Franz Marc: Work

Franz Marc was German painter. Explore interesting quotes on work.
Franz Marc: 70   quotes 0   likes

“It is impossible to explain the latest works of these wild men | that is, the artists of Der Blaue Reiter, and Die Brücke, [working in Munich, and Berlin] in terms of a formal evolution and a reinterpretation of Impressionism. The loveliest prismatic colors and the famous Cubist style have become meaningless in terms of the objectives of the iconoclasts. Their thinking has a different aim: with their labor, they want to create symbols for their era. symbols that belong on the altars of the coming spiritual religions behind which the technical producer will vanish.”

Franz Marc

Quote of Franz Marc, in his text in the Almanac of the 'Blaue Reiter', 1912; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 95
1911 - 1914

Men , Religion , Color , Thinking

“All the pictures [in the exhibition, 1910] include a plus-factor, which robs the public [in Munich] of her pleasure but which is in every case the principal merit of the work; the completely spiritualized, de-materialized awardness of perception, which our fathers, the artists of the nineteenth century, never even tried to achieve in their 'pictures'. This bold undertaking, to take the 'matiere', which Impressionism sank its teeth into, and spiritualize it, is a necessary reaction, which began with Gauguin in Pont-Aven, and has already fostered innumerable experiments… The way the Munich public condemns the exhibition is almost amusing.”

Franz Marc

Franz Marc's note on the reception of the second exhibition of the 'Neue KünstlerVereinigung' in Munich, September 1910; as cited by , in Expressionism; Praeger Publishers, New York, 1973, p. 125
1905 - 1910

Pleasure , Way

“We are also convinced that we can already proclaim the first signs of the time. The first works of a new era are tremendously difficult to define. Who can see clearly what their aim is and what is to come; But just the fact that they do exist and appear in many places today, sometimes independently of each other, and that they possess inner truth, makes us certain that they are the first signs of the coming new epoch... The hour is unique. Is it too daring to call attention to the small, unique signs of the time?”

Franz Marc

1911 - 1914, The 'Savages' of Germany' (1912)

Truth , Appearance , Time

“I make the most outrageous demands on my imagination and leave aside everything else, theory and nature study, as other people understand them. This is the only way I can work, drawing on nothing but my own faculty of imagination with I feed without stint – except in working hours.”

Franz Marc

Quote in Marc's letter to August Macke, 1910; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, pp. 127-28
1905 - 1910

People , Way , Imagination , Understanding

“You know my tendency is always to imagine things in my head and to work from this idea. I am going to explain my theory of blue, yellow and red, which will probably seem as 'Spanish' to you as my face.
Blue is the male principle, astringent and spiritual. Yellow is the female principle, gentle, gay and spiritual. Red is matter, brutal and heavy and always the color to be opposed and overcome by the other two. For example, if you mix serious, spiritual blue with red, you intensify the blue to unbearable sorrow, and yellow the conciliatory, the complementary color to purple, becomes indispensable... If you mix red and yellow to make orange, you turn passive, feminine yellow into a Fury, with sensual force that again makes cool, spiritual blue indispensable, the man..”

Franz Marc

Quote in Franz Marc's letter to August Macke, Dec. 1910; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 129
1905 - 1910

Color , Imagination , Idea

“It is impossible to explain the recent works of these 'savages' as a formal development and new interpretation of Impressionism... The most beautiful prismatic colors and the celebrated Cubism are now meaningless goals for these 'savages.”

Franz Marc

1911 - 1914, The 'Savages' of Germany' (1912)

Beauty , Color

“Dear August... I want to start like a child, to express my impression in front of nature with three colors and a few lines, and then add to forms and colors, where it requires the expression, that the working process is only a dedication, and never a removal. Only we painters know how stupidly difficult this is.”

Franz Marc

1911 - 1914

Color , Nature

“Their thinking has a different aim: To create out of their work symbols for their own time, symbols that belong on the altars of a future spiritual religion, symbols behind which the technical heritage cannot be seen. Scorn and stupidity will be like roses in their path.”

Franz Marc

1911 - 1914, The 'Savages' of Germany' (1912)

Stupidity , Religion , Thinking , Time

“What appears spectral today will be natural tomorrow. Where are such signs and works? How do we recognize the genuine ones? Like everything genuine, its inner life guarantees its truth. All works of art created by truthful minds without regard for the work's conventional exterior remain genuine for all times... The present isolation of the rare, genuine artist is absolutely unavoidable for the moment... This fact leads us to the idea that we are standing today at the turning point of two long epochs, similar to the state of the world fifteen hundred years ago, when there was also a transitional period without art and religion - a period in which great and traditional ideas died and new and unexpected ones took their place.”

Franz Marc

1911 - 1914, The 'Savages' of Germany' (1912)

Life , Truth , World , Religion

“It can be sensed that there is a new religion arising in the country, still without a prophet, recognized by no one. Religions die slowly. But the artistic style that was the inalienable possession of an earlier era collapsed catastrophically in the middle of the nineteenth century [German Romanticism? ]. There has been no style since... Since then, serious art has been the work of individual artists whose art has had nothing to do with 'style' because they were not in the least connected with the style or the needs of the masses. Their works arose rather in defiance of their times. They are characteristic, fiery signs of a new era that increase daily everywhere. This book [The 'Almanak'], initiated by Franz Marc & Kandinsky ] will be their focus..”

Franz Marc

1911 - 1914, The 'Savages' of Germany' (1912)

Books , Religion , Art , Sense