Beryl Korot: Video

“I was attracted to video art because it allowed me to combine a strong sense of content with formal innovation. The field was wide open and allowed for a great deal of experimentation for creating new forms.”

Beryl Korot

Source: Meeker, Carlene. " Beryl Korot http://jwa.org/encyclopedia/article/korot-beryl." Jewish Women: A Comprehensive Historical Encyclopedia. 1 March 2009. Jewish Women's Archive. (Viewed on July 9, 2015)

Art , Sense , Strong

“There have always been two aspects to my work: formal innovation and strong content. That goes for Steve’s tape pieces as well. To make a work together, we had to be engaged by the subject matter, and we shared an interest in technology as it has advanced. Looking back at the Hindenburg and Bikini Atoll, and forward in “Dolly” to new technologies, was a way of rethinking and understanding the soup in which we swim. We call this a theater of ideas, but its success as a work depends on the strength of the video and the music.
“Hindenburg” itself begins with the crash of the zeppelin in 1937 and ends with a view of its burnt-up carcass on the landing field in Lakehurst, New Jersey, taken from an airplane. What interested us here in viewing the archival material and listening to recordings of the period was the overwhelming conviction that technology was the sure way to progress. Naturally, after the atom bomb, a darker view of progress began to appear.”

Beryl Korot

Beryl Korot, in: " Steve Reich and Beryl Korot by Julia Wolfe http://bombmagazine.org/article/2521/steve-reich-and-beryl-korot," BOMB 81, Fall 2002

Music , Way , Idea , Understanding

“In making the four-channel video work Dachau, my experience as a weaver directly influenced the basic structuring of the work. The content itself was taped in 1974 at the former concentration camp Dachau. The symmetry of the architecture and the present ambience of the space were the focus of the recordings. The past was recorded only insofar as the sounds of the voices of the present commingled with the feeling absorbed in the wood and revealed in the structure of forms which has no amount of time can erase.”

Beryl Korot

Source: Dachau 1974, by Beryl Korot, p. 75

Feeling , Time , Past

“Just as the spinning and gathering of wool serve as the raw material for a weave, so the artist working with video selects images to serve as the basic substance of the work. All technology, in its capacity to instantly reproduce, store, and retrieve information, has moved continually in a direction that seeks to free us from laboring with our hands by giving us greater conceptual freedom to organize, select, and judge.”

Beryl Korot

Source: Dachau 1974, by Beryl Korot, p. 76

Freedom