Charles-François Daubigny Quotes (6 quotes)

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Famous Charles-François Daubigny Quotes

“Adieu, adieu, I am going to see up there [after death] whether friend Corot has found me any new subjects for landscape painting.”

Charles-François Daubigny

Quote, as recorded by Albert Wolff, 1880's, in Notes upon certain masters of the XIX century, - printed not published MDCCCLXXXVI (1886), The Art Age Press, 400 N.Y. (written after the exhibition 'Cent Chefs-d'Oeuvres: the Choice of the French Private Galleries', Petit, Paris / Baschet, New York, 1883, p. 74
Daubigny's final thought for art in 1878 was appearently strongly connected with Corot.
1860s - 1870s

“[I] preferred paintings full of daring to the nullities welcomed into every Salon.”

Charles-François Daubigny

Quote c. 1865; as cited in Corot', Gary Tinterow, Michael Pantazzi, Vincent Pomarède - Galeries nationales du Grand Palais (France), National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.), 1996, p. 272 – quote 65
Daubigny's work was frequently refused by the jury of the Salon; after c. 1865 he participated in the jury himself, often together with Corot.
1860s - 1870s

“Speak to me no more of the old masters. Not one of them can stand up to this sturdy fellow”

Charles-François Daubigny

=Courbet
Quote c. 1860, in Corot', Gary Tinterow, Michael Pantazzi, Vincent Pomarède - Galeries nationales du Grand Palais (France), National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.), 1996, p. 272 – quote 65
1840s - 1850s

“My travelling companion [= Corot] has just abandoned me. He's a perfect Father Joy, this Father Corot. He is altogether a wonderful man, who mixes jokes in with his very good advice.”

Charles-François Daubigny

Quote about Corot, in his letter of 1852; as cited in Corot, Gary Tinterow, Michael Pantazzi, Vincent Pomarède - Galeries nationales du Grand Palais (France), National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.), 1996, p.271 – note 62
Corot's relationship with Daubigny was by far his most important friendship with another artist, during the 1860-70's
1840s - 1850s

“I have bought at Auverse thirty perches of land, all covered with beans, on which I shall plant some legs of mutton when you come to see me. They are building me a studio there, some eight by six meters, with several rooms around it, which will serve me, I hope, next Spring [of 1861]. Father Corot has found Auvers very fine, and has engaged me to fix myself there for a part of the year, wishing to make rustic landscapes with figures. I shall be truly well of there, in the midst of a good farming country, where the ploughs do not yet go by steam.”

Charles-François Daubigny

Quote in his letter to his friend Frédéric Henriet, https://commons.wikimedia.org/w/index.php?search=Fr%C3%A9d%C3%A9ric+Henriet&title=Special:Search&go=Go&searchToken=dt4h140y68u3oxynlcr55rftr#/media/File:Eaux-fortes._(Frontispiece)_(NYPL_b12616975-1690388).jpg, 1860; as cited in 'Charles-francois Daubigny', by Robert J. Wichenden, in The Century Illustrated Montly Magazine, Vol. XLIV, July 1892, p. 335
Daubigny bought property in Auvers-sur-Oise in 1860; four years later Corot would decorate there his Villa des Vallées, with beautiful murals.
1840s - 1850s

“I was not able to work in the several excursions and ascensions made in the neighborhood, where it was very beautiful. One is so surprised by these grand aspects that it would be necessary to remain a long time before finding the interpretation capable of rendering them. I am going to finish the season at Auvers. There is nothing like one's natural every-day surroundings where one really takes pleasure. The pictures we do then feel the effect of their home-life, and the sweet sensations we experience in it.”

Charles-François Daubigny

Quote in Daubigny's letter to his friend Frédéric Henriet, 1872; as cited in 'Charles-francois Daubigny', by Robert J. Wichenden, in The Century Illustrated Montly Magazine, Vol. XLIV, July 1892, p. 337
1860s - 1870s