Anthony Burgess: Likeness

Anthony Burgess was English writer. Explore interesting quotes on likeness.
Anthony Burgess: 594 quotes13 likes

“They saw themselves, you could see, as real grown-up devotchkas already, what with the old hipswing when they saw your Faithful Narrator, brothers, and padded groodies and red all ploshed on their goobers…. They viddied themselves as real sophistoes…. They had the same ideas or lack of, and the same colour hair — a like dyed strawy. Well, they would grow up real today…. No school this afterlunch, but education certain, Alex as teacher.”

Anthony Burgess

Fiction, A Clockwork Orange (1962)

“Defiling their shadows, infidels, accursed of Allah, with fingernails that are foot-long daggers, with mouths agape like cauldrons full of teeth on the boil, with eyes all fire, shaitans possessed of Iblis, clanking into their wars all linked, like slaves, with iron chains. Murad Bey, the huge, the single-blowed ox-beheader, saw without too much surprise mild-looking pale men dressed in blue, holding guns, drawn up in squares six deep as though in some massed dance depictive of orchard walls. At the corners of the squares were heavy giins and gunners. There did not seem to be many horsemen. Murad said a prayer within, raised his scimitar to heaven and yelled a fierce and holy word. The word was taken up, many thousandfold, and in a kind of gloved thunder the Mamelukes threw themselves on to the infidel right and nearly broke it. But the squares healed themselves at once, and the cavalry of the faithful crashed in three avenging prongs along the fire-spitting avenues between the walls. A great gun uttered earthquake language at them from within a square, and, rearing and cursing the curses of the archangels of Islam on to the uncircumcized, they wheeled and swung towards their protective village of Embabeh. There they encountered certain of the blue-clad infidel horde on the flat roofs of the houses, coughing musket-fire at them. But then disaster sang along their lines from the rear as shell after shell crunched and the Mamelukes roared in panic and burden to the screams of their terrified mounts, to whose ears these noises were new. Their rear dissolving, their retreat cut off, most sought the only way, that of the river. They plunged in, horseless, seeking to swim across to join the inactive horde of Ibrahim, waiting for. action that could now never come. Murad Bey, with such of his horsemen as were left, yelped off inland to Gizeh.”

Anthony Burgess

Fiction, Napoleon Symphony (1974)

“The window opened gently and a still Autumn night entered cat-like. Edwin smelt freedom and London autumn – decay, smoke, cold, motor oil.”

Anthony Burgess

Fiction, The Doctor is Sick (1960)

“There was Your Humble Narrator Alex coming home from work to a good hot plate of dinner, and there was this ptitsa all welcoming and greeting like loving…. I had this sudden very strong idea that if I walked into the room next to this room where the fire was burning away and my hot dinner laid on the table, there I should find what I really wanted…. For in that other room in a cot was laying gurgling goo goo goo my son…. I knew what was happening, O my brothers. I was like growing up.”

Anthony Burgess

Fiction, A Clockwork Orange (1962)

“Ah, well, if they wanted their adultery, what did it matter to me? I hadn’t much room to talk, anyway, with my five-pound prostitutes who did a bunk and the Japanese girls who cost far less and didn’t do a bunk and whatever I was likely to pick up in Colombo.”

Anthony Burgess

Fiction, The Right to an Answer (1960)

“The truth about the world about us.' 'Truth' is a word used in many different ways - 'You’re not telling the truth.' 'The truth about conditions in Russia.' 'Beauty is truth, truth beauty.' I want to use it here in the sense of what lies behind and outward show. I. et me hasten to explain by giving an example. The sun rises in the east and sets in the west. That is what we see; that is the ‘outward show'. In the past the outward show was regarded as the truth. But then a scientist came along to question it and then to announce that the truth was quite different from the appearance: the truth was that the earth revolved and the sun remained still -the outward show was telling a lie. The curious thing about scientific truths like this is that they often seem so useless. It makes no difference to the average man whether the sun moves or the earth moves. He still has to rise at dawn and stop work at dusk. But because a thing is useless it does not mean that it is valueless. Scientists still think it worthwhile to pursue truth. They do not expect that laws of gravitation and relativity are going to make much difference to everyday life, but they think it is a valuable activity to ask their eternal questions about the universe. And so we say that truth - the thing they are looking for—is a value.”

Anthony Burgess

Non-Fiction, English Literature: A Survey for Students (1958, revised 1974)

“The disembarkation was a fucking shambles and we only took Alexandria as quick as we did to get a fucking drink somewhere, because we were near dead with the thirst…. The town was full of a lot of half-starved blacks, near-blacks you could call them, in filthy rags, raising their hands to the bloody burning heavens when they saw us come in, shouting Allah Allah and so on. Some old bints with veils on gave us fucking filthy water to drink, but filthy or not it was like elation and ecstasy and so on. There was hardly a solitary fucking thing worth having in the whole town, all half-starved goats and so on, and talk about the fucking heat and the smell. Anyway, what they called sheiks came and gave him the keys, and the officers did all right with like knives and scimitars with jewels on, but then we had to move on to Damanhur and Rahmaniya and so on, near dropping with the fucking heat….”

Anthony Burgess

Fiction, Napoleon Symphony (1974)

“This damnable sex, boys - ah, you do well to writhe in your beds at the very mention of the word. All the evil of our modern times springs from unholy lust, the act of the dog and the bitch on the bouncing bed, limbs going like traction engines, the divine gift of articulate speech diminished to squeals and groans and pantings. It is terrible, terrible, an abomination before God and His Holy Mother. Lust is the fount of all other of the deadly sins, leading to pride of the flesh, covetousness of the flesh, anger in the thwarting of desire, gluttony to feed the spent body to be at it again, envy of the sexual prowess and sexual success of others, sloth to admit enervating day-dreams of lust. Only in the married state, by God’s holy grace, is it sanctified, for then it becomes the means of begetting fresh souls for the peopling of the Kingdom of Heaven.”

Anthony Burgess

Fiction, Tremor of Intent (1966)