André Maurois: Likeness

André Maurois was French writer. Explore interesting quotes on likeness.

André Maurois: 404 quotes4 likes

“Woman's great strength lies in being late or absent. Presence immediately reveals the weak points of our beloved; when she is absent she become one of the sylph-like figures of our adolescence whom we endowed with perfection.”

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

“The old writer, like the old actor, is a master of his craft. Youthfulness of style is no more than a matter of technique.”

The Art of Writing

“I believe that communities which lack the feminine influence are apt to fall into abstraction and the madness of systems which, being false, require violence to put into practice. We have, alas, seen too many examples of this. A masculine civilization like that of ancient Greece perishes through politics, metaphysics, and vanity. Women alone can give these doctrinary drones a sense of the real and simple values of the hive. No true civilization is possible without the collaboration of the two sexes, but there can be no real collaboration unless the differences between the sexes are accepted and a mutual respect established.”

Un Art de Vivre (The Art of Living) (1939), The Art of Marriage

“To desire to be perpetually in the society of a pretty woman until the end of one's days, is as if, because one likes good wine, one wished always to have one's mouth full of it.”

Les silences du colonel Bramble (The Silence of Colonel Bramble)

“As far as possible the duty of a leader is to foresee dissatisfaction and to remedy injustice before complaints are made. To accomplish this he must maintain close contact with the men he controls. Let him go into the trenches if he is a general; let him arrive at the factory with his workmen now and then if he is the manager. He must have some imagination; an understanding of other men's lives is necessary to him, so that he may be able to protect those under him from unnecessary suffering. The secret of gaining their affection is to feel affection for them and to be able to do their jobs as well as they do them themselves. Men endure taking orders, and even like it, if the orders are given intelligently.”

Un Art de Vivre (The Art of Living) (1939), The Art of Leadership

“In the case of a novel, or any imaginative work, especially if the tone is poetic, my own preference is for ending with a touch of symbolism which shall leave the reader brooding. A fine novel, a well-written story, "proves" nothing. Certain characters have played their parts, life goes on, and the final passage may be allowed to remain with one foot in the air, as is the case with some of Chopin's conclusions. But there is no absolute rule in such matters, and there are epic novelists who like to end on a powerful crescendo, as Ravel does in Bolero, or Dvorak in the New-World Symphony. Composition has features which are common to all the arts, and the author can learn as much about his business in the concert hall as in the library.”

The Art of Writing

“Women apparently achieve happiness more easily with energetic and virile men, men achieve it more easily with women who are affectionate and willing to be led. Very young women declare that they want to marry men whom they can dominate, but I have never discovered a woman who was truly happy with a man she did not admire for his strength and courage, nor a normal man who was perfectly happy with an Amazon. The fact is that the element of chance in these matters rarely allows a man or a woman to choose a life companion by an act of pure volition, and it is better so; instinct, despite its mistakes, is surer here than intelligence. The question Do I have to fall in love? should not be asked; one must feel the answer to it within oneself. The birth of love, like all other births, is the work of nature.”

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

“Balzac has often provided us with the tragic spectacle of an old man in love. Obliged now to obtain with gifts and favors what his personal charm won for him in his earlier days, the aged lover will ruin himself for every young woman clever enough to waken a crazy hope in his breast. Chateaubriand, who knew only too well what such suffering was like, left a terrible manuscript entitle Amour et Vieillesse; it is the long and grievous lament of a lover who does not know hot to grow old. "Those who have loved women a great deal will always love them; that is their punishment." And women who have loved many men are punished by hearing the younger among them say with genuine surprise: "I'm told she was once very beautiful."”

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

“England will pay ten thousand a year to a lawyer or a banker, but when she has splendid fellows like me who conquer empires and keep them for her, she only gives them just enough to keep their polo ponies.”

Les silences du colonel Bramble (The Silence of Colonel Bramble)