Andrew Sega: Quotes about thinking

Andrew Sega is musician from America. Explore interesting quotes on thinking.

Andrew Sega: 104 quotes0 likes

“I think there are some objective [musical] qualities… how complex something is, how melodic, how diverse the tonality is, et cetera. But I could also make a piece of music that contains all of those and yet isn't "good" from a subjective viewpoint. For example, take Beethoven's "Moonlight Sonata", Beatles "Yesterday", and Underworld's "Born Slippy", and play them all on top of each other at the same time. Great music in their own right, but terrible sounding together.”

Andrew Sega Shrine interview, 2011

“I think [Britney Spears] is a perfect example of an artificial construct -- someone with a decent voice and a very marketable image, that producers and business people turned into a pop star. Unfortunately, I think it took a toll on her, mentally, and I feel bad for the trouble that success has brought onto her. However, her music is pretty disposable, and she doesn't have the intelligence and cultural impact of someone like, say, Madonna.”

Andrew Sega Shrine interview, 2011

“A human is a complicated organic/electrical system, which is immersed in a culture. Try raising a monkey like a human, it won't work, you need the human's certain brain characteristics (including self-reflection) in order to create a truly intelligent creature. The brain processes inputs and perception in very particular ways, and I think until we understand the underlying processes better, there is no way to really simulate it in software. Computers will continue to be good at simplistic analysis, and raw processing power, but the subtlety of emotions is something intrinsic to the human organism and culture.”

Andrew Sega Shrine interview, 2011

“I think much of the conflict in the world is directly the result of people's varying interpretations of reality, or perhaps you could term it the "distortions" in their lenses. The best one can do is to try to consume as much knowledge as possible, both from your experiences, and from the words of others, in order to try to form a complete picture of the world.”

Andrew Sega Shrine interview, 2011

“A lot of my tracked music was written when I was very young, relatively speaking. I was very optimistic, I had finally discovered some sort of public musical outlet, it was generally a very happy time. So, the music of that time sort of reflects that, I think? By the time I started the Alpha Conspiracy project, I was older, a bit more sophisticated (and, well, cynical), and so the music got more complex.”

Andrew Sega Shrine interview, 2011

“I think as a musician you really have to have a wide variety of tastes, or else you will unconsciously get into a rut.”

Connexion Bizarre interview with Iris, 2009 http://www.connexionbizarre.net/interviews/iris-an-interview-with-andrew-sega-and-reaganjones

“I'd like to see people try to sample the sound less and try to sample the style a bit more. Some people see this sort of 'copying' as offensive… I'm inclined to think the opposite - all music is built on imitation and expansion.”

Static Line interview, 1998

“There may not be a high-level purpose for humanity, but that doesn't mean we can't find inspiration in the world. I think there is a combination of psychological and environmental factors that combine to create various urges in humanity -- most importantly the urge to create, to contribute something to the world, to express your personal worldview and see how the world responds. Art doesn't happen in a vacuum, and if it were only for personal gain then nobody would ever release music to the public. The process changes you, and also changes the world itself, creating ripples of inspiration which flow between the artist and the listener.”

Andrew Sega Shrine interview, 2011

“I think that the public judges a song on the overall feel, not individual samples. If a sample contributes too heavily to the song, and the sample is recognized, the opinion of the piece goes down.”

Static Line interview, 1998

“I think we'll soon see a new breed of musicians who have both a modern chordal sense (jazz) and a high comfort level with synthesizers and new breeds of sounds (from the electronica/techno/dj scene).”

Static Line interview, 1998