Elfriede Jelinek: Trending quotes

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Elfriede Jelinek: 100 quotes14 likes

“The most powerful urge known to Man is the urge to be free of manual labour. Any means that accomplishes that end is fine. Some people erroneously imagine that they have a birthright to non-manual work.”

Elfriede Jelinek book Wonderful, Wonderful Times

60
Wonderful, Wonderful Times (1990)

“weak are defeated by the strong in the world of Nature. A reed by the north wind, for instance. And silence by the forest.”

Elfriede Jelinek book Wonderful, Wonderful Times

109
Wonderful, Wonderful Times (1990)

“For the first thing a proprietor learns, and painfully at that, is: Trust is fine, but control is better.”

Elfriede Jelinek book The Piano Teacher

P 5
The Piano Teacher (1988)

“For the eyes are the mirror of the soul and ought to remain unscathed if at all possible. Otherwise people will suppose the soul is done for.”

Elfriede Jelinek book Wonderful, Wonderful Times

p 7
Wonderful, Wonderful Times (1990)

“There are no holidays for art; and that’s just fine with the artist.”

Elfriede Jelinek book The Piano Teacher

P 29
The Piano Teacher (1988)

“The poet is a king in his realm. His is empire of imagination, in which there are unlimited mansions.”

Elfriede Jelinek book Wonderful, Wonderful Times

P 179
Wonderful, Wonderful Times (1990)

“nothing comes of nothing after all.”

Elfriede Jelinek

p 1
Women As Lovers (1994)

“First the masters died, now their music is dying, because people only want to listen to pop, rock, and punk.”

Elfriede Jelinek book The Piano Teacher

P 69
The Piano Teacher (1988)

“Stifter tells us that people are not free, that they are slaves to the laws of Nature. So you have to commit violent deeds (if you don’t have anyone to do other kinds of deeds with), actions that ordinary people would call crimes but which we define as the norm, though of course it is our norm and no that of the rest.”

Elfriede Jelinek book Wonderful, Wonderful Times

55
Wonderful, Wonderful Times (1990)

“Every man would like to possess all the women in the world, but a woman only wants the man she loves and to whom she is faithful.”

Elfriede Jelinek book Wonderful, Wonderful Times

113
Wonderful, Wonderful Times (1990)

“Work is not a constraint. Man's activity provides his true fulfilment. True fulfilment however, can only be achieved if one man is not another man's slave.”

Elfriede Jelinek book Wonderful, Wonderful Times

73
Wonderful, Wonderful Times (1990)

“Art is not a Trojan horse.”

Elfriede Jelinek book The Piano Teacher

P 260
The Piano Teacher (1988)

“Murder and assault are not lunacy; they are the logical conclusions if you live a life without an assured financial foundation.”

Elfriede Jelinek book Wonderful, Wonderful Times

P 189
Wonderful, Wonderful Times (1990)

“if someone has a fate, then it's a man, if someone gets a fate, then it's a woman.”

Elfriede Jelinek

p 3
Women As Lovers (1994)

“Rainer [protagonist in the novel], who is reading The Outsider by Camus, says he would like to put the hostility of the world behind him. Once your hope for something better is taken from you, then at last you have the present all in your hand. Then you yourself are reality. Others are extras. When Rainer contemplated san evening he says that evening is melancholy ceasefire where all life has come to and end.”

Elfriede Jelinek book Wonderful, Wonderful Times

53
Wonderful, Wonderful Times (1990)

“In this new era, what sets you free is knowledge, not work.”

Elfriede Jelinek book Wonderful, Wonderful Times

p 33,34
Wonderful, Wonderful Times (1990)

“In the case of a writer like Musil writing is often a graceful act, like a silvery fish leaping.”

Elfriede Jelinek book Wonderful, Wonderful Times

p 37
Wonderful, Wonderful Times (1990)

“Beethoven’s sonatas, whether show so much variety that one has to ask oneself the fundamental question of what the much vilified word ‘sonata means. Perhaps Beethoven applied the word to entities that are not even sonatas in the strict sense of the term. One has to perceive new law in the highly dramatic musical form. Often in the sonata, feeling eludes form. In Beethoven, that is not the case, for here the two go hand in hand; feeling makes form aware of a hole in the ground and vice versa.”

Elfriede Jelinek book The Piano Teacher

P 151
The Piano Teacher (1988)