Dashiell Hammett: Doing

“If you have a story that seems worth telling, and you think you can tell it worthily, then the thing for you to do is to tell it, regardless of whether it has to do with sex, sailors or mounted policemen.”

Dashiell Hammett

Sex , Thinking

“"How do you feel?"
"Terrible. I must have gone to bed sober."”

Dashiell Hammett book The Thin Man

Nora & Nick
Source: The Thin Man (1929)

Feeling

“Joel Cairo: You always have a very smooth explanation ready.
Sam Spade: What do you want me to do, learn to stutter?”

Dashiell Hammett book The Maltese Falcon

Source: The Maltese Falcon

Learning

“Spade pulled his hand out of hers. He no longer either smiled or grimaced. His wet yellow face was set hard and deeply lined. His eyes burned madly. He said: "Listen. This isn't a damned bit of good. You'll never understand me, but I'll try once more and then we'll give it up. Listen. When a man's partner is killed he's supposed to do something about it. It doesn't make any difference what you thought of him. He was your partner and you're supposed to do something about it. Then it happens we were in the detective business. Well, when one of your organization gets killed it's bad business to let the killer get away with it. It's bad all around – bad for that one organization, bad for every detective everywhere. Third, I'm a detective and expecting me to run criminals down and then let them go free is like asking a dog to catch a rabbit and let it go. It can be done, all right, and sometimes it is done, but it's not the natural thing. The only way I could have let you go was by letting Gutman and Cairo and the kid go. … Fourth, no matter what I wanted to do now it would be absolutely impossible for me to let you go without having myself dragged to the gallows with the others. Next, I've no reason in God's world to think I can trust you and if I did this and got away with it you'd have something on me that you could use whenever you happened to want to. That's five of them. The sixth would be that, since I've got something on you, I couldn't be sure you wouldn't decide to shoot a hole in *me* some day. Seventh, I don't even like the idea of thinking that there might be one chance in a hundred that you'd played me for a sucker. And eighth – but that's enough. All those on one side. Maybe some of them are unimportant. I won't argue about that. But look at the number of them. Now on the other side we've got what? All we've got is the fact that maybe you love me and maybe I love you." … "But suppose I do? What of it? Maybe next month I won't. I've been through it before – when it lasted that long. Then what? Then I'll think I played the sap. And if I did it and got sent over then I'd be sure I was the sap. Well, if I send you over I'll be sorry as hell – I'll have some rotten nights – but that'll pass. Listen." He took her by the shoulders and bent her back, leaning over her. "If that doesn't mean anything to you forget it and we'll make it this: I won't because all of me wants to – wants to say to hell with the consequences and do it -- and because – God damn you – you've counted on that with me the same as you counted on that with the others. … Don't be too sure I'm as crooked as I'm supposed to be. That kind of reputation might be good business – bringing in high-priced jobs and making it easier to deal with the enemy. … Well, a lot of money would have been at least one more item on the other side of the scales."”

Dashiell Hammett book The Maltese Falcon

… Spade set the edges of his teeth together and said through them: "I won't play the sap for you."
Chap. 20, "If They Hang You"
spoken by the character "Sam Spade" to "Brigid O'Shaughnessy."
The Maltese Falcon (1930)

Love , Money , God , World

“Stop, you idiot!" I bawled at her. Her face laughed over her shoulder at me. She walked without haste to the door, her short skirt of gray flannel shaping itself to the calf of each gray wool-stockinged leg as its mate stepped forward. Sweat greased the gun in my hand. When her right foot was on the doorsill, a little chuckling sound came from her throat. "Adieu!" she said softly.
And I put a bullet in the calf of her leg. She sat down--plump! Utter surprise stretched her white face. It was too soon for pain. I had never shot a woman before. I felt queer about it.
"You ought to have known I'd do it!”

Dashiell Hammett book The Gutting of Couffignal

My voice sounded harsh and savage and like a stranger's in my ears. "Didn't I steal a crutch from a cripple?"
final lines, The Gutting of Couffignal (published in Black Mask, December 1925)
Short Stories

Pain