Fortunato Depero Quotes (6 quotes) | Quotes of famous people

Fortunato Depero: 6 quotes 1 like

Famous Fortunato Depero Quotes

“If a painter once devoted himself to dynamism and now abandons it, denies it and even criticizes it, it is his own business. This does not mean, however that futurism has had his day. It is always worthy of interest and many artists still work in its ranks with unchanged passion. Dynamism is in life and in nature itself.”

Fortunato Depero

Source: So I think, so I paint (1947), p. 112

“We will find abstract equivalents for all the forms and elements of the universe, and then well will combine them according to the caprice of our inspiration,”

Fortunato Depero

The Futurist Reconstruction of the Universe http://www.italianfuturism.org/manifestos/futurist-reconstruction-of-the-universe/ Manifesto with Giacomo Balla, in: Direzione del Movimento Futurista, March 11, 1915. Translation by Caroline Tisdall, 1973.
Context: We Futurists, Balla and Depero, seek to realize this total fusion in order to reconstruct the universe by making it more joyful, in other words by an integral re-creation. 'We will give skeleton and flesh to the invisible, the impalpable, the imponderable and the imperceptible. We will find abstract equivalents for all the forms and elements of the universe, and then well will combine them according to the caprice of our inspiration, to shape plastic complexes which we will set in motion.

“The art of the future will be largely advertising.”

Fortunato Depero

Depero (1931) "Futurism and Adverticing Art"; Partly quoted in: Jonathon Keats, " Fortunato Depero's Italian Futurism http://www.forbes.com/forbes-life-magazine/2009/0608/art-fortunato-depero-italian-futurism.html," forbes.com, 2009/06/08
Context: The art of the future will be largely advertising.
that bold and unimpeachable lesson I have learned from museums and great works from the past—
all art for centuries past has been marked by advertising purposes: the exaltation of the warrior, the saint; documentation of deeds, ceremonies, and historical personages depicted at their victories, with their symbols, in the regalia of command and splendor—
even their highest products were simultaneously meant to glorify something: architecture, royal palaces, thrones, drapery, halberds, standards, heraldry and arms of every sort—
there is scarcely an ancient work that doesn’t have advertising motifs, a garland with a trophy, with weapons of war and victory, all stamped with seals and the original symbols of clans, all with the self-celebrating freedom of ultra-advertising

“Futurism attracted me and made me better, gave me a new strength, showed me new fields and possibilities.”

Fortunato Depero

Source: So I think, so I paint (1947), p. 14; Cited in: Maurizio Scudiero, ‎David Leiber, ‎Fortunato Depero (1986) Depero futurista & New York: il futurismo e l'arte pubblicitaria, p. 112

“The Futurists were the first painters, poets, and architects who exalted modern work with their art—
they painted speeding automobiles—
they painted lamps bursting with light—
they painted steaming locomotives and swift bicyclists—
the Futurists stylized their compositions, adopting a violently colored look; with synoptic and geometric shapes they multiplied and decomposed the rhythms of objects and landscapes in order to increase their dynamic qualities and to give an effective rendering of their swift ideas, the states of mind, their conceptions.”

Fortunato Depero

Depero (1931) "Futurism and Adverticing Art"; Republished in: Futurism : an anthology http://modernistarchitecture.files.wordpress.com/2011/09/ebooksclub-org__futurism__an_anthology__henry_mcbride_series_in_modernism_.pdf. edited by Lawrence Rainey, Christine Poggi, and Laura Wittman, (2011), p. 290