Anthony Burgess: Likeness

Anthony Burgess was English writer. Explore interesting quotes on likeness.
Anthony Burgess: 594 quotes13 likes

“I had felt sick before and had been saved by Sekt. Now I was beginning to feel sick of the Sekt. I would, I knew, shortly have to vomit…. I started gently to move towards one of the open windows. The aims of the artistic policy enunciated by the National Chamber of Film might, said Goebbels, be expressed under seven headings. Oh Christ. First, the articulation of the sense of racial pride, which might, without reprehensible arrogance, be construed as a just sense of racial superiority. Just, I thought, moving towards the breath of the autumn dark, like the Jews, just like the. This signified, Goebbels went on, not narrow German chauvinism but a pride in being of the great original Aryan race, once master of the heartland and to be so again. The Aryan destiny was enshrined in the immemorial Aryan myths, preserved without doubt in their purest form in the ancient tongue of the heartland. Second. But at this point I had made the open window. With relief the Sekt that seethed within me bore itself mouthward on waves of reverse peristalsis. Below me a great flag with a swastika on flapped gently in the night breeze of autumn. It did not now lift my heart; it was not my heart that was lifting. I gave it, with gargoyling mouth, a litre or so of undigested Sekt. And then some strings of spittle. It was not, perhaps, as good as pissing on the flag, but, in retrospect, it takes on a mild quality of emblematic defiance…”

Anthony Burgess

Fiction, Earthly Powers (1980)

“The rain eased off, but the streets were greasily wet, rainbowed with oil. I went to the bank for more five-pound notes, stood like a pauper in the public library reading the Christian Science Monitor, then went for the first drinks of the day to a dive-bar popular with merchants. Hungarian refugees waited on at the tables and a West Indian negro collected dirty glasses – we were all exiles together.”

Anthony Burgess

Fiction, The Right to an Answer (1960)

“Carlo looked as at the world of fallen man on the endless suburbs that passed for a city, an eatery in the likeness of a Sphinx (enter between its forepaws), another, for jumbo malts so thick you can't suck 'em through a straw, in the form of an elephant crouched as at the bidding of its mahout, gimcrack temples of various faiths, attap roofs of nutburger stands with Corinthian columns, loans loans loans, stores crammed with cutprice radios, a doughnuttery, homes like Swiss chalets, like Bavarian castles, miniature Blenheims, Strawberry Hills, Taj Mahals, a bank in the form of a tiny ocean liner, dusty trees on the boulevards (datepalm, orange, oleander), bars with neon bottles endlessly pouring, colleges for stuntmen, beauticians, morticians, degrees in drummajoretteship.”

Anthony Burgess

Fiction, Earthly Powers (1980)

“She was an appetising woman with a full-cheeked smile, about thirty, a Nordic blonde but not icy, though ice was suggested in its tamed winter-sport aspects : the flush after skating, log-fires and hot rum and butter, fine heavy thighs, that would warm your hand like a muff, under a skirt that had swirled in a rink waltz. Her beaver lamb coat was thrust back from a green suit : solid charms, thoroughly wholesome, were indicated.”

Anthony Burgess

Fiction, The Right to an Answer (1960)

“I had a sudden longing, like a pain, for the hot smelly East, and remembered that Everett had said something about an Indian restaurant. I asked the barman, a hot-haired Irishman, and he asked one of the business-men (who, I saw now, was a Pakistani) and then was able to tell me that the Calicut Restaurant was on Egg Street, by the Poultry Market. I went there and ate insipid dahl, tough chicken, greasy pappadams, and rice that had congealed to a pudding. The décor was depressing – brown oily wallpaper, a calendar with a Bengali pin-up (buff, deliriously plump, about thirty-eight) – and it was evident that the few Indian students were eating the special curry prepared for the staff. The manager was from Pondicherry : he caled me ‘monsieur’ and was not impressed by my complaints. At least one of the waiters was from Jamaica. I went out angry and, at a pub where the landlady sniffed in curlers, drank brandy till closing-time.”

Anthony Burgess

Fiction, The Right to an Answer (1960)

“…the sin of gluttony, also the sin of lecherous intent toward an honourable and high-placed matron…. But more sin is to come, and that sin a double one, namely of lechery in act, perhaps venial in the young but by no means to be condoned, and of adultery, which Saint John saith shall be punished by fire for the act and brimstone for the stink of the ordure of the partners in that sin…. She is but a heathen…. With the instinct of her kind she knoweth the best and most secret places for lechery…. thou are bent on sin, the act of darkness…. On her breath is no honey but the smell of strong drink, the potent mingling of barley and juniper in deadly ferment…. One man is from the Antipodes but, contrary to the superstition of the vulgar, he is like other men…. It is he who seeth the cabin where thy lust worketh itself out, he remembereth lewd advice of the charioteer of Cathay…. approacheth on tiptoe the sound of beastly gratification…. Lust croucheth now above in the rooftree, his wings fearfully foldeth…. But in his rage he spareth not her, calling her Jezebel and harlot….”

Anthony Burgess

Fiction, Devil of a State (1961)

“…the dark brought out the prostitutes, Malay divorcees mostly, quietly moving from light to light, gaudy and graceful, like other of night’s creatures.”

Anthony Burgess

Fiction, Beds in the East (1959)

“He seemed to lose interest in the subject of his daughter, glooming at a yellow card of ancient railway regulations on the wall. But when the harbingers of the coming train were audible – porters trundling, a scrambled gabble from the station announcer, frantic blowing on hot tea – he became eager again and was out swiftly on to the platform. I followed him. The train slid in. I saw the driver look down disdainful from his cosy hell, sharing – like soldier and auxiliary – a mystique with the tea-room woman. Passengers, disillusioned with arrival, got out greyly amid grey steam; passengers, hungry for the illusion of getting somewhere, jostled their way on.”

Anthony Burgess

Fiction, The Right to an Answer (1960)

“Oh, it was gorgeosity and yumyumyum. When it came to the Scherzo I could viddy myself very clear running and running on like very light and mysterious nogas, carving the whole litso of the creeching world with my cut-throat britva. And there was the slow movement and the lovely last singing movement still to come. I was cured all right.”

Anthony Burgess

Fiction, A Clockwork Orange (1962)

“[Youth] is only being in a way like it might be an animal. No, it is not just like being an animal so much as being like one of these malenky toys you viddy being sold in the streets, like little chellovecks made out of tin and with a spring inside and then a winding handle on the outside and you wind it up grrr grrr grrr and off it itties, like walking, O my brothers. But it itties in a straight line and bangs straight into things bang bang and it cannot help what it is doing. Being young is like being like one of these malenky machines.”

Anthony Burgess

Fiction, A Clockwork Orange (1962)

“Pete held his rookers and Georgie sort of hooked his rot wide open for him and Dim yanked out his false zoobies, upper and lower. He threw these down on the pavement and then I treated them to the old boot-crush, though they were hard bastards like…. The old veck began to make sort of chumbling shooms — “wuf waf wof” — so Georgie let go of holding his goobers apart and just let him have one in the toothless rot with his ringy fist, and that made the old veck start moaning a lot then, then out comes the blood, my brothers, real beautiful.”

Anthony Burgess

Fiction, A Clockwork Orange (1962)

“Maugham was a mere visitor and did not have to take any language examinations; a civil servant like myself was forced to reach degree level in Malay….”

Anthony Burgess

Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)

“Quite all right, sir. Plenty of time. You have a sleep, sir.’
Hood turned over with his fat bottom towards Nabby Adams. Thank God. Nabby Adams tiptoed over again to the serving-hatch, ordered another, downed it. He began to feel a great deal better. After yet another he felt better still. Poor old Robin Hood wasn’t such a bad type. Stupid, didn’t know a gear-box from a spare tyre, but he meant well. The world generally looked better. The sun shone, the palms shook in the faint breeze, a really lovely Malay girl passed by the window. Proud of carriage, in tight baju and rich sarong, she balanced voluptuous haunches. Her blue-black hair had some sort of a flower in it; how delicate the warm brown of her flat flower-like face.
‘What time is it, Nabby?’….”

Anthony Burgess

Fiction, Time for a Tiger (1956)

“There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, Dim being really dim, and we sat in the Korova Milkbar making up rassoodocks what to do with the evening, a flip dark chill winter bastard though dry. The Korova Milkbar was a milk-plus mesto, and you may, O my brothers, have forgotten what these mestos were like, things changing so skorry these days, and everybody very quick to forget, newspapers not being read much neither.”

Anthony Burgess

Fiction, A Clockwork Orange (1962)

“His real wife, his houri, his paramour was everywhere waiting, genie-like, in a bottle. The hymeneal gouging-off of the bottle-top, the kiss of the brown bitter yeasty flow, the euphoria far beyond the release of detumescence.”

Anthony Burgess

Fiction, Time for a Tiger (1956)

“We might as well have a cup of tea,’ he said, and we noisily marched over the hollow boards of the glass-covered bridge, down the stairs to Platform Four. We entered the filthy Gothic tea-room and Everett ordered. The serving-woman served us with tired distain; she treated her customers like a dull and endless film that could only, with order and money, make a very rare stereoscopic contact with her real though duller world. Everett took me to a table and began to talk sadly but eagerly.”

Anthony Burgess

Fiction, The Right to an Answer (1960)

“And then there were the sick to be transported back to Cairo (where already the holy war might have spread like the bubonic and smiling beards above gelder’s knives be waiting at the gates), and how in the name of filthy castrating Allah did you march men back through the Sinai who couldn’t even sit a mule? He reviewed the sweating patients in gloom, all distorted with bubos…”

Anthony Burgess

Fiction, Napoleon Symphony (1974)

“The greater part of the time I spent, when I talked at all, talking to men. I liked to take luncheon in some pub or other, sitting on a high stool at the snack-counter, barons of beef, hams, salads and dishes of pickle spread before me, the server in his tall white cap carving with skill. Other male eaters would be wedged against me, champing over newspapers, and there were a peculiar animal content in being among warm silent men, raising glasses in smacking silent toasts to themselves, the automatic ‘ah’ after the draught, the forkful of red beef and mustard pickle. Sitting with my gin or whisky afterwards I would often manage to get into conversation with some lonely man or other – usually an exile like myself – and the talk would be about the world, air-routes and shipping-lines, drinking-places thousands of miles away. Then I felt happy, felt I had come home, because home to people like me is not a place but all places, all places except the one we happen to be in at the moment.”

Anthony Burgess

Fiction, The Right to an Answer (1960)

“The most sensational of all the sick literary lives was that of Maupassant, who died mad at forty-three and whose hatred of God, man and nature - manifested in literary productions which give us immense pleasure: how is that to be explained? - spring from a kind of mother fixation as well as a terror of the cold. He was a bull of a man much given to boats and riparian dalliance, but he had bad circulation. He had other things too, including a Chinese-style priapism which enabled him to copulate, usually in public, six times in a row, the secret being his failure to detumesce. This, of course, like acne and the common cold, can be a symptom of tertiary syphilis, which Maupassant certainly had.”

Anthony Burgess

Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)

“Ted, I noted, was very busy - at the pumps, at the glasses behind, the bottles below, the merrily ringing till, like a percussion-player in some modern work who dashes with confidence from xylophone to glockenspiel to triangle to wind-machine to big drum to tambourine.”

Anthony Burgess

Fiction, The Right to an Answer (1960)