Damian Pettigrew: Quotes about art

Damian Pettigrew is Canadian filmmaker. Explore interesting quotes on art.
Damian Pettigrew: 32 quotes0 likes

“In a synchronistic way, the Jungian term of great significance for Carolyn Carlson, her art is in accord with Hölderlin's phrase, "Poetically, man dwells on this earth." After the century of Fascism, we enter the brave new world of the digital era where bombs are grafted inside the body in a corruption of the word spiritual that Malraux never imagined. For Carlson, the question is no longer, "How to live together?"”

Damian Pettigrew

but rather, "How to live poetically our dwelling place?"
On the art of Carolyn Carlson, France Culture interview (December 2012)

“Italo Calvino said the artist reveals that bit of truth hidden at the bottom of every lie. Art is all about the art of lying. The artist’s imperative is to create a supreme fiction, a lie that, paradoxically, discloses a truth. It's precisely this kind of paradox that Calvino and Fellini adored.”

Damian Pettigrew

On truth and lies, in O Estado de São Paolo (November, 2003)

“I don’t like making didactic, pedagogical documentaries based on standard formulas of narration: I'm only interested in the ambitious French tradition of the documentaire de création where the film, if successful, is not about something but that something itself. The goal is to incorporate areas of risk and paradox that we associate with cinematic art.”

Damian Pettigrew

On the documentary art film, Le Parisien (May, 2003)

“The filmed interview is an art extemporized under difficult conditions and successful only when the interviewee hasn't prepared his replies beforehand.”

Damian Pettigrew book I'm a Born Liar: A Fellini Lexicon

I'm a Born Liar: A Fellini Lexicon (2003)

“The first documentary I saw as a child was Robert Flaherty’s Nanook of the North (1922) broadcast one Sunday afternoon. Nanook enchanted me by his courage to smile in a frozen wasteland, and by the simple fact that he wore a fur coat rather than a military uniform: this gentle hunter wasn’t a conqueror. Later, I understood how great Flaherty was: he told a timeless story without using commentary or pedagogues, and he didn’t interview Nanook like a celebrity or an aggressive talk-show host. He remained off-screen, observing and listening to create that exceptional complicity we feel in this documentary that eschews didacticism. The emotion of life found its counterpart in the emotion of art - a rare and precious achievement in a genre that is often limited to the emotion of the informational narrative.”

Damian Pettigrew

On documentary influences, Sundance Channel Interview (July 2004)

“The single greatest influence on my work as a filmmaker has been the celebrated Interviews with Francis Bacon (1980) by David Sylvester. Sylvester is a master of the art of complicity: he knows how to manipulate and exploit it. Complicity requires being cautiously intellectual yet profoundly human in the sense that the interviewer must act as the concerned midwife, allowing the interviewee to express himself while at the same time guiding his thoughts to a satisfactory conclusion through sensitive provocation.”

Damian Pettigrew book I'm a Born Liar: A Fellini Lexicon

I'm a Born Liar: A Fellini Lexicon (2003)