A Propos of Lady Chatterley's Lover (1929)
Context: We are today, as human beings, evolved and cultured far beyond the taboos which are inherent in our culture. This is a very important fact to realise. Probably, to the Crusaders, mere words were potent and evocative to a degree we can't realise. The evocative power of the so-called obscene words must have been very dangerous to the dim-minded, obscure, violent natures of the Middle Ages, and perhaps are still too strong for slow-minded, half-evoked lower natures today. But real culture makes us give to a word only those mental and imaginative reactions which belong to the mind, and saves us from violent and indiscriminate physical reactions which may wreck social decency. In the past, man was too weak-minded, or crude-minded, to contemplate his own physical body and physical functions, without getting all messed up with physical reactions that overpowered him. It is no longer so. Culture and civilisation have taught us to separate the reactions. We now know the act does not necessarily follow on the thought. In fact, thought and action, word and deed, are two separate forms of consciousness, two separate lives which we lead. We need, very sincerely, to keep a connection. But while we think, we do not act, and while we act we do not think. The great necessity is that we should act according to our thoughts, and think according to our acts. But while we are in thought we cannot really act, and while we are in action we cannot really think. The two conditions, of thought and action, are mutually exclusive. Yet they should be related in harmony.
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A Propos of Lady Chatterley's Lover (1929)
Context: Sex is the balance of male and female in the universe, the attraction, the repulsion, the transit of neutrality, the new attraction, the new repulsion, always different, always new. The long neuter spell of Lent, when the blood is low, and the delight of the Easter kiss, the sexual revel of spring, the passion of midsummer, the slow recoil, revolt, and grief of autumn, greyness again, then the sharp stimulus of winter of the long nights. Sex goes through the rhythm of the year, in man and woman, ceaselessly changing: the rhythm of the sun in his relation to the earth. Oh, what a catastrophe for man when he cut himself off from the rhythm of the year, from his unison with the sun and the earth. Oh, what a catastrophe, what a maiming of love when it was a personal, merely personal feeling, taken away from the rising and the setting of the sun, and cut off from the magic connection of the solstice and the equinox! This is what is the matter with us. We are bleeding at the roots, because we are cut off from the earth and sun and stars, and love is a grinning mockery, because, poor blossom, we plucked it from its stem on the tree of Life, and expected it to keep on blooming in our civilised vase on the table.
“She was always waiting, it seemed to be her forte.”
Source: Lady Chatterley's Lover
“But better die than live mechanically a life that is a repetition of repetitions.”
Source: Women in Love (1920), Ch. 15
“A little morphine in all the air. It would be wonderfully refreshing for everyone.”
Source: Lady Chatterley's Lover
“Be a good animal, true to your instincts.”
Source: The White Peacock
"Search for Love" in The Works of D. H. Lawrence, Wordsworth Editions, (1994), p. 552
Source: Lady Chatterley's Lover