Carlo Carrà: Plastic

Carlo Carrà was Italian painter. Explore interesting quotes on plastic.
Carlo Carrà: 30 quotes0 likes

“The Cubists, to be objective, restrict themselves to considering things by turning around them, to produce their geometric writing. So they remain at a stage of intelligence which sees everything and feels nothing, which brings everything to a standstill in order to describe everything. We Futurists are trying, on the contrary, with the power of intuition, to place ourselves at the very center of things, in such a way that our ego forms with their own uniqueness a single complex. We thus give plastic planes a plastic expansion in space, obtaining this feeling of something in perpetual motion which is peculiar to everything living.”

Carlo Carrà

1910's
Source: Piani plastici come espanzione sferica nello spazio Carrà, March 1913, as quoted in Futurism, Didier Ottinger (ed.), 2008, p. 146

“We insist that our concept of perspective is the total antitheses of all static perspective. It is dynamic and chaotic in application, producing in the mind of the observer a veritable mass of plastic emotions.”

Carlo Carrà

this quote of Carrá attacks one of the core principles of Cubism
1910's
Source: 'Piani plastici come espanzione sferica nello spazio', Carrà, March 1913

“[paintings as] the plastic equivalent of the sounds, noises and smells found in theaters, music-halls, cinemas, brothels, railways station, ports.”

Carlo Carrà

1910's
Source: 'Piani plastici come espanzione sferica nello spazio', Carrà, March 1913

“.. that dizzy seething of forms and acoustic lights, rowdy and smelly [visible in the paintings at the Futurist exhibition, February 1912 in Paris].... to obtain this total painting which calls for the active cooperation of all the senses: painting of the plastic mood of the universal, you have to paint the way drunkards sing and vomit, sounds, noises and smells.”

Carlo Carrà

Quote in The painting of Sounds, Noises and Smells Carrà, in 'Lacerba' vol. 1. no. 17, 1,Florence, 1 September 1913, pp. 186-187
1910's