Emil Nolde: Quotes about art

“The most perfect art was Greek art. Raphael is the greatest of all masters in painting'. Such were the doctrines of every art teacher only twenty or thirty years ago.”

Emil Nolde

1.
1900 - 1920, On Primitive Art – Emil Nolde, 1912

Art , Teachers , Painting , Perfection

“Every true artist creates new values, new beauty... When you notice anarchy, recklessness, or licentiousness in works of contemporary art, when you notice crass coarseness and brutality, then occupy yourself long and painstakingly precisely with these works, and you will suddenly recognize how the seeming recklessness transforms itself into freedom, the coarseness into high refinements. Harmless pictures are seldom worth anything.”

Emil Nolde

Quote of Nolde's letter to Hans Fehr, 1905; published in 'Aus Leben und Werkstatt Emil Noldes', 'Das Kunstblatt' no. 7 (1919), p. 208; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 40
Hans Fehr expressed in a letter to Nolde his concern about the 'recklessness' and 'licentiousness' of some prints by Nolde. Fehr published Nolde's response in 1919
1900 - 1920

Beauty , Art , Freedom

“In our own time, every earthenware vessel or piece of jewelry, every utensil or garment, has to be designed on paper before it is made. Primitive peoples, however, create their works with the material itself in the artist's hand, held in his fingers. They aspire to express delight in form and the love of creating it. Absolute originality, the intense and often grotesque expression of power and life in very simple forms – that may be why we like these works of native art.”

Emil Nolde

6.
1900 - 1920, On Primitive Art – Emil Nolde, 1912

Love , Life , People , Art

“There is silver blue, sky blue and thunder blue. Every color holds within it a soul, which makes me happy or repels me, and which acts as a stimulus. To a person who has no art in him, colors are colors, tones tones.... and that is all. All their consequences for the human spirit, which range between heaven to hell, just go unnoticed.”

Emil Nolde

Nolde's written note in 1942; as quoted in Nolde: Forbidden Pictures [exhibition catalog], Marlsborough Fine Art Ltd., London, 1970, p. 9
1921 - 1956

Art , Color , Soul , Hell

“Not long ago only a few artistic periods were thought suitable for museums. Then they were joined by exhibitions of Coptic and early Christian art, Greek terracotta's and vases, Persian and Islamic art. But why is Indian, Chinese and Javanese art still classified under ethnology or anthropology? And why is the art of primitive peoples not considered art at all?”

Emil Nolde

4.
1900 - 1920, On Primitive Art – Emil Nolde, 1912