Franz Marc: Quotes about art

“The people itself ( and I do not mean the 'masses') has always given art its essential style. The artist merely clarifies and fullfils the will of the people. But when the people does not know what it wants, or worst of all, wants nothing.... then its artists, driven to seeking their own forms, remain isolated, and become martyrs... Folk art – that is, the feeling of people for artistic form – can arise again only when the whole jumble of worn-out art concepts of the nineteenth century has been wiped from the memory of generations.”

Franz Marc

Max Beckmann's opinion on this issue you find in: 'Quotes About Franz Marc', below
Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445-446

People , Art , Feeling , Memory

“In this time of the great struggle for a new art we fight like disorganized 'savages' against an old, established power. The battle seems to be unequal, but spiritual matters are never decided by numbers, only by the power of ideas. The dreaded weapons of the 'savages' are their new ideas. New ideas kill better than steel and destroy what was thought to be indestructible.”

Franz Marc

1911 - 1914, The 'Savages' of Germany' (1912)

Art , Idea , Time , Fight

“In war we are all equal, but among a thousand good men, a bullet hit an irreplaceable one... We painters know well that with the loss of his harmony [ of August Macke ], the color in German art will become many shades paler..”

Franz Marc

Quote of Franz Marc, in exhibition-text 'Die Blaue Reiter', Gemeentemuseum the Hague, Netherlands 2010
c. 1914/15, on the death of his close friend August Macke, who fell in the first months of World War 1.
1915 - 1916

Men , War , Art , Color

“There is little abstract art, today, and what there is is stammering and imperfect. It is an attempt to let the world speak for itself, instead of reporting the speech of mind excited by their picture of the world. The Greek, The Gothic, and the Renaissance artist set forth the world the way he saw it, felt it, and wished to have it; man wished above all to be nourished by art; he achieved his desire but sacrificed everything else to this one aim: to construct homunculus, to substitute knowledge for strength and skill for spirit. The ape aped his creator. He learned to put art itself to the ends of trade..”

Franz Marc

Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445

World , Art , Way , Knowledge

“Art today is moving in directions of which our forebears had no inkling; the Horsemen of the Apocalypse are heard galloping through the air; artistic excitement can be felt all over Europe – new artists are signalling to one another from all sides; a glance, a touch of the hand, is enough to convey understanding.”

Franz Marc

co-authored with Wassily Kandinsky
1911 - 1914
Source: Franz Marc's Manifesto for 'the Blaue Reiter' group, (1912); as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 207

Art , Understanding

“Only today can art be metaphysical, and it will continue to be so. Art will free itself from the needs and desires of men. We will no longer paint a forest or a horse as we please or as they seem to us, but as they really are.”

Franz Marc

Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445

Men , Art , Horse , Painting

“The art of the future will give form to our scientific convictions; this is our religion and our truth, and it is profound and weighty enough to produce the greatest style and the greatest revaluation of form that the world has ever seen. Today, instead of using the laws of nature as a means of artistic expression, we pose the religious problems of a new content. The art of our time will surely have profound analogies with the art of primitive periods long past, without of course, the formalistic similarities now senselessly sought by many archaist artists [Marc rejects abstraction of Cubism, among others]. And our time will just as surely be followed in some distant, ripe, late European future by another period of cool maturity, which in its turn will again set up its own formal laws and traditions. [written at the front of World War 1.”

Franz Marc

near Verdun, 1915]
Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 446

War , Truth , World , Religion

“Art is nothing but the expression of our dream; the more we surrender to it the closer we get to the inner truth of things, our dream-life, the true life that scorns questions and does not see them.”

Franz Marc

quote from Franz Marc's note in 1907, he wrote down on his return from Paris; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 126
1905 - 1910

Life , Truth , Dreams , Art

“We refer with pleasure and with steadfastness to the case of El Greco, because the glory of this painter is closely tied to the evolution of our new perceptions on art.”

Franz Marc

1911 - 1914
Source: 'Blaue Reiter' (1912), p. 75–76; as quoted on Wikipedia/El Greco, in 'Postumus critical reputation'

Pleasure , Art

“What appears spectral today will be natural tomorrow. Where are such signs and works? How do we recognize the genuine ones? Like everything genuine, its inner life guarantees its truth. All works of art created by truthful minds without regard for the work's conventional exterior remain genuine for all times... The present isolation of the rare, genuine artist is absolutely unavoidable for the moment... This fact leads us to the idea that we are standing today at the turning point of two long epochs, similar to the state of the world fifteen hundred years ago, when there was also a transitional period without art and religion - a period in which great and traditional ideas died and new and unexpected ones took their place.”

Franz Marc

1911 - 1914, The 'Savages' of Germany' (1912)

Life , Truth , World , Religion

“It can be sensed that there is a new religion arising in the country, still without a prophet, recognized by no one. Religions die slowly. But the artistic style that was the inalienable possession of an earlier era collapsed catastrophically in the middle of the nineteenth century [German Romanticism? ]. There has been no style since... Since then, serious art has been the work of individual artists whose art has had nothing to do with 'style' because they were not in the least connected with the style or the needs of the masses. Their works arose rather in defiance of their times. They are characteristic, fiery signs of a new era that increase daily everywhere. This book [The 'Almanak'], initiated by Franz Marc & Kandinsky ] will be their focus..”

Franz Marc

1911 - 1914, The 'Savages' of Germany' (1912)

Books , Religion , Art , Sense