Tin Flute (1945), P.148

“Every moment of every day and night he was able to take the measure of his failure now. Even his family's poverty which for years he had refused to admit, began to grow familiar to him, but like the memory of a companion that one has left behind. Rose-Anna…She'd been a young girl at his side, then tired, then overwhelmed, and here she was sleeping beside him on a kind of pallet, on the floor. He could hear the whimpers from the children in their sleep.”

Gabrielle Roy book The Tin Flute

Source: The Tin Flute (1945), P. 281-282

“The sun was already a bright, running brook. From the gables of the houses hung sharp-pointed icicles, like gleaming crystal. From time to time one would break off with a snap, and crash at Rose-Anne's feet in shining shards. She progressed very slowly, afraid of falling, always seeking a hand-hold somewhere. Then she would be in soft snow again, which meant harder work but less fear of a slip and fall.”

Gabrielle Roy book The Tin Flute

Source: The Tin Flute (1945), P. 94